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Materials & Techniques black chalk

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Collection Prints and Drawings

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Period 19th century

Remove constraint Period: 19th century

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John Constable Ruin of St. Botolph's Priory, Colchester
John Constable, 1776–1837
Ruin of St. Botolph's Priory, Colchester
ca. 1809
Robert Polhill Bevan Woman Ironing
Robert Polhill Bevan, 1865–1925
Woman Ironing
ca. 1895
Samuel Palmer Rocky Landscape in Wales
Samuel Palmer, 1805–1881
Rocky Landscape in Wales
1835 or 1836
Samuel Palmer Scene in Wales
Samuel Palmer, 1805–1881
Scene in Wales
undated
Samuel Palmer Old Cedar Tree in Botanic Garden, Chelsea
Samuel Palmer, 1805–1881
Old Cedar Tree in Botanic Garden, Chelsea
1854
Samuel Palmer A Page from a Cornish Sketchbook: Cornwall 30
Samuel Palmer, 1805–1881
A Page from a Cornish Sketchbook: Cornwall 30
undated
Samuel Palmer The Rock Slip near Boscastle
Samuel Palmer, 1805–1881
The Rock Slip near Boscastle
undated
Samuel Palmer Wilmot's Hill, Kent
Samuel Palmer, 1805–1881
Wilmot's Hill, Kent
ca. 1851
Samuel Palmer Rome from San Spirito
Samuel Palmer, 1805–1881
Rome from San Spirito
undated
Samuel Palmer Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
Samuel Palmer, 1805–1881
Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
1835 or 1836
Samuel Palmer Boxhill
attributed to Samuel Palmer, 1805–1881
Boxhill
1868
Samuel Palmer Study of a Pilgrim
attributed to Samuel Palmer, 1805–1881
Study of a Pilgrim
undated
Samuel Palmer The Valley of Dolwyddelan
Samuel Palmer, 1805–1881
The Valley of Dolwyddelan
undated
John Constable Trees in a Meadow
John Constable, 1776–1837
Trees in a Meadow
ca. 1805
John Constable Wooded Slope with a Receding Road
John Constable, 1776–1837
Wooded Slope with a Receding Road
ca. 1805
Joseph Mallord William Turner A View of Boppart, with Figures on the River Bank
Joseph Mallord William Turner, 1775–1851
A View of Boppart, with Figures on the River Bank
1817
Edward Lear Segni, 6 October 1838
Edward Lear, 1812–1888
Segni, 6 October 1838
1838
Edward Lear The Gardens of the Villa Albani
Edward Lear, 1812–1888
The Gardens of the Villa Albani
1840
Edward Lear Landscape Near Segni
Edward Lear, 1812–1888
Landscape Near Segni
1838
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
William Blake, 1757–1827
Sheet from the Blake-Varley Sketchbook of 1819, Pages 37 and 38
1819
William Blake Albion Compelling the Four Zoas to Their Proper Tasks
William Blake, 1757–1827
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
Richard Parkes Bonington Trees and a Cottage by a River
Richard Parkes Bonington, 1802–1828
Trees and a Cottage by a River
1827
David Cox Moonlight Landscape
David Cox, 1783–1859
Moonlight Landscape
between 1850 and 1859
George Bryant Campion Hastings Races
George Bryant Campion, 1796–1870
Hastings Races
undated
Charles Claude Pyne View of St. Catherine's Hill near Guildford
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
Isaac Weld Mountainous Landscape with a Bridge and House
Isaac Weld, 1774–1856
Mountainous Landscape with a Bridge and House
ca. 1816
George Jones A Camel Resting
George Jones, 1786–1869
A Camel Resting
undated
Hablot Knight Browne The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
Hablot Knight Browne, 1815–1882
The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
undated
Hablot Knight Browne The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
undated
James Ward A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
James Ward, 1769–1859
A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
1827
Hablot Knight Browne The Sporting Parson: "He Sheweth Them the Way They Should Go"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sheweth Them the Way They Should Go"
undated
Hablot Knight Browne The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
undated
Hablot Knight Browne The Sporting Parson: "He Then Goes in For Baptism"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Then Goes in For Baptism"
undated
Hablot Knight Browne The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
Hablot Knight Browne, 1815–1882
The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
undated
Hablot Knight Browne The Sporting Parson: "He Sends Mother Eve's Apples Flying"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Sends Mother Eve's Apples Flying"
undated
Sir Edwin Henry Landseer A Dappled Horse in a Stable
style of Sir Edwin Henry Landseer, 1802–1873
A Dappled Horse in a Stable
undated
George Bryant Campion Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868
George Bryant Campion, 1796–1870
Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868
undated
William Mulready Sketch of Two Figures in an Interior: One Seated, One Standing
William Mulready, 1786–1863
Sketch of Two Figures in an Interior: One Seated, One Standing
undated
Mary Newton Severn Edith Forster
Mary Newton Severn, 1832–1866
Edith Forster
ca. 1862
unknown artist Study of an Antique Head
unknown artist
Study of an Antique Head
undated
Edward John Poynter Study for an Allegorical Figure of Religion
Edward John Poynter, 1836–1919
Study for an Allegorical Figure of Religion
1895
Hablot Knight Browne The Sporting Parson: "He Trieth a Little 'High Church' Style"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "He Trieth a Little 'High Church' Style"
undated
Hablot Knight Browne The Sporting Parson: "Next a Little Low Church"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Next a Little Low Church"
undated
Hablot Knight Browne The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
Hablot Knight Browne, 1815–1882
The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
undated
John Linnell An Old Cabin on the Bank of a River
attributed to John Linnell, 1792–1882
An Old Cabin on the Bank of a River
undated
Edward Burne-Jones Salvator Mundi
Edward Burne-Jones, 1833–1898
Salvator Mundi
1882
unknown artist Eton Cricket Match
unknown artist
Eton Cricket Match
undated
George Delamotte A Country Lane with a Farm Labourer Climbing a Five-bar Gate, 1808
George Delamotte, active 1809–1821
A Country Lane with a Farm Labourer Climbing a Five-bar Gate, 1808
1808
George Frederic Watts Study for the head of a boy in "Peasants of the Campagne" during the Vintage
George Frederic Watts, 1817–1904
Study for the head of a boy in "Peasants of the Campagne" during the Vintage
ca. 1860
John Hayter George Graham and His Wife, Margaret, Making a Balloon Ascent, London, 1823
John Hayter, 1800–1895
George Graham and His Wife, Margaret, Making a Balloon Ascent, London, 1823
1823
unknown artist Cromer Pier
unknown artist
Cromer Pier
1815
John Linnell Llanberis
John Linnell, 1792–1882
Llanberis
1813
unknown artist Coast Scene
unknown artist
Coast Scene
undated
unknown artist Coast Scene
unknown artist
Coast Scene
undated
unknown artist Sunrise
unknown artist
Sunrise
1815
David Cox Windsor
circle of David Cox, 1783–1859
Windsor
mid-19th century
Benjamin Robert Haydon Rear View Study of a Man walking
Benjamin Robert Haydon, 1786–1846
Rear View Study of a Man walking
undated
Benjamin Robert Haydon Study of a Military Scene
Benjamin Robert Haydon, 1786–1846
Study of a Military Scene
undated
Benjamin Robert Haydon Study of a Figure, Holding a Dagger
Benjamin Robert Haydon, 1786–1846
Study of a Figure, Holding a Dagger
undated
Benjamin Robert Haydon Study of Feet
Benjamin Robert Haydon, 1786–1846
Study of Feet
undated
Benjamin Robert Haydon Rear View Sstudy of a Nude Figure
Benjamin Robert Haydon, 1786–1846
Rear View Sstudy of a Nude Figure
undated
Benjamin Robert Haydon Anatomical Study of the Heel of a Foot
Benjamin Robert Haydon, 1786–1846
Anatomical Study of the Heel of a Foot
undated
Benjamin Robert Haydon Study of a Soldier
Benjamin Robert Haydon, 1786–1846
Study of a Soldier
undated
Benjamin Robert Haydon Landscape with Castle
Benjamin Robert Haydon, 1786–1846
Landscape with Castle
undated
Benjamin Robert Haydon Study of a Sleeping Man, with a Hat and Clasped Hands
Benjamin Robert Haydon, 1786–1846
Study of a Sleeping Man, with a Hat and Clasped Hands
undated
Benjamin Robert Haydon Study of a Man in Death
Benjamin Robert Haydon, 1786–1846
Study of a Man in Death
undated
Benjamin Robert Haydon Upper Body Study, of a Woman in a High Collar
Benjamin Robert Haydon, 1786–1846
Upper Body Study, of a Woman in a High Collar
undated
Benjamin Robert Haydon Study of a Group of Robed, Standing Figures
Benjamin Robert Haydon, 1786–1846
Study of a Group of Robed, Standing Figures
undated
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Daggers
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
Benjamin Robert Haydon The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Lady Macbeth, Approaching Macbeth and the Body
between 1809 and 1811
Benjamin Robert Haydon Study of a Woman in a Partial Recline
Benjamin Robert Haydon, 1786–1846
Study of a Woman in a Partial Recline
undated
Benjamin Robert Haydon Study of a Man's Expressive Face
Benjamin Robert Haydon, 1786–1846
Study of a Man's Expressive Face
undated
Benjamin Robert Haydon Study of a Man's Expressive Face
Benjamin Robert Haydon, 1786–1846
Study of a Man's Expressive Face
undated
Benjamin Robert Haydon Study for a Gathering of People
Benjamin Robert Haydon, 1786–1846
Study for a Gathering of People
undated
Benjamin Robert Haydon Study of the Crucifixion
Benjamin Robert Haydon, 1786–1846
Study of the Crucifixion
undated
Benjamin Robert Haydon The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
unknown artist Portrait Study
unknown artist
Portrait Study
undated
Edward Burne-Jones Studies for a Hand in The Godhead Fires
Edward Burne-Jones, 1833–1898
Studies for a Hand in The Godhead Fires
undated
Dr. William Crotch Battle Abbey, Sept. 8, 1807
Dr. William Crotch, 1775–1847
Battle Abbey, Sept. 8, 1807
1807
John Linnell Beddgelert
John Linnell, 1792–1882
Beddgelert
1834
Edna Kaulbach At Oxford
Edna Kaulbach, active 1874
At Oxford
1874
Benjamin Robert Haydon Study of a Reclining, Nude Figure
Benjamin Robert Haydon, 1786–1846
Study of a Reclining, Nude Figure
1806
Benjamin Robert Haydon Study of Fugures in a Dramatic Scene
Benjamin Robert Haydon, 1786–1846
Study of Fugures in a Dramatic Scene
undated
Benjamin Robert Haydon Figure Study of a Man in a Formal Suit
Benjamin Robert Haydon, 1786–1846
Figure Study of a Man in a Formal Suit
undated
Benjamin Robert Haydon The Murder of Duncan - The Sleeping Groom
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - The Sleeping Groom
between 1809 and 1811
Benjamin Robert Haydon Study of a Seated Male Figure
Benjamin Robert Haydon, 1786–1846
Study of a Seated Male Figure
undated
Benjamin Robert Haydon Study of a Man's Facial Expression
Benjamin Robert Haydon, 1786–1846
Study of a Man's Facial Expression
undated
Benjamin Robert Haydon Study of a Woman Pleading on Her Knees
Benjamin Robert Haydon, 1786–1846
Study of a Woman Pleading on Her Knees
undated
Benjamin Robert Haydon Study For, Christ's Entry into Jerusalem
Benjamin Robert Haydon, 1786–1846
Study For, Christ's Entry into Jerusalem
1814 to 1820
Benjamin Robert Haydon Study of the Face of Jesus
Benjamin Robert Haydon, 1786–1846
Study of the Face of Jesus
1814 to 1820
Benjamin Robert Haydon Study of a Religious Ceremony Scene
Benjamin Robert Haydon, 1786–1846
Study of a Religious Ceremony Scene
1814
Benjamin Robert Haydon Study of a Castle
Benjamin Robert Haydon, 1786–1846
Study of a Castle
undated
Benjamin Robert Haydon Study of a Man in a Long Robe
Benjamin Robert Haydon, 1786–1846
Study of a Man in a Long Robe
undated
William James Muller Study of a Group of Children
Circle of William James Muller, 1812–1845
Study of a Group of Children
undated
William James Muller Study of a Group of Children
Circle of William James Muller, 1812–1845
Study of a Group of Children
undated
William Morris Composition of Three Figures in a Garden
William Morris, 1834–1896
Composition of Three Figures in a Garden
undated
Benjamin Robert Haydon Portrait Study of a Man's Facial Expression
Benjamin Robert Haydon, 1786–1846
Portrait Study of a Man's Facial Expression
undated
Benjamin Robert Haydon Study of Two Figures on a Balcony
Benjamin Robert Haydon, 1786–1846
Study of Two Figures on a Balcony
undated
Benjamin Robert Haydon Study of a Skull
Benjamin Robert Haydon, 1786–1846
Study of a Skull
1805
Benjamin Robert Haydon Figure Study of a Man in a Formal Suit
Benjamin Robert Haydon, 1786–1846
Figure Study of a Man in a Formal Suit
undated