Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
3
Etched by Joseph Mallord William Turner, 1775–1851
Procris and Cephalus
1812
4
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
5
George Romney, 1734–1802
Prospero and Miranda
ca. 1787
6
George Romney, 1734–1802
The Abandonment and Rescue of Perdita from "The Winter's Tale"
undated
7
George Romney, 1734–1802
John Henderson as Falstaff
1780
8
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
9
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
10
William Blake, 1757–1827
The Poems of Thomas Gray, Design 53, "The Bard."
between 1797 and 1798
11
William Blake, 1757–1827
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
12
William Blake, 1757–1827
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
between 1797 and 1798
13
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
14
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
15
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
16
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
17
William Blake, 1757–1827
The Poems of Thomas Gray, Design 101, "Ode for Music."
between 1797 and 1798
18
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
19
William Blake, 1757–1827
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
20
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
1789
21
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
22
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
23
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
24
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
25
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
26
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
27
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
31
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
32
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
33
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
34
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
35
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
36
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
37
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
38
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
39
William Blake, 1757–1827
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
40
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
41
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
42
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
43
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
44
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
45
Print made by William Blake, 1757–1827
Jerusalem, Plate 76
1804 to 1820
46
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
47
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
48
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
49
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
50
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
51
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
52
William Young Ottley, 1771–1836
Prospero Summoning Ariel
ca. 1800
53
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Weston as Spy in Bates "The Rival Candidates"
undated
54
James Northcote, 1746–1831
Macbeth and the Witches
between 1777 and 1778
55
Alexander Runciman, 1736–1785
Celadon and Amelia from Thomson's 'The Seasons'
undated
56
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
57
unknown artist
The Death of Cordelia
undated
58
Print made by Edward Goodall, 1795–1870
St. Julienne's Chapel
1834
59
Thomas Carwitham, active 1723
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
60
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
61
Theodor von Holst, 1810–1844
Faust and Margaret
undated
62
Theodor von Holst, 1810–1844
Ferdinand Riding the Waves
ca. 1830
63
Robert Smirke, 1752–1845
Illustration for Don Quixote, Two Figures at a Table
undated
64
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
1827
65
Print made by Luigi Schiavonetti, 1765–1810
The Soul Hovering over the Body reluctantly Parting with Life
1808, published 1813
66
John Boyne, ca. 1750–1810
Malvolio: Possibly a Self-Portrait in the Role
undated
67
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
68
Robert Smirke, 1752–1845
Prospero and Ariel
1821
69
Robert Smirke, 1752–1845
Anne Page and Slender
1821
70
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
71
Thomas Carwitham, active 1723
Illustration to Homer's Iliad
1723
72
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
73
Print made by Sir Frank Short, 1857–1945
Procris and Cephalus
1885
74
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
75
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
76
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
77
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
78
Robert Smirke, 1752–1845
Katherina and Grumio
1821
79
Print made by Thomas Goff Lupton, 1791–1873
Procris and Cephalus
1864
80
Sawrey Gilpin, 1733–1807
Study for "Gulliver's Travels"
undated
81
Isaac Taylor, 1730–1807
Scene from the play, "The Careless Husband"
undated
82
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
83
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
84
Print made by Richard Ansdell, 1815–1885
Sleepest or Wakest Thou?
ca. 1853
85
Robert Smirke, 1752–1845
Launce with his Dog Crab
ca. 1821
86
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
87
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
88
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
89
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
90
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
91
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene III
undated
92
Print made by Paulus Pontius, 1603–1658
Aubertus Miræus
ca. 1635
93
Print made by John Faber the Younger, ca. 1695–1756
Kitty Clive as Lady Easy in "The Careless Husband"
1739
94
Sir David Wilkie, 1785–1841
A Scene from "The Abbot"
1833
95
George Augustus Sala, 1828–1895
Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore
undated
96
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801