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1
- The Timber Wain
- between 1833 and 1834
2
- Rome from Monte Mario
- ca. 1818
3
- Leeds
- 1816
4
- Near Khan Yunas
- 1867
5
- Spring, from Songs of Innocence
- ca. 1795
6
- The Shepherd, from Songs of Innocence
- ca. 1795
7
- Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
- 1799
8
- Rustic Scene: man fishing, left; cottage with water-mill and horses right
- undated
9
- The Village of Aldbury, Hertfordshire
- 1816
10
- Haymakers
- undated
11
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
12
- A Fireworks Display
- undated
13
- Denial and Disappointment
- undated
14
- Carisbrooke Castle, Isle of Wight
- undated
15
- Olivia Returns to Her Family
- undated
16
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
17
- Street Scene at Stratford by Bow
- undated
18
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
19
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
20
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
21
- The Reconcilation
- 1817
22
- The Smock Exposed
- 1817
23
- Hogarth Drawing Sarah Malcolm
- 1817
24
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
25
- Design in Color for a Bookplate
- undated
26
- An Old Fisherwoman with Two Women Digging for Bait
- undated
27
- Mother and Child with Young Boy Leaning on Window Sill
- undated
28
- The Fortune Teller
- 1827
29
- Pale Melancholy
- ca. 1804
30
- The Search after Truth
- undated
31
- A Street in Florence with the Duomo and Campanile in the Background
- ca. 1765
32
- A Wooded Track
- 1813
33
- Peasants Resting
- 1795
34
- Cottage and Foot Bridge
- 1794
35
- Poulterer's Shop
- undated
36
- In Mr. Barnard's Boat, Kingston
- undated
37
- Edinburgh Castle and Horse Fair
- ca. 1828
38
- River Landscape with Figures
- undated
39
- Title page for "The Guardian"
- undated
40
- Horses and Wagon Outside a Cottage
- undated
41
- Country Folk with a Child, Beside a River
- undated
42
- The Bayswater Turnpike
- undated
43
- Heveningham Hall, Suffolk
- between 1782 and 1790
44
- Sheet of Studies of Hounds, Hare, Falcon and Ducks
- undated
45
- The Toll-house with a Coach Crossing the Bridge
- undated
46
- Man Watering Four Horses
- undated
47
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
48
- A Soldier on Horseback
- undated
49
- Windsor Castle
- undated
50
- Woodcutter and His Family
- undated
51
- A Rustic Scene
- undated
52
- Scene in a Roman Prison
- undated
53
- Study for The Woodman's Daughter
- 1849
54
- Fountain's Boarding School, Marylebone
- 1780
55
- Design for a Park Gateway
- undated
56
- A Hop Kiln
- 1795
57
- Study for, In Mr. Barnard's Boat, Kingston
- undated
58
- At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
- 1804
59
- The Spoiled Child, Scene I
- ca. 1802
60
- The Spoiled Child, Scene III
- ca. 1802
61
- The Spoiled Child, Scene VI
- ca. 1802
62
- The Spoiled Child, Scene IV
- ca. 1802
63
- The Spoiled Child, Scene V
- ca. 1802
64
- The Meat Market
- undated
65
- The Spoiled Child, Scene II
- ca. 1802
66
- The Greengrocer
- ca. 1819
67
- Charity Children and Little Vagabonds
- undated
68
- The Gypsy Fortune-Teller
- ca. 1758
69
- Soldiers and Country Women
- undated
70
- A Raree Show
- between 1792 and 1793
71
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
72
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
73
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
74
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
75
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
76
- Hogarth Sitting to Roubiliac for His Bust
- 1817
77
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
78
- The Eleventh Hour
- 1817
79
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
80
- A Youth in a Farmyard with Pigs and Poultry
- undated
81
- The Village of Kirkstall, Yorkshire
- 1801
82
- A Sailing Barge being loaded with Hay, December 1827
- 1827
83
- A Durbar Scene, Poona, October 3, 1792
- 1792
84
- Sir Violet Sighaway & Mr. Villiers
- undated
85
- Peter Callam & Elvira
- undated
86
- The Puckally
- 1828
87
- Necklaces
- undated
88
- Private View of the Royal Academy
- 1858
89
- Boarding the Ferry
- undated
90
- The Boatman
- undated
91
- Holbein's Gateway and Jones's Banqueting House, Whitehall..
- undated
92
- Sentry halting Gentleman at Gate
- undated
93
- Be it ever so Humble, There's no place like Home
- undated
94
- Change
- undated
95
- Funeral Procession at Rome
- 1818
96
- Bachelor's Hall
- undated
97
- Indecision
- undated
98
- Design for a bookplate for Kenneth Fitzpatrick Mackenzie
- ca. 1909
![Thomas Stothard June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)](https://media.collections.yale.edu/thumbnail/ycba/de8c44cf-d537-4631-b1ea-c9a0bdfd4121)
99
- June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83) June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
- undated
![Thomas Stothard February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)](https://media.collections.yale.edu/thumbnail/ycba/48b1ec09-041e-4bcd-b9e2-3707f3363a7e)
100
- February 1st: Amy Fear Me Not (Vol. 1, p. 81) February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
- undated