Period: 19th century / Genre: literary theme / Work Type: intaglio print

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

1880-1883

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Print made by Samuel Palmer, 1805–1881

The Sepulchre

between 1880 and 1883

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Engraved by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Etched by Joseph Mallord William Turner, 1775–1851

The Fifth Plague of Egypt

1808

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Prints made by William Blake, 1757–1827

The Life, and Posthumous Writings, of William Cowper (volume 3)

1803-1804

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by Thomas Jeavons, ca. 1800–1867

Kenilworth Castle, Warwickshire

1832

Print made by Edward Goodall, 1795–1870

Rolandseck

1837

Print made by Edward Goodall, 1795–1870

The Chaplet

1839

Print made by Edward Goodall, 1795–1870

The Nile

1839

Print made by Edward Goodall, 1795–1870

The Death Boat of Heligoland

1837

Print made by Edward Goodall, 1795–1870

The Garden

1839

Print made by Edward Goodall, 1795–1870

Ehrenbreitstein (Vignette)

1837

Print made by John Cousen, 1804–1880

Whitby

ca. 1844

Print made by Edward Goodall, 1795–1870

Lake of Nemi

ca. 1844

Print made by William Miller, 1796–1882

Tynemouth Priory

ca. 1844

Print made by Edward Goodall, 1795–1870

The Beech Tree's Petition

1837

Print made by John Cousen, 1804–1880

The Abbey Pool

ca. 1844

Print made by William Miller, 1796–1882

Field of Waterloo with Lightning

1835

Print made by William Miller, 1796–1882

The Rhymer's Glen

1835

Thomas Cheesman, 1760–1834/35

Mrs. Montagu

1809

Thomas Cheesman, 1760–1834/35

Mrs. Montagu

1809

Print made by Charles Brome, ca. 1774–1801

Emma, Lady Hamilton as 'Ariadne'

1801

Print made by William Ward, 1766–1826

Mrs. Pope as Juliet

ca. 1804

Print made by Luigi Schiavonetti, 1765–1810

The Day of Judgment

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

Death's Door

1808, published 1813

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

1808, published 1813

Print made by Thomas Goff Lupton, 1791–1873

Procris and Cephalus

1864

Print made by Sir Frank Short, 1857–1945

Aesacus and Hesperie

1896

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Print made by Sir Frank Short, 1857–1945

Pan and Syrinx

1896

Print made by Edward Francis Finden, 1791–1857

The School of Homer, Scio

1833

Print made by Edward Goodall, 1795–1870

The Landing of Columbus

1834

Print made by Edward Goodall, 1795–1870

Datur Hora Quieti

1834

Print made by Francesco Bartolozzi, 1728–1815

And Ah! Let Pity Turn Her Dewy Eyes..

1801

Edward Scriven, 1775–1841

Julius Caesar: Act IV Scene III: Brutus' Tent ..

1802

John Raphael Smith, 1752–1812

"William and Margaret"

1802

James T. Willmore, 1800–1863

Byron's Dream

1833

Samuel Bradshaw, 1830–1869

The Parting of Hero and Leander

ca. 1861

Print made by William Forrest, 1802–1889

Smailholm Tower

1836

Print made by Edward Goodall, 1795–1870

A Village – Evening

1834

Print made by Edward Goodall, 1795–1870

Johnnie Armstrong's Tower

1834

Print made by James T. Willmore, 1800–1863

Lochmaben Castle

1834

Print made by James T. Willmore, 1800–1863

Lochmaben Castle

1834

Print made by Edward Goodall, 1795–1870

Fingal's Cave, Staffa

1834

Print made by Edward Goodall, 1795–1870

Caerlaverock Castle

1834

Print made by Robert Wallis, 1794–1878

Hermitage Castle

1834

Print made by John Cousen, 1804–1880

The Temptation on the Mountain

1835

Print made by Edward Goodall, 1795–1870

HMS Bellerophon, Plymouth Sound

1835

Print made by William Miller, 1796–1882

Loch Katrine

1834

Print made by William Miller, 1796–1882

Berwick-on-Tweed

1834

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Period 19th century

Genre literary theme

Work Type intaglio print

YCBA Collections Search

Refine your search

Search Constraints

Period 19th century

Genre literary theme

Work Type intaglio print

Search Results