Design for a Tripod and Design for Entablature of the Upper Range of Windows in the Hall
undated
9
unknown artist
Design for a Lamp
undated
10
unknown artist
Design for a Clock Case
undated
11
unknown artist
Design for a Saloon
undated
12
unknown artist
Transept of St. Saviour's, Southwark, London
undated
13
James Wyatt, 1746–1813
Cobham Hall, Kent: Dressing Room Ceiling
ca. 1790
14
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Room
ca. 1790
15
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of the Office
ca. 1790
16
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of the Dining Parlor
ca. 1790
17
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Courtyard
ca. 1790
18
James Wyatt, 1746–1813
Cobham Hall, Kent: Side Elevation
ca. 1790
19
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Vue Perspective d'une Maison de la rue Pigale Appartenant a Madame la Comtesse Rapp - Cote du Jardin
undated
20
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan au Rez-de-Chaussee (du Chateau de Wildenstein)
undated
21
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Second etage (du Chateau de Wildenstein)
undated
22
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Sousterrain (du Chateau de Wildenstein)
undated
23
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer appartennant a Madame la Comtesse Rapp. Cote des cours
undated
24
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan du Rez-de-Chaussee de la Propriete de la rue Plumer
undated
25
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Vue Perspective de la Propriete de la rue Plumer Appartenant a Madame la Comtesse Rap. Cote du Jardin
undated
26
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan generale de la Propriete de la rue Plumer - Entree sur la rue Plumer - Vue Perspective de la Fontaine
undated
27
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt, avec un Agrandissement Projette
undated
28
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe, sur la Ligne AB, du Petit Chateau de Brucourt dans son Etat Primitif
undated
29
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Coupe sur la Ligne AB du Petit Chateau de Brucourt avec l'Agrandissement Projete
undated
30
William Taverner, 1703–1772
Landscape with Buildings: Possibly at Richmond, Surrey
undated
31
Henry Phillip Hope, active 1799–1818
La Fontaine de Topana a Constantinople
1799
32
Henry Phillip Hope, active 1799–1818
La Fontaine de Ste. Sophie a Constantinople
1799
33
Henry Phillip Hope, active 1799–1818
Two Designs for Table Legs in Egyptian Style; One Design for Wall Decoration
undated
34
John William Upham, 1772–1828
The Castle at Dieppe, Normandy
undated
35
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Elevation View
undated
36
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of House with Alternative Design for Pediment
ca. 1790
37
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation and Plans of the Windows, Attic and Staircase
ca. 1790
38
James Wyatt, 1746–1813
Cobham Hall, Kent: Section of a Hallway
ca. 1790
39
Humphry Repton, 1752–1818
Cobham Hall, Kent: Landscape drawing for Cobham Hall
ca. 1790
40
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay - Elevation sur la Cour
undated
41
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Deuxieme (2me) Etage Plan
undated
42
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Plan du Rez-de-Chaussee d'une Maison de la Rue Pigale...(indiquant) les Changements faits par Monsieur le Duc d'Otrante
undated
43
Henry Phillip Hope, active 1799–1818
Rue Pigale, Quai D'Orsay: Caves et Souterreins - Plan
undated
44
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Premier etage du Chateau de Wildenstein
undated
45
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, a Rez-de-Chaussee, du Petit Chateau de Brucourt dans son Etat Primitif
undated
46
Henry Phillip Hope, active 1799–1818
Colmar, Chateau Wildenstein, Rue Plumer: Plan, au Premier Etage, du Petit Chateau de Brucourt, avec un Agrandissement Projete
undated
47
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
48
Stephen Riou, 1720–1780
Design for a villa: `The Ground Plan and Elevations of a Villa'
1770
49
unknown artist
Paultons, Hampshire
undated
50
George Richardson, ca.1738–ca.1813
Design for a Chimney Piece
1773
51
unknown artist
Design for a Wine Cooler
undated
52
unknown artist
Design for Herms
undated
53
unknown artist
Design for an Altar
undated
54
James Wyatt, 1746–1813
Cobham Hall, Kent: Plan and Elevations of the Music Hall
undated
55
unknown artist
Elevation of a Bedchamber with Corinthian Decoration
undated
56
unknown artist
Design for a Classical House
undated
57
John Yenn, 1750–1821
Design for Wall Decoration
ca. 1800
58
John Yenn, 1750–1821
Designs for Wall Decoration
ca. 1800
59
John Yenn, 1750–1821
Design for a Doorway
1781
60
John Yenn, 1750–1821
Design for a Doorway
1781
61
unknown artist
Design for a Lamp
undated
62
unknown artist
Design for a Library
undated
63
unknown artist
The Choir St. Marys (with ms. notes)
undated
64
James Wyatt, 1746–1813
Cobham Hall, Kent: Elevation of South Front of South Wing
undated
65
Thomas Anburey, 1759–1840
Mahore, a Fortress Belonging to Nizam Alley (1 of 6)
ca. 1792
66
Print made by Sir David Young Cameron, 1865–1945
R. 42. Greenock, No. 1. No. 13 in the Clyde Set
1889
67
Print made by unknown artist
Brass Plate for John Lord L'Estrange and his Wife Jacquetta Woodville, Hillingdon Church
undated
68
James Bruce, 1730–1794
No. 1 plan of a temple at Baalbec
undated
69
James Bruce, 1730–1794
Basso Relievos: Statues and Inscriptions 1765. Manuscript with Drawings.
1765
70
Stephen Riou, 1720–1780
Design for a substantial villa. The `Forefront' and profile plan of the front elevation
1770
71
Stephen Riou, 1720–1780
Design for a villa: `Fore Front' (south-east elevation), `Garden Front' (north-west elevation) and overlay plan
1763
72
Henry Holland, 1745–1806
Design for Extending the Garden Front at Carlton House, Pall Mall, London: Elevation
between 1783 and 1796
73
Thomas Anburey, 1759–1840
Ruins of Baugnee-Ghur near Hydrabad (1 of 6)
ca. 1792
74
John Robert Cozens, 1752–1797
Temple Ruins
undated
75
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
76
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
77
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
78
unknown artist
Hinton St. George, Somerset: Design for a Door Frame
undated
79
unknown artist
Hinton St. George, Somerset: Attic Floor Plan
undated
80
unknown artist
Hinton St. George, Somerset: Design for a Vaulted Ceiling