Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
2
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
3
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
4
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
5
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
6
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
7
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
8
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
9
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
10
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
11
John Linnell, 1792–1882
Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830
1830
12
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
13
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
14
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
15
Print made by Stanley Anderson, 1884–1966
The National Gallery
undated
16
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
17
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
18
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
19
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
20
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
21
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
22
Attributed to John Carter, 1748–1817
New East Front, St Stephen's Chapel
ca. 1801
23
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
24
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
25
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
26
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
27
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
28
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
29
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
30
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
31
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
32
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
33
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
34
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
35
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
36
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
37
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
38
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
39
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
40
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
41
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
42
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
43
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
44
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
45
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
46
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
47
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
48
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
49
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
50
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
51
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
53
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
54
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
55
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
56
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
57
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
58
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
59
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
60
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
61
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
62
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
63
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
64
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
65
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
66
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
67
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
68
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
69
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
70
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
71
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
72
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
73
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
74
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
75
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
76
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
77
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch
between 1793 and 1799
78
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
79
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
80
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
81
Print made by John Woods, active 1836–1860
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
1825
82
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
83
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
84
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
85
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
86
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
87
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
88
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
89
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
90
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
91
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
92
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
93
Print made by unknown artist
Royal Humane Society's Receiving House in Hyde Park
undated
94
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
95
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
96
Print made by John Cleghorn, active 1840–1881
Plan of the Regent's Park
1827
97
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge