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Collection Prints and Drawings

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Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Period 19th century

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Genre cityscape

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Search Results

Rome from San Spirito
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Brown wash black chalk and graphite with white chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 x 23 3/8 inches (35.9 x 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of Old Buildings
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Brown ink, brown wash, and graphite, with scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 10 5/8 inches (19.4 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View near Arundel
Creator:
John Constable, 1776–1837
Date:
between 1834 and 1835
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 8 1/4 inches (12.7 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Boppart, with Figures on the River Bank
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1817
Materials & Techniques:
Watercolor, gouache, black chalk and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Morpeth, Northumberland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1809
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 1/8 inches (20.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Scarborough
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Campo Santo, Venice, 1842
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, 1841
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heidelberg - Sunset
Creator:
after Joseph Mallord William Turner, 1775–1851
Date:
1918
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vesuvius in Repose
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Chromolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Colosseum and the Basilica of Constantine From the Palatine Hill, Rome
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Peters and the Vatican from the Gardens of the Villa Barberini, Rome
Creator:
after Joseph Mallord William Turner, 1775–1851
Date:
c.1819
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Approach to Venice
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photolithograph
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heidelberg With A Rainbow
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Modern Italy - The Pifferari
Creator:
after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:
Photogravure
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tenth Plague of Egypt
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink; first published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome from Monte Mario
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1818
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/16 x 8 7/16 inches (13.8 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Luxembourg
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1825 or 1834
Materials & Techniques:
Watercolor, gouache, pen and brown ink and scratching out on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 x 7 1/2 inches (13.7 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Rhodes

Rhodes
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1823 and 1824
Materials & Techniques:
Watercolor, gouache and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 x 8 7/8in. (13.3 x 22.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Weymouth

Weymouth
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1811
Materials & Techniques:
Watercolor, pen and brown ink and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 8 5/8in. (14.6 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Leeds

Leeds
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 17 inches (29.2 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tours: Sunset: Looking Backwards
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1826 and 1830
Materials & Techniques:
Watercolor, gouache, graphite and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 4 7/8 x 7 3/8 inches (12.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Mawes, Cornwall
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1823
Materials & Techniques:
Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 8 5/8 inches (14.3 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Margate

Margate
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1822
Materials & Techniques:
Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Carlisle

Carlisle
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1832
Materials & Techniques:
Watercolor and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 x 5 5/8in. (8.3 x 14.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rheinfels Looking to Katz and Gourhausen
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1817
Materials & Techniques:
Watercolor, gouache, gray wash and scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 12 1/2 inches (20 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Andernach

Andernach
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1817
Materials & Techniques:
Watercolor, gouache, pen and black ink and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venice, The Mouth of the Grand Canal
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1840
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Street, Edinburgh
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1818
Materials & Techniques:
Watercolor, pen and brown ink, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Basle

Basle
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 3/8 inches (29.2 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Basle

Basle
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1807
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 16 1/8 inches (27.3 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Harbour at Cannes
Creator:
Edward Lear, 1812–1888
Date:
1869
Materials & Techniques:
Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 9/16 x 20 1/8 inches (16.7 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Daughters of Jerusalem Weeping by the Waters of Babylon
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper mounted on thick, smooth, cream card
Dimensions:
Mount: 6 5/16 x 8 inches (16 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Greenwich Hospital
Creator:
Richard Henry Nibbs, 1816–1893
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 17 3/4 × 24 7/8 inches (45.1 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Edinburgh from Calton Hill
Creator:
Francis Nicholson, 1753–1844
Date:
1811
Materials & Techniques:
Watercolor, gouache, and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 24 1/4 inches (47 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Waterloo Bridge from the Garden of M. A. Taylor, Esq.
Creator:
William Parrott, 1813–ca. 1869
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 × 8 3/8 inches (11 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Distant View of Greenwich
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Black ink over graphite on moderately thick, moderately textured, cream wove paper, laid on mount
Dimensions:
Sheet: 7 7/8 x 11 1/8 inches (20 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fish Market, Hastings
Creator:
William Henry Harriott, active 1811, died 1839
Date:
1824
Materials & Techniques:
Pen and brown ink, brown wash and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Thames, Early Morning, Towards St. Paul's
Creator:
John William Inchbold, 1830–1888
Date:
ca. 1849
Materials & Techniques:
Watercolor and graphite, with scraping on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/4 inches (25.7 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Villa Adrianna, Rome
Creator:
James William Giles, 1801–1870
Date:
1824
Materials & Techniques:
Brown wash and pen and brown ink with touches of white gouache on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 10 13/16 x 16 5/8 inches (27.5 x 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Rue de Lamitie
Creator:
Jules Lessore, 1849–1892
Date:
undated
Materials & Techniques:
Watercolor, gouache, graphite, and gum on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 x 14 1/2in. (24.8 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for London Bridge Approach
Creator:
Print made by Sir Robert Smirke the younger, 1781–1867
Date:
between 1827 and 1835
Materials & Techniques:
Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 8 1/4 x 18 1/16 inches (21 x 45.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for London Bridge Approach
Creator:
Print made by Sir Robert Smirke the younger, 1781–1867
Date:
between 1827 and 1835
Materials & Techniques:
Gray wash over graphite and black ink on moderately thick, slightly textured, greened white wove paper
Dimensions:
Sheet: 8 7/8 x 14 7/8 inches (22.5 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Oruro, Bolivia
Creator:
Godfrey Thomas Vigne, 1801–1863
Date:
1855
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 14 3/8 inches (23.5 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Lima

Lima
Creator:
Godfrey Thomas Vigne, 1801–1863
Date:
1850
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of a Street in a French Town
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1831
Materials & Techniques:
Pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/8 x 13 3/8 inches (46 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Flagstaff, Margate
Creator:
William Henry Hunt, 1790–1864
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, sightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 x 11 1/2 inches (20 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Old London Bridge
Creator:
William Henry Hunt, 1790–1864
Date:
1825
Materials & Techniques:
Watercolor, and pen and brown ink on moderately thick, textured, beige wove paper
Dimensions:
Sheet: 13 1/4 x 21 1/8 inches (33.7 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Paul's Cathedral and Blackfriar's Bridge
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1817
Materials & Techniques:
Watercolor and brown ink over graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 13 1/4 inches (22.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Lowestoft

Lowestoft
Creator:
Edward Hull, 1810–1877
Date:
1858
Materials & Techniques:
watercolor, pen and black ink, gray ink, red ink, graphite, and gouache on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 1/16 x 21 11/16in. (30.6 x 55.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Worcester

Worcester
Creator:
Print made by Thomas Rothwell, ca. 1742–1807
Date:
1795
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 2 7/8 × 4 5/8 inches (7.3 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sleaford Church
Creator:
Print made by Bartholomew Howlett, 1767–1827
Date:
1801
Materials & Techniques:
Line engraving, proof on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 1/4 inches (17.1 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Worcester College &c.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1804
Materials & Techniques:
Line engraving, engraver's proof (c) on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/2 × 21 1/4 inches (39.4 × 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Exeter College, All Saints Church, from the Turl
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1806
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 × 18 1/8 inches (35.6 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Worcester College &c.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1804
Materials & Techniques:
Line engraving, published state (late impression) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 18 1/4 inches (36.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Oxford from the South Side of Heddington Hill
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1808
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/4 × 17 7/8 inches (36.2 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Christ Church Cathedral and Part of Corpus Christi College
Creator:
Print made by Joseph Skelton, active 1820–1850
Date:
1820
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 3/4 × 16 3/8 inches (29.8 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Abingdon from the Thames Navigation
Creator:
Print made by William Byrne, 1743–1805
Date:
1805
Materials & Techniques:
Line engraving, published state (India) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winkle Street, Southampton
Creator:
George Shepheard, ca. 1770–1842
Date:
1819
Materials & Techniques:
Watercolor, black ink, and graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 inches (20.6 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Street, Oxford
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1812
Materials & Techniques:
Etching and line engraving; engraver's proof (b) on medium, slightly textured, cream wove paper, mounted to thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 24 5/8 inches (49.2 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Monastery of St. Saviours, Southwark
Creator:
C. John M. Whichelo, 1784–1865
Date:
1809
Materials & Techniques:
Gray wash with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 7/8 × 11 3/8 inches (22.5 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of London from Highgate
Creator:
George Barret Jr., 1767–1842
Date:
1820
Materials & Techniques:
Watercolor over graphite with scraping and gum on thick, smooth, cream card
Dimensions:
Sheet: 20 1/2 × 32 1/8 inches (52.1 × 81.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Joshua Commanding the Sun to Stand Still
Creator:
John Martin, 1789–1854
Date:
1818
Materials & Techniques:
Graphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windsor from the Forest, Berks
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 9 inches (29.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East & West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and line engraving, early first proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/4 inches (30.5 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Brighton

Brighton
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; intermediate engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/8 × 19 5/8 inches (33.3 × 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Brighton

Brighton
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 3/8 × 20 inches (34 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Brighton

Brighton
Creator:
Print made by George Cooke, 1781–1834
Date:
1825
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 14 1/4 inches (27.9 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East & West Looe, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 7/8 × 21 1/8 inches (37.8 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Walls of Jericho
Creator:
John Martin, 1789–1854
Date:
1834
Materials & Techniques:
Gray and brown wash with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, cream card
Dimensions:
Mount: 3 7/8 x 5 7/8 inches (9.8 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buildings Belonging to Magdalen Hall, Oxford
Creator:
Alexander Monro, 1802–1844
Date:
undated
Materials & Techniques:
Brown ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 19 15/16 x 15 3/8 inches (50.6 x 39 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Santa Giustina at Padua
Creator:
Monro School
Date:
ca. 1820
Materials & Techniques:
Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 9 1/8 inches (17.5 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Thumbnail Sketch of Port City
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and gouache on medium, smooth, cream wove paper
Dimensions:
Sheet: 1 7/16 × 2 1/16 inches (3.7 × 5.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basilica of the Virgin of Copacabana, Bolivia
Creator:
Godfrey Thomas Vigne, 1801–1863
Date:
1855
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 17 inches (27.3 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Heidelberg
Creator:
unknown artist
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Oxford from the South Side of Heddington Hill
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1808
Materials & Techniques:
Line engraving, engraver's proof (b) on medium, smooth, cream wove paper
Dimensions:
Sheet: 15 1/4 × 22 inches (38.7 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Cathedral of Christ Church and Part of Corpus Christi College
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1811
Materials & Techniques:
Line engraving, published state on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Cathedral of Christ Church and Part of Corpus Christi College
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1808
Materials & Techniques:
Line engraving, engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 19 inches (37.8 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newbury from Speen Hill
Creator:
Print made by William Byrne, 1743–1805
Date:
1805
Materials & Techniques:
Line engraving, published state (India) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 5/8 × 15 7/8 inches (29.5 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Eton, from the Slough Road
Creator:
Print made by William Byrne, 1743–1805
Date:
1803
Materials & Techniques:
Line engraving, published state (India) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:
Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wickham from the Marlow Road
Creator:
Print made by William Byrne, 1743–1805
Date:
1803
Materials & Techniques:
Line engraving, published state (India) on medium, slightly textured, beige wove paper with cream chine-collé
Dimensions:
Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Distant View of Chester
Creator:
Print made by William Byrne, 1743–1805
Date:
1810
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 14 1/8 inches (28.9 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Distant View of Chester
Creator:
Print made by William Byrne, 1743–1805
Date:
1810
Materials & Techniques:
Line engraving, open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 inches (27.6 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windsor from the Forest, Berks
Creator:
Print made by John Greig, active 1803–1853
Date:
1804
Materials & Techniques:
Line engraving, engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 10 1/8 inches (32.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Inverary

Inverary
Creator:
Print made by James Heath, 1757–1834
Date:
1805
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Plate: 6 3/4 × 9 1/2 inches (17.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Street, Oxford
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1811
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 23 3/8 × 35 inches (59.4 × 88.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Street, Oxford (small replica)
Creator:
Print made by W. E. Albutt, active 1836–1863
Date:
1828
Materials & Techniques:
Line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 14 1/4 inches (27.6 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Florence

Florence
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome, Castle of St. Angelo
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 12 1/8 inches (42.9 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Venice

Venice
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 × 12 1/8 inches (44.5 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rome; Bridge and Castle of St. Angelo on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine colle
Dimensions:
Sheet: 9 9/16 × 12 3/4 inches (24.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leaving Home
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Dimensions:
Sheet: 17 1/4 × 11 3/4 inches (43.8 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Village Fair
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
High Street, Edinburgh
Creator:
Engraved by Henry Le Keux, 1787–1868
Date:
1819
Materials & Techniques:
Line engraving and etching, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 7/8 × 19 3/8 inches (32.7 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection