Materials & Techniques: line engraving / Collection: Prints and Drawings / Period: 19th century

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake, 1757–1827

Epicurus

1821

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Elevations

undated

Print made by Bartholomew Howlett, 1767–1827

Sleaford Church

1801

Print made by James Basire the younger, 1769–1822

View of Oxford from the South Side of Heddington Hill

1808

Print made by James Basire the younger, 1769–1822

View of the Cathedral of Christ Church and Part of Corpus Christi College

1808

Print made by James S. Storer, 1771–1853

Part of Balliol College Quadrangle

1809

Print made by James Basire the younger, 1769–1822

View of the Cathedral of Christ Church and Part of Corpus Christi College

1811

Print made by Joseph Skelton, active 1820–1850

Christ Church from the Meadows

between 1820 and 1823

Print made by S. Porter, active 1802

Durham Cathedral

1802

Print made by William Byrne, 1743–1805

Abingdon from the Thames Navigation

1805

Print made by William Byrne, 1743–1805

Distant View of Chester

1810

Print made by William Byrne, 1743–1805

Part of Chester Castle

1810

Print made by William Byrne, 1743–1805

Distant View of Chester

1810

Print made by William Byrne, 1743–1805

Wickham from the Marlow Road

1803

Engraved by John Pye, 1782–1874

Pope's Villa

1810

James Heath, 1757–1834

Patterdale

1805

Print made by James Heath, 1757–1834

Loch Lomond

1805

Print made by James Fittler, 1758–1835

A Fishing Smack with a Boat (Dutch Boat in a Gale)

1812

Print made by W. E. Albutt, active 1836–1863

High Street, Oxford (small replica)

1828

Engraved by John Pye, 1782–1874

Pope's Villa

1810

Etched by Samuel Middiman, ca. 1750–1831

High Street, Oxford

1812

Print made by John Pye, 1782–1874

View of Redcliff Church &c. Bristol

1814

Print made by John Scott, 1774–1828

Crypt in Kirkstall Abbey, Yorkshire

1814

Print made by John Scott, 1774–1828

Crypt in Kirkstall Abbey, Yorkshire

1814

Print made by unknown artist

Flower Garden Porch at Farnley

1816

Print made by John Scott, 1774–1828

Harewood House

1816

Print made by John Scott, 1774–1828

Harewood House

1816

Print made by John Pye, 1782–1874

A View of Oxford from the Abingdon Road

1818

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by unknown artist

Gateway to the Flower Garden at Farnley

1814

Print made by unknown artist

Bay Windows in the Flower Garden at Farnley

1814

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by William Bernard Cooke, 1778–1855

St. Michael's Mount, Cornwall

1813

Print made by George Cooke, 1781–1834

Poole, Dorsetshire

1814-1826

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by W. R. Smith, active 1819–1851

Hannibal Passing the Alps

1830

Print made by Edward Goodall, 1795–1870

The Forum

1830

Print made by Henry Le Keux, 1787–1868

Villa Madama, Moonlight

1830

Print made by Robert Wallis, 1794–1878

Rome, Castle of St. Angelo

1830

Print made by Edward Goodall, 1795–1870

Perugia

1830

Print made by Robert Wallis, 1794–1878

Banditti

1830

Print made by Edward Goodall, 1795–1870

Naples

1829

Print made by Robert Wallis, 1794–1878

Amalfi

1829

Print made by William Bernard Cooke, 1778–1855

Dartmouth, Devon

1814 to 1826

Print made by John Pye, 1782–1874

Tivoli

1830

Print made by William Bernard Cooke, 1778–1855

East & West Looe, Cornwall

1818

Print made by William Bernard Cooke, 1778–1855

Torbay from Brixham

1821

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques line engraving

Collection Prints and Drawings

Period 19th century

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques line engraving

Collection Prints and Drawings

Period 19th century

Search Results