Entrance Doorway in the Tower, St Stephen's Chapel
undated
7
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
8
Print made by Augustus Charles Pugin, 1762–1832
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
9
unknown artist
The Interior of Westminster Abbey
ca. 1714
Not on view
10
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
11
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
12
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
13
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
14
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
15
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
16
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
17
unknown artist
An Imaginary View of Westminster Bridge
mid-18th century
Not on view
18
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
19
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
20
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
21
Samuel Scott, 1701/2–1772
The Building of Westminster Bridge
ca. 1742
Not on view
22
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
23
Samuel Scott, 1701/2–1772
Westminster from Lambeth, with the Ceremonial Barge of the Ironmongers' Company
ca. 1745
Not on view
24
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
25
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
26
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
27
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
28
Samuel Scott, 1701/2–1772
View on the Thames with Westminster Bridge
between 1743 and 1744
Not on view
29
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
30
Samuel Scott, 1701/2–1772
Arches of Westminster Bridge
ca. 1750
Not on view
31
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
32
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
33
Canaletto, 1697–1768
Westminster Bridge, with the Lord Mayor's Procession on the Thames
1747
Not on view
34
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
35
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
36
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
37
John Boydell, 1720–1804
St. Clement Danes
1751
38
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
39
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
40
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
41
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
42
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
43
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
44
Richard Wilson, 1713/4–1782
View of the Wilderness in St. James's Park
between 1770 and 1775
Not on view
45
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
46
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
47
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
48
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
49
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
50
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
51
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
53
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
54
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
55
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
56
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
57
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
58
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
59
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
60
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
61
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
62
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
63
unknown artist
Elevation of the Ordnance Office
after 1780
64
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
65
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
66
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
67
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
68
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
69
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
70
Edward Edwards, 1738–1806
Interior View of Westminster Abbey on the Commemoration of Handel, Taken from the Manager's Box
ca. 1790
Not on view
71
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
72
George Morland, 1763–1804
St. James's Park
between 1788 and 1790
Not on view
73
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
74
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
75
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
76
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
77
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
78
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
79
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
80
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
81
unknown artist
A Game of Cricket (The Royal Academy Club in Marylebone Fields, now Regent's Park)
between 1790 and 1799
Not on view
82
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
83
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
84
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
85
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
87
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
88
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
89
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
90
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
91
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
92
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
93
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
94
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
95
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
96
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
97
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
98
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
99
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
100
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard