Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
909
David Cox, 1783–1859
Pirate's Isle
1826
910
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
undated
911
Robert Smirke, 1752–1845
Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
undated
912
Robert Smirke, 1752–1845
Olivia and Maria
1822
913
Print made by George Cruikshank, 1792–1878
Jack Sheppard Exhibits a Vindictive Character
1835
914
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
915
Print made by George Cruikshank, 1792–1878
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
916
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
917
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
918
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
919
Print made by George Cruikshank, 1792–1878
The Name on the Beams
1839
920
Print made by George Cruikshank, 1792–1878
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
921
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
922
Print made by Edward Goodall, 1795–1870
Carlisle
1834
923
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
924
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
925
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
926
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
927
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
928
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
929
Print made by Henry Le Keux, 1787–1868
St. Herbert's Chapel
1834
930
Print made by Edward Goodall, 1795–1870
The Boy of Egremond
1834
931
Print made by Robert Wallis, 1794–1878
Bolton Abbey
1834
932
unknown artist
Troilus and Cessida: Six Women on the Walls of Illion
undated
933
unknown artist
Reclining Nude, Possibly Titania
undated
934
unknown artist
Lady MacBeth
undated
935
Thomas Rowlandson, 1756–1827
Dr. Syntax and his Counterpart
1820
936
unknown artist
Apparition of Banquo's Ghost: Banquet Scene from MacBeth
undated
937
Rev. William Warren Porter, 1776–1804
Castle of Udolpho
undated
938
Rev. William Warren Porter, 1776–1804
Scene from 'The Mysteries of Udolpho'
undated
939
unknown artist
Mrs. Yates in the Character of Medea
after 1771
940
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
941
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
942
Print made by James H. Kernot, active early 19th century
Wolf's Hope
1836
943
Print made by Edward Goodall, 1795–1870
Carlisle
1834
944
Print made by William Miller, 1796–1882
Loch Achray (Vignette)
1853 reprint
945
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1839
946
Lewis Morley, 1925–2013
Front of House, Hadrian the Seventh
1960s
947
Lewis Morley, 1925–2013
Peter O'Toole in 'Baal'
1963
948
Lewis Morley, 1925–2013
Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London
1960s
949
Lewis Morley, 1925–2013
Front of House, Saint Joan of the Stockyards
1960s
950
Sawrey Gilpin, 1733–1807
Study for the Figure of Gulliver
ca. 1769
951
Lewis Morley, 1925–2013
Council of Love Contact Sheet
1970
952
Lewis Morley, 1925–2013
Gordon Jackson and Alec Guinness in 'Wild Child'
1967
953
Lewis Morley, 1925–2013
Front of House Display, Hadrian the Seventh
1960s
954
Marie Harnett, born 1983
Costume Party
2015
955
Print made by Richard Hamilton, 1922–2011
How a Great Daily Organ is Turned Out
1990
956
Print made by Richard Hamilton, 1922–2011
He Foresaw his Pale Body
1990
957
Print made by Richard Hamilton, 1922–2011
The Heaventree of Stars
1998
958
Print made by Richard Hamilton, 1922–2011
The Transmogrifications of Bloom
1984 to 1985
959
Print made by Richard Hamilton, 1922–2011
Bronze by Gold
1985 to 1987
960
Print made by Dame Elisabeth Frink, 1930–1993
The Franklin's Tale
1972
961
George Chinnery, 1774–1852
Illustration to Fielding's Amelia
undated
962
unknown artist
Study for the Damned
undated
963
unknown artist
Awakening of Titania
undated
964
unknown artist
Awakening of Titania
undated
965
unknown artist
Titania, from A Midsummer's Night Dream
undated
966
unknown artist
Scene from Midsummer's Night Dream? (451a)
undated
967
Print made by Richard Hamilton, 1922–2011
Leopold Bloom
1983
968
unknown artist
Scene from MacBeth: Banquo?
undated
969
unknown artist
Apparition: Banquo?
undated
970
unknown artist
Banquo's Ghost?
undated
971
Joseph Slater, c. 1750– died after 1789
Robin Hood and Clarinda Hunting Deer
undated
972
After Edward Burne-Jones, 1833–1898
The Garden Court
1892
973
unknown artist
When Swift They Saw John Gilpin Ride, Bare-Headed as Before
undated
974
unknown artist
A View of the Valley of Stones, Devon, with a scene in the Tempest, Act 1
undated
975
William Marshall Craig, 1763 or 1764–1829
Hamlet and the Ghost
ca. 1820
976
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
977
Richard Dadd, 1817–1886
Sketch for the Passions: Pride
ca. 1854
978
Richard Dadd, 1817–1886
Sketch for the Passions: Jealousy
1853
979
Print made by Dame Elisabeth Frink, 1930–1993
Prologue
1972
980
Print made by Dame Elisabeth Frink, 1930–1993
The Miller's Tale I
1974
981
Print made by Dame Elisabeth Frink, 1930–1993
The Miller's Tale II
1974
982
Print made by Dame Elisabeth Frink, 1930–1993
Wife of Bath's Tale
1972
983
Print made by Dame Elisabeth Frink, 1930–1993
The Nun's Priest Tale
1972
984
Print made by Dame Elisabeth Frink, 1930–1993
The Reeve's Tale
1972
985
Joshua Cristall, 1768–1847
Gil Blas, While Practising Medicine under Dr. Sangrado, Encounters Dr. Cuchillo at the Bedside of the Grocer
between 1820 and 1822
986
George Cruikshank, 1792–1878
Hamlet and the Ghost
ca. 1825
987
attributed to Richard Cosway, 1742–1821
Othello and Desdemona, 'Othello', Act V, Scene II
ca. 1805
988
Richard Cosway, 1742–1821
Timon of Athens Before His Cave
ca. 1805
989
William Marshall Craig, 1763 or 1764–1829
The Princes in the Tower
ca. 1820
990
William Marshall Craig, 1763 or 1764–1829
Macbeth and the Apparition of the Armed Head
ca. 1820
991
Richard Dadd, 1817–1886
Sketch for the Passions: Love
1853
992
Richard Westall, 1765–1836
Theatrical Figures About a Throne
undated
993
Joseph Michael Gandy, 1771–1843
A Scene in Ancient Rome: A Setting for Titus Andronicus, I, ii
ca. 1830
994
Mary Hoare, 1744–1820
The Apparition of the Armed Head: Macbeth
ca. 1781
995
Mary Hoare, 1744–1820
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
1782
996
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
997
Mary Hoare, 1744–1820
Lady Percy Watching the Sleeping Hotspur
1781
998
Mary Hoare, 1744–1820
Antigonus Disposing of Perdita
ca. 1781
999
David Allan, 1744–1796
Symon Breaks the News to Glaud: Design number 3 for The Gentle Shepherd