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101. Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"

Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

102. Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."

Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"

Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

104. Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

105. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

106. Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

107. Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

108. Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

109. For the Sexes: The Gates of Paradise, Plate 6, "Air"

For the Sexes: The Gates of Paradise, Plate 6, "Air"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

110. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

For the Sexes: The Gates of Paradise, Plate 7, "Fire"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

111. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

112. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
Creator:
Print made by William Blake, 1757–1827
Date:
1826
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 13 3/4 inches (34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

113. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

114. Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"

Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

115. Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

116. Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

117. Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"

Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

118. Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

119. Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"

Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

120. Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

121. Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

122. Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

123. Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"

Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

124. Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

125. Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

126. Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

127. Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

129. The Life, and Posthumous Writings, of William Cowper (volume 3)

The Life, and Posthumous Writings, of William Cowper (volume 3)
Creator:
Prints made by William Blake, 1757–1827
Date:
1803-1804
Materials & Techniques:
Etchings and line engravings on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

130. Introduction to the Fables, The Shepherd and the Philosopher

Introduction to the Fables, The Shepherd and the Philosopher
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

131. Fable XVI. The Pin and the Needle

Fable XVI. The Pin and the Needle
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

132. Fable XXIV. The Butterfly and the Snail

Fable XXIV. The Butterfly and the Snail
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

133. Fable XXII. The Goat Without a Beard

Fable XXII. The Goat Without a Beard
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

134. Fable XXVIII. The Persian, the Sun, and the Cloud

Fable XXVIII. The Persian, the Sun, and the Cloud
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

135. Fable XXX. The Setting-dog and the Partridge

Fable XXX. The Setting-dog and the Partridge
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

136. Fable XVI. The Ravens, the Sexton, and the Earth-Worm

Fable XVI. The Ravens, the Sexton, and the Earth-Worm
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

137. The Man Sweeping the Interpreter's Parlour

The Man Sweeping the Interpreter's Parlour
Creator:
William Blake, 1757–1827
Date:
ca. 1822
Materials & Techniques:
White-line metal cut engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 x 9 1/8 inches (17.8 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.
Creator:
Print made by William Blake, 1757–1827
Date:
1804
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.
Creator:
Print made by William Blake, 1757–1827
Date:
1804
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 11 1/2 inches (29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Young's Night Thoughts, Page 23, "We censure nature for a span too short"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Fable XII. Pan and Fortune

Fable XII. Pan and Fortune
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

143. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 16 3/4 inches (42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

145. Fable VI. The Miser and Plutus

Fable VI. The Miser and Plutus
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

146. Fable XIII. The Tame Stag

Fable XIII. The Tame Stag
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

147. Fable XLI. The Owl and the Farmer

Fable XLI. The Owl and the Farmer
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

148. Fable I. The Dog and the Fox

Fable I. The Dog and the Fox
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Binding: 10 1/2 inches (26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

149. Literary Characters Assembled around the Medallion of Shakespeare

Literary Characters Assembled around the Medallion of Shakespeare
Creator:
Print made by Lydia Bates, active 1784
Date:
ca. 1777
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 16 9/16 inches (28.5 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

150. Robin Hood and Clarinda hunting deer in a wooded landscape

Robin Hood and Clarinda hunting deer in a wooded landscape
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Engraving
Dimensions:
Sheet: 5 1/4 × 3 1/8 inches (13.3 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)

Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

152. Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)

Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

153. Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)

Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

154. Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)

Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

155. Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)

Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
Creator:
Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

156. Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)

Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

157. Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)

Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs on medium, slightly textured, cream paper mounted on linen
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

158. Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)

Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

159. Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)

Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/2 x 20 13/16in. (47 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

160. Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)

Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Stipple engraving, open letter proofs
Dimensions:
Sheet: 18 1/8 x 20 13/16in. (46 x 52.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

161. Garrick Between Tragedy and Comedy

Garrick Between Tragedy and Comedy
Creator:
Print made by Edward Fisher, 1722–1785
Date:
undated
Materials & Techniques:
Mezzotint ( 1st state ) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 16 3/8 × 19 7/8 inches (41.6 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

162. David Garrick in the Character of 'Kitely'

David Garrick in the Character of 'Kitely'
Creator:
Print made by John Finlayson, 1730–1776
Date:
1769
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 15/16 × 10 15/16 inches (37.9 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

163. Dr. Goldsmith

Dr. Goldsmith
Creator:
Print made by Giuseppe Marchi, ca. 1735–1808
Date:
1770
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/8 × 13 inches (46 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

164. Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'

Mary Hale (née Chaloner) as Euphrosyne in 'L'Allegro'
Creator:
Print made by James Watson, 1740–1790
Date:
between 1762 and 1764
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 3/8 × 17 3/4 inches (67 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

165. Phoebe Hoppner as Caroline de Lichtfield

Phoebe Hoppner as Caroline de Lichtfield
Creator:
Print made by John Dean, 1754–1798
Date:
1786
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 5/16 x 11 9/16 inches (36.3 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

166. Dorothea

Dorothea
Creator:
Print made by William Say, 1768–1834
Date:
1804
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 28 3/4 × 19 5/8 inches (73 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

167. David Garrick as Richard III

David Garrick as Richard III
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1772
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 26 1/4 × 17 1/8 inches (66.7 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

168. Mordecai

Mordecai
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1787
Materials & Techniques:
Mezzotint on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 23 5/8 inches (49.2 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

169. Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor

Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor
Creator:
Print made by William Dickinson, 1746–1823
Date:
1780
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 5/16 × 11 5/16 inches (31.2 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

170. Joseph Sold by his Brethren

Joseph Sold by his Brethren
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1782
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 25 inches (54.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

171. Love in Her Eyes Sits Playing

Love in Her Eyes Sits Playing
Creator:
Print made by John Raphael Smith, 1752–1812
Date:
1778
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 17 5/16 × 19 3/8 inches (44 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

172. Mrs. Pope as Juliet

Mrs. Pope as Juliet
Creator:
Print made by William Ward, 1766–1826
Date:
ca. 1804
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 × 12 inches (40.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

173. Kitty Clive as Lady Easy in "The Careless Husband"

Kitty Clive as Lady Easy in "The Careless Husband"
Creator:
Print made by John Faber the Younger, ca. 1695–1756
Date:
1739
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 13 inches (27.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

174. Sylvio and Dorinda

Sylvio and Dorinda
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1752 and 1768
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/16 x 14 1/8 inches (26.2 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

175. Sylvio and Dorinda

Sylvio and Dorinda
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1680 and 1703
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 12 5/8 inches (23.1 × 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

176. Edwin

Edwin
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/16 x 10 1/16 inches (36 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

177. Angelina

Angelina
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 13 1/8 x 10 3/16 inches (33.4 x 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

178. Burchell Reading the Ballad

Burchell Reading the Ballad
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/8 x 10 1/16 inches (36.5 x 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

179. Edwin

Edwin
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 9 3/16 inches (30.1 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

180. The Judgement of Paris

The Judgement of Paris
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint with line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 13/16 × 12 7/16 inches (27.5 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

181. Venus and Adonis

Venus and Adonis
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
ca. 1690
Materials & Techniques:
Mezzotint, before all letters on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/8 × 13 13/16 inches (25.7 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

182. Venus and Adonis

Venus and Adonis
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 × 14 inches (26.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

183. Acteon and Diana

Acteon and Diana
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

184. Lisabetta

Lisabetta
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint (before all letters) on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 13 11/16 × 9 15/16 inches (34.8 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

185. Lisabetta

Lisabetta
Creator:
Print made by James McArdell, ca. 1729–1765
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 9 3/8 inches (34 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

186. Two Seated Women Reading a Letter

Two Seated Women Reading a Letter
Creator:
Print made by Pieter Schenck I, 1660–1719
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 5/16 × 10 7/8 inches (36.4 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

187. Dorastus and Fawnia

Dorastus and Fawnia
Creator:
Print made by John Simon, 1675–1755
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 9/16 × 14 1/16 inches (26.8 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

188. Rinaldo and Armida

Rinaldo and Armida
Creator:
Print made by Wallerant Vaillant, 1623–1677
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/16 × 15 1/4 inches (31.3 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

189. Lucilia

Lucilia
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 7/16 x 7 13/16 inches (26.5 x 19.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

190. Don Ferdinand

Don Ferdinand
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 17 3/16 x 11 3/4 inches (43.6 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

191. Don Ferdinand

Don Ferdinand
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 5/8 x 10 3/8 inches (37.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

192. George Primrose

George Primrose
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 1/2 x 10 3/8 inches (36.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

193. Clara

Clara
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1777
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 17 3/8 x 11 9/16 inches (44.2 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

194. Pamela and Philoclea

Pamela and Philoclea
Creator:
Print made by Valentine Green, 1739–1813
Date:
ca. 1777
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 8 inches (22.3 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

195. A Good Boy

A Good Boy
Creator:
Print made by Charles Howard Hodges, 1764–1837
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 5/16 × 10 9/16 inches (33.8 × 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

196. Pygmalion

Pygmalion
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 4 15/16 inches (17.1 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

197. Lycidas and Phillis

Lycidas and Phillis
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 9/16 × 5 1/8 inches (16.7 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

198. Ulysses and Circes

Ulysses and Circes
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 12 11/16 inches (24.8 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

199. Diana and Acteon

Diana and Acteon
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 13/16 × 9 3/4 inches (35.1 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

200. Venus Presenting Armour to Aeneas

Venus Presenting Armour to Aeneas
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 × 13 1/16 inches (25.4 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund