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On-site Access Accessible by appointment in the Study Room

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Creator Alken, Henry Thomas, 1784–1851

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201. "Landscape Scenery", No. 13: Groups of Infantry and Army Horses

"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 9 11/16 inches (16 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Horse and Dog

Horse and Dog
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 3/8 inches (14.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. "Scraps", No. 28: Skittle Alley With Players and Spectators

"Scraps", No. 28: Skittle Alley With Players and Spectators
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 9 5/16 inches (17.3 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse

Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 11/16 inches (17 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. Turbaned Cavalryman Standing Beside a Horse

Turbaned Cavalryman Standing Beside a Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/8 × 6 1/2 inches (11.1 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome

Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 13/16 inches (17 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.

Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. Wounded Turkish Cavalryman in Danger of Failling From His Horse...

Wounded Turkish Cavalryman in Danger of Failling From His Horse...
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 × 7 15/16 inches (15.2 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Knight in Armour Standing by a Plumed and Caparisoned Horse

Knight in Armour Standing by a Plumed and Caparisoned Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 × 7 7/8 inches (15.2 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Turbaned Cavalryman on a Horse

Turbaned Cavalryman on a Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 × 5 1/16 inches (16.5 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Hooded Damascene Cavalryman Riding

Hooded Damascene Cavalryman Riding
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/8 × 6 1/2 inches (11.1 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. Head of a Foxhound, in Profile Right

Head of a Foxhound, in Profile Right
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 × 5 3/4 inches (12.1 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail

Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 5/16 × 5 1/8 inches (18.6 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. A Character (? Macbeth) in Renaissance Dress...

A Character (? Macbeth) in Renaissance Dress...
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 15/16 × 7 15/16 inches (15.1 × 20.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 1/2 inches (16.4 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
Creator:
Henry Thomas Alken, 1785–1851
Date:
1842
Materials & Techniques:
Watercolor over etched outline, with gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 × 7 3/8 inches (12.2 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. "Doing the Thing: and the Thing Done:" Doing it Somehow

"Doing the Thing: and the Thing Done:" Doing it Somehow
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. "Doing the Thing: and the Thing Done:" Doing it No How

"Doing the Thing: and the Thing Done:" Doing it No How
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 × 9 3/16 inches (15.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. "Doing the Thing: and the Thing Done:" Doing the Down Leap

"Doing the Thing: and the Thing Done:" Doing the Down Leap
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. "Doing the Thing: and the Thing Done:" The Down Leap Done

"Doing the Thing: and the Thing Done:" The Down Leap Done
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. "Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards

"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 3/8 inches (18.7 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. "Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One

"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. "Some Do and Some Don't: It is All a Notion:" Getting a Fall

"Some Do and Some Don't: It is All a Notion:" Getting a Fall
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.

Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. Fox Hunters - In Full Cry

Fox Hunters - In Full Cry
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1828
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. Fox Hunting: Leicestershire - Full Cry

Fox Hunting: Leicestershire - Full Cry
Creator:
Theodore Henry Adolphus Fielding, 1781–1851
Date:
1827
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. Fox Hunting: The Leap

Fox Hunting: The Leap
Creator:
Charles Bentley, 1806–1854
Date:
1828
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. Fox Hunting: Full Cry

Fox Hunting: Full Cry
Creator:
Charles Bentley, 1806–1854
Date:
1828
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. "Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc.

"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc.
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/16 × 9 1/2 inches (15.7 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he was
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Fox Hunting: Leicestershire - The Death

Fox Hunting: Leicestershire - The Death
Creator:
Theodore Henry Adolphus Fielding, 1781–1851
Date:
1827
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. Fox Hunters - Gone Away

Fox Hunters - Gone Away
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1828
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 1/2 x 13 3/4in. (26.7 x 34.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. Fox Hunting: Getting Away

Fox Hunting: Getting Away
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1835
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 14 1/2in. (26.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. Fox Hunting: Drawing the Cover

Fox Hunting: Drawing the Cover
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1835
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 14 1/2in. (26.4 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. Fox Hunting: Fores's Hunting Casualties - Dispatched to Head Quarters

Fox Hunting: Fores's Hunting Casualties - Dispatched to Head Quarters
Creator:
John Harris, 1811–1865
Date:
1850
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. Fox Hunting: Fores's Hunting Casualties - A Strange country

Fox Hunting: Fores's Hunting Casualties - A Strange country
Creator:
John Harris, 1811–1865
Date:
1850
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Fox Hunting: Fores's Hunting Casualties - A Rare sort for the Downs

Fox Hunting: Fores's Hunting Casualties - A Rare sort for the Downs
Creator:
John Harris, 1811–1865
Date:
1850
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Fox Hunting: Fores's Hunting Casualties - A Mutual Determination

Fox Hunting: Fores's Hunting Casualties - A Mutual Determination
Creator:
John Harris, 1811–1865
Date:
1850
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. Fox Hunting: Fores's Hunting Casualties - Up to Sixteen Stone

Fox Hunting: Fores's Hunting Casualties - Up to Sixteen Stone
Creator:
John Harris, 1811–1865
Date:
1850
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 3/8 x 13 1/8in. (26.4 x 33.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Plate 4. The Return

Plate 4. The Return
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1813
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 5/8 x 18in. (34.6 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. "Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right

"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 9 1/16 inches (16.7 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 9 1/8 inches (19.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. "Scraps", No. 8: Scenes of a Lancer and Other Cavalry

"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 9 3/8 inches (17.3 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right

Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 × 7 11/16 inches (12.7 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. Head of a Horse Wearing a Bridle

Head of a Horse Wearing a Bridle
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 4 3/4 inches (14.3 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition

"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 10 7/16 inches (18.6 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. "Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass

"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 × 10 5/16 inches (18.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. "Some Do and Some Don't: It is All a Notion:" Getting into a Bog

"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 3/4 inches (18.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,

Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 1/8 inches (18.3 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he was
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he is
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. The Cover

The Cover
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be

Comparative Meltonians, as they Are, and as they Were: A Meltonian as he us'd to be
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. Breaking Cover

Breaking Cover
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonians as the are
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. The Death

The Death
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is

Comparative Meltonians, as they Are, and as they Were: Gone Away, A Meltonian as he is
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 x 15 3/4in. (33 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. Fox Hunting: Leicestershire - The Meeting

Fox Hunting: Leicestershire - The Meeting
Creator:
Theodore Henry Adolphus Fielding, 1781–1851
Date:
1827
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. The Toast

The Toast
Creator:
George Hunt, active 1820–1840
Date:
1824
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 7/8 x 17 3/4in. (35.2 x 45.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. Full Cry

Full Cry
Creator:
George Hunt, active 1820–1840
Date:
1823
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 13 3/4 x 17 7/8in. (34.9 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

277. Fox Hunting: Leicestershire - Getting Away

Fox Hunting: Leicestershire - Getting Away
Creator:
Theodore Henry Adolphus Fielding, 1781–1851
Date:
1827
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 11 3/4 x 18 3/4in. (29.8 x 47.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. Fox Hunting: The Death

Fox Hunting: The Death
Creator:
Charles Bentley, 1806–1854
Date:
1828
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 10 1/2 x 16 5/8in. (26.7 x 42.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

279. Fox-hunting: Who-hoop!

Fox-hunting: Who-hoop!
Creator:
John Harris, 1811–1865
Date:
1844
Materials & Techniques:
Aquatint, printed in color and by hand
Dimensions:
Sheet: 16 5/8 x 24 1/4in. (42.2 x 61.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

280. Fox-hunting: The Brook!

Fox-hunting: The Brook!
Creator:
John Harris, 1811–1865
Date:
1844
Materials & Techniques:
Aquatint, printed in color and by hand
Dimensions:
Sheet: 16 5/8 x 14 1/4in. (42.2 x 36.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

281. Plate 3. Pheasant Shooting

Plate 3. Pheasant Shooting
Creator:
Richard Gilson Reeve, 1803–1889
Date:
1813
Materials & Techniques:
Aquatint, hand-colored
Dimensions:
Sheet: 13 5/8 x 18in. (34.6 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

282. Jumping a Double Oxer - A Rider in Difficulties

Jumping a Double Oxer - A Rider in Difficulties
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 5/8 inches (27.3 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

283. Steeplechasing: Four Riders Taking a Ditch and an Oxer

Steeplechasing: Four Riders Taking a Ditch and an Oxer
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 16 3/16 inches (25.2 × 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

284. Steeplechasing: Three Riders Taking a Brook, Spectators on Right

Steeplechasing: Three Riders Taking a Brook, Spectators on Right
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 14 11/16 inches (26.5 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

285. Steeplechasing: The Field taking a Low Rail and a Brook

Steeplechasing: The Field taking a Low Rail and a Brook
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

286. The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner

The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, brown wove paper mounted to thick card
Dimensions:
Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

287. Steeplechasing: The Finish

Steeplechasing: The Finish
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 14 11/16 inches (26.5 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

288. Steeplechasing: Three Riders Taking a Brook

Steeplechasing: Three Riders Taking a Brook
Creator:
Henry Thomas Alken, 1785–1851
Date:
ca. 1825
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. Steeplechasing: The Field Jumping Into and Out of a Lane

Steeplechasing: The Field Jumping Into and Out of a Lane
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

290. Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background

Steeplechasing: Three Riders Galloping to Right, Mounted Spectators in Background
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

291. "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'

"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 10 3/4 inches (20.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

292. Two Jockeys Galloping Neck and Neck to Right

Two Jockeys Galloping Neck and Neck to Right
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 15/16 × 12 3/4 inches (22.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

293. "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'

"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 7/8 inches (20.6 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. Three Racehorses with Jockeys Up Galloping in a Group to Left

Three Racehorses with Jockeys Up Galloping in a Group to Left
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 17 3/4 inches (27.1 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

295. The Night Riders of Nacton: The Last Field near Nacton Heath

The Night Riders of Nacton: The Last Field near Nacton Heath
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, brown wove paper, mounted to card
Dimensions:
Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'

"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 10 7/8 inches (20.5 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. Foxhunting: Drawing a Cover

Foxhunting: Drawing a Cover
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'

"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 10 13/16 inches (21.1 × 27.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. Foxhunting: Full Cry

Foxhunting: Full Cry
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 12 3/8 inches (23.7 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. Foxhunting: Gone Away

Foxhunting: Gone Away
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 12 3/8 inches (23.7 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection