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201
- An Angel
- undated
202
- Composition inspired by Richard Wilson's Paintings of Cader Idris
- undated
203
- East Side of Sheriff Hutton Castle
- undated
204
- View from Ashton Meadows, Bristol
- 1791
205
- Lambeth Palace from Across the River
- undated
206
- Design for a Temple on a Square Plan and with a Dome: Elevation
- undated
207
- Design for a Circular Domed Temple: Elevation
- undated
208
- The Generosity of Johnny Permain
- undated
209
- View of Revel, Capital of Esthonia
- undated
210
- Bristol
- ca. 1780
211
- The Island of Portland
- undated
212
- The Front at Brighton
- undated
213
- A Path on a Hilltop
- undated
214
- Christ Church, Oxford
- undated
215
- Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
- 1802
216
- Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
- 1802
217
- Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
- 1802
218
- Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
- 1802
219
- Edinburgh
- undated
220
- Composition: Recollection of J.R. Cozen's of Nemi
- between 1790 and 1820
221
- View of Windsor Castle
- undated
222
- The Mansion House, London: Elevation
- undated
223
- Balmae
- undated
224
- Senwick
- undated
225
- Little Kirkland
- undated
226
- Culraven and Broadfield
- undated
227
- Netherthird
- undated
228
- Farm of Highbanks
- 1813
229
- Little Sypeland
- undated
230
- Bombie Mill, Bombie, Tongue of Bombie
- undated
231
- Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs
- undated
232
- Palmangan
- undated
233
- The Daughters of Jerusalem Weeping by the Waters of Babylon
- 1834
234
- Moonlit Landscape with a Ruined Castle
- between 1820 and 1830
235
- The Rotunda and Gardens, Ranelagh
- ca. 1744
236
- Hounds and Hunters Attacking Deer
- 1831
237
- Ponte Lucano, Near Tivoli
- between 1660 and 1690
238
- Low Flying Spitfires over Trees
- undated
239
- Shipping on a Stormy Day
- undated
240
- Composition of Rocks and Pine Trees
- undated
241
- Landscape with Trees and two Figures
- undated
242
- Cottage amongst Trees
- undated
243
- Design for Knepp Castle, Sussex: Perspective
- undated
244
- Near Sterzing, Tyrol
- ca. 1800
245
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
246
- Rocky Landscape
- undated
247
- Henry Fuseli
- undated
248
- Norton Hall, Cheshire: Ground Plan with Designs for a Canal
- between 1760 and 1776
249
- Design for the Decoration of a Dining Room
- 1760s
250
- Headfort House, Ireland: Elevation of the Eating Parlor
- 1771
251
- Headfort House, Ireland: Staircase Ceiling
- between 1771 and 1775
252
- Custom House and St. Vincent's Wharf
- 1851
253
- King's Wharf, and South Quay-Port of Spain
- 1851
254
- Cascade at St. Anns
- 1851
255
- Riverside, St. Joseph
- 1857
256
- Residence at Orange Grove Estate, Tacarigua
- 1857
257
- Ruins of the Savoy Palace, London
- undated
258
- View over Valley
- undated
259
- Abbey Church at St. Albans
- 1781
260
- Hogarth Declaring His Love to Miss Thornhill
- 1817
261
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
262
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
263
- The Reconcilation
- 1817
264
- The Smock Exposed
- 1817
265
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
266
- Woodpecker and Two Birds
- 1760
267
- Rough Diamonds
- ca. 1760
268
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
269
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
270
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
271
- Fireflies
- 1760
272
- The Humble Bee and Insects
- 1760
273
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
274
- Sheep, and Three Animals
- ca. 1760
275
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
276
- Crystals and Fossils
- ca. 1760
277
- Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance
- 1817
278
- Allegory of Napoleonic Battles
- undated
279
- Interior Scene with Family at Tea
- undated
280
- The Offer
- undated
281
- Ruins of Richbro' Castle, Isle of Thanet
- undated
282
- Illustration to Tonson's Ovid Metamorphosis (one of four)
- ca. 1710
283
- Goat Hill and Ships
- ca. 1820
284
- An Eclipse in Harvest Time
- undated
285
- Study for Illustration - A Princess with her Attendants
- undated
286
- Study of a Peep Show with Two Attendant Figures and Two Children
- ca. 1775
287
- Two Frigates before the Wind
- undated
288
- Back from the Wars
- undated
289
- Scenery, Haymarket Theatre
- undated
290
- Firing a Salute
- 1770
291
- Venetian Fantasy
- undated
292
- The Edge of the Lake
- undated
293
- Study of a Seated Woman
- 1787
294
- Man of War with Other Shipping
- 1791
295
- Larici
- 1782
296
- From the Window of the Inn at Lauterbraun
- ca. 1811
297
- Wooded Landscape with Cattle, Figures and a House
- undated
298
- The Flagship of a Commander in Chief
- undated
299
- Portrait of a Family, called John Sheffield, Duke of Buckingham, and Family
- undated
300
- Shipping in Southampton Water, off Calshott Castle
- undated