The Ruins of the College of Lincluden, near Dumfries
ca. 1806
24
Thomas Hearne, 1744–1817
Windsor Castle
undated
25
Julius Caesar Ibbetson, 1759–1817
Sailors Carousing and Frying Watches
undated
26
attributed to Hubert-François Gravelot, 1699–1773
Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
undated
27
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
28
Thomas Hearne, 1744–1817
River Landscape with Figures
undated
29
Thomas Hearne, 1744–1817
The Welsh Curate
undated
30
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
31
Paul Sandby, 1731–1809
Cart Bearing a Large Tree Trunk
undated
32
Paul Sandby, 1731–1809
London Cries: Shoe Cleaner
ca. 1759
33
James Ward, 1769–1859
Ben Lomond, August 17
ca. 1805
34
Samuel Wale, 1721–1786
The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand
undated
35
Thomas Stothard, 1755–1834
Frieze of a Medieval Wedding
undated
36
Thomas Stothard, 1755–1834
Solicitude: A Man Supporting a Fainting Woman
undated
37
Michael "Angelo" Rooker, 1746–1801
Kenilworth Castle, with Figures on the Hillside
undated
38
Samuel Wale, 1721–1786
Design for a Book Illustration: ? A Sacrifice before a Battle
undated
39
William Pars, 1742–1782
A View at Lucerne
1775
40
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
undated
41
James Ward, 1769–1859
Farm Workers Flailing Corn
undated
42
Paul Sandby, 1731–1809
Two Men, One Holding a Whip
ca. 1754
43
Samuel Wale, 1721–1786
The Theatre-Goers
undated
44
Thomas Manby, 1633(?)–1695
Ponte Lucano, Near Tivoli
between 1660 and 1690
45
Sir John Everett Millais, 1829–1896
Study for The Woodman's Daughter
1849
46
Henry Monro, 1791–1814
A Wooded Track
1813
47
Henry Monro, 1791–1814
High Street at Bushey, Hertfordshire
1812
48
Paul Sandby, 1731–1809
London Cries: Small Coal or Brushes
ca. 1759
49
Paul Sandby, 1731–1809
London Cries: Throws for a Ha'penny Have You a Ha'penny
undated
50
Canaletto, 1697–1768
View of Old Somerset House from the Thames
undated
51
Robert Dighton, 1752–1814
The Travelling Musicians
undated
52
Robert Dighton, 1752–1814
A Country Amusement - Bull Baiting
undated
53
Robert Dighton, 1752–1814
The Travelling Show Man
undated
54
Robert Dighton, 1752–1814
The Ferry
undated
55
Robert Dighton, 1752–1814
Relieving the Distressed Travellers
undated
56
Robert Dighton, 1752–1814
Modern Exercise
undated
57
Robert Dighton, 1752–1814
A Modern Diversion
undated
58
Robert Dighton, 1752–1814
The Produce of Industry
undated
59
Michael "Angelo" Rooker, 1746–1801
The Great Court, Trinity College, Cambridge
undated
60
Robert Dighton, 1752–1814
The Harmonious Family
undated
61
George Augustus Sala, 1828–1895
A Life on the Ocean Wave
undated
62
George Augustus Sala, 1828–1895
Be it ever so Humble, There's no place like Home
undated
63
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
64
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
65
Edward Francis Burney, 1760–1848
Ilustration for The New Doll: Untitled
1825
66
Edward Francis Burney, 1760–1848
Illustration for- The New Doll: Untitled
1826
67
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
68
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
69
Edward Francis Burney, 1760–1848
Illustration for The New Doll: How Pretty it Is
undated
70
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
71
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Sewing Clothes for the Doll
1825
72
Edward Francis Burney, 1760–1848
Theatrical Scene
undated
73
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
74
Robert Dighton, 1752–1814
The Contented Miller
undated
75
Robert Dighton, 1752–1814
Administering the Oath at Highgate
undated
76
Robert Dighton, 1752–1814
Canvasing for Member of Parliament
undated
77
Gangaram Chintaman Tambat, active 1790s
Utensils
ca. 1790
78
John Richard Wequelin, 1849–1927
Solvitur Acris Hyems
undated
79
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
80
Isaac Oliver, ca. 1565–1617
Classical Study of Three Figures
undated
81
George Morland, 1763–1804
Peasants in a Grotto
undated
82
John Hamilton Mortimer, 1740–1779
A Man Kneeling
1770
83
John Nixon, ca. 1760–1818
In Mr. Barnard's Boat, Kingston
undated
84
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
85
Paul Sandby, 1731–1809
London Cries: A Man with a Basket (Man Selling Pots and Pans)
undated
86
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
87
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
88
Paul Sandby, 1731–1809
London Cries: All Fire and No Smoke
ca. 1759
89
Paul Sandby, 1731–1809
London Cries: Flowers
undated
90
Paul Sandby, 1731–1809
London Cries: A Tinker and His Wife
ca. 1759
91
Paul Sandby, 1731–1809
London Cries: A Man Swaggering
undated
92
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
93
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
94
John Thomas Smith, 1766–1833
The Smock Exposed
1817
95
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
96
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
97
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
98
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him