Materials & Techniques: line engraving / Collection: Prints and Drawings / Period: 19th century

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake, 1757–1827

From Antique Coins

1821

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by Bartholomew Howlett, 1767–1827

Sleaford Church

1801

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

Print made by John Pye, 1782–1874

Paestum (Vignette)

1830

Print made by Edward Goodall, 1795–1870

Greenwich Hospital

1834

Print made by George Cooke, 1781–1834

The Roman Forum from the Tower of the Capitol

1818-1820

Print made by William Miller, 1796–1882

An Old Manor House

1834

Print made by Edward Goodall, 1795–1870

St. Anne's Hill, No. I

1834

Print made by Edward Goodall, 1795–1870

A Hurricane in the Desert

1834

Print made by George Cooke, 1781–1834

Florence, from the Chiesa al Monte

1820

Print made by George Cooke, 1781–1834

Antiquities at Pola, Frontispiece

1818

Print made by George Cooke, 1781–1834

Antiquities at Pola, Frontispiece

1818

Print made by James Fittler, 1758–1835

Isola Bella on the Lago Maggiore

1818-1820

Print made by Henry Moses, ca. 1782–1870

Mr. Fawkes Gallery

1819-1820

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Print made by William Bernard Cooke, 1778–1855

Parnassus

1821

Print made by unknown artist

The Little Devil's Bridge

between 1816 and 1820

Print made by unknown artist

Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore

1821

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by W. R. Smith, active 1819–1851

Richmond, Yorkshire

1818-1823

Print made by William Bernard Cooke, 1778–1855

The Observatory at Rosehill, Sussex

1816

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by John Le Keux, 1783–1846

St. Agatha's Abbey, Easby

1818-1823

Print made by John Wykeham Archer, 1808–1864

Richmond Castle and Town

1820

Print made by John Wykeham Archer, 1808–1864

Richmondshire Castle and Town

1820

Print made by John Landseer, 1769–1852

Fall of the Tees

1818-1823

Print made by Edward Goodall, 1795–1870

Land Discovered by Columbus

1834

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by Thomas Higham, 1796–1844

Egglestone Abbey, near Barnard Castle

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1818-1823

Print made by John Pye, 1782–1874

Junction of the Greta and Tees at Rokeby

1819

Print made by Samuel Rawle, 1771–1860

Brignall Church

1818-1823

Print made by William Miller, 1796–1882

A Garden

1834

Print made by Edward Goodall, 1795–1870

A Village – Evening

1834

Print made by Edward Goodall, 1795–1870

Datur Hora Quieti

1834

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Edward Goodall, 1795–1870

Cortes and Pizarro

1834

Print made by Edward Goodall, 1795–1870

The Gipsy

1834

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by Edward Goodall, 1795–1870

Leaving Home

1834

Print made by Edward Goodall, 1795–1870

Keswick Lake

1834

Print made by John Pye, 1782–1874

Wycliffe, near Rokeby

1818-1823

Print made by William Miller, 1796–1882

An Old Manor House

1834

Print made by John Scott, 1774–1828

Aysgarth Force

1818-1823

Print made by Edward Goodall, 1795–1870

A Hurricane in the Desert

1834

Print made by William Miller, 1796–1882

Venice, The Rialto - Moonlight

1834

William Finden, 1787–1852

A Concert

1834

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Print made by James C. Allen, active 1821–1831

Dunbar

1824

William Finden, 1787–1852

The Bird's Nest

1834

William Finden, 1787–1852

Children Swinging

1834

William Finden, 1787–1852

An Alcove

1834

Print made by William Miller, 1796–1882

Bass Rock

1826

William Finden, 1787–1852

Domestic Happiness

1834

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Materials & Techniques line engraving

Collection Prints and Drawings

Period 19th century

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Period 19th century

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