Illustration for The New Doll: It's Mine, You may Look at It
undated
9
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Sewing Clothes for the Doll
1825
10
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
11
Sir John Gilbert, 1817–1897
Wayfarers
undated
12
Francis Hayman, 1707/8–1776
Battledore and Shuttlecock
ca. 1740
13
Francis Hayman, 1707/8–1776
Flying the Kite
ca. 1740
14
Thomas Manby, 1633(?)–1695
Ponte Lucano, Near Tivoli
between 1660 and 1690
15
Walter Geikie, 1795–1837
Humorous Family Scene
undated
16
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
17
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
18
John Vanderbank, 1694–1739
Conversation Piece
undated
19
Samuel Wale, 1721–1786
The Pursuit (Probably a Design for The Tyburn Chronicle)
undated
20
Paul Sandby, 1731–1809
Election Scene
undated
21
Edward Francis Burney, 1760–1848
Illustration for The New Doll: How Pretty it Is
undated
22
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
23
Edward Francis Burney, 1760–1848
Illustration for- The New Doll: Untitled
1826
24
Edward Francis Burney, 1760–1848
Ilustration for The New Doll: Untitled
1825
25
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
26
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
27
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
undated
28
William Pars, 1742–1782
A View at Lucerne
1775
29
Canaletto, 1697–1768
View of Old Somerset House from the Thames
undated
30
Follower of Canaletto, 1697–1768
Capriccio of a Venetian Courtyard
undated
31
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
32
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
33
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
34
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
35
Isaac Oliver, ca. 1565–1617
Classical Study of Three Figures
undated
36
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
37
George Morland, 1763–1804
Peasants in a Grotto
undated
38
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
39
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
40
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
41
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
42
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
43
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
44
John Thomas Smith, 1766–1833
The Smock Exposed
1817
45
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
46
John Thomas Smith, 1766–1833
The Reconcilation
1817
47
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
48
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
49
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
50
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
51
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
52
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
53
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
54
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
55
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
56
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
57
Thomas Stothard, 1755–1834
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
undated
58
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
59
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
60
unknown artist
Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
ca. 1740
61
James Smetham, 1821–1889
Cutting Reviews
undated
62
James Smetham, 1821–1889
The Country Artist
undated
63
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
64
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
65
Thomas Rowlandson, 1756–1827
Parisian Street Figures
1786
66
Thomas Rowlandson, 1756–1827
An Old Coquette Outstood her Market
between 1815 and 1820
67
Thomas Rowlandson, 1756–1827
Two Sleeping Figures
undated
68
Marcellus Laroon the Younger, 1679–1772
The Tea Party
ca. 1770
69
Thomas Rowlandson, 1756–1827
Domestic Interior
undated
70
Thomas Rowlandson, 1756–1827
Providence—The Protection of Drunken Men
ca. 1784
71
Thomas Rowlandson, 1756–1827
Going to Market
undated
72
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
73
Thomas Rowlandson, 1756–1827
A Livery Stable
undated
74
Thomas Rowlandson, 1756–1827
Kitty Overcome
1821
75
Thomas Rowlandson, 1756–1827
Norwich Market Place
undated
76
Thomas Rowlandson, 1756–1827
A Grub Street Poet
undated
77
Thomas Rowlandson, 1756–1827
The London Citizen
undated
78
Thomas Rowlandson, 1756–1827
Horsemen Colliding
between 1785 and 1790
79
Thomas Rowlandson, 1756–1827
The Toll-Gate
undated
80
Thomas Rowlandson, 1756–1827
Ladies at Tea
between 1790 and 1795
81
Thomas Rowlandson, 1756–1827
The Miseries of the Country
undated
82
Thomas Rowlandson, 1756–1827
New Shoes
undated
83
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
84
Sawrey Gilpin, 1733–1807
Harbour Scene with Castle on left and Ships at Right
undated
85
Sawrey Gilpin, 1733–1807
Horseman fleeing storm
undated
86
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816
87
John Flaxman, 1755–1826
Two Women Talking to a Man at a Counter
undated
88
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures, Donkeys and Cottage
ca. 1767
89
George Dance, 1741–1825
The Collector
undated
90
Hubert-François Gravelot, 1699–1773
Drawing for a Frontispiece: "The Toast"
1735
91
Hubert-François Gravelot, 1699–1773
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)