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Credit Line Yale Center for British Art, Paul Mellon Collection

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On-site Access Accessible by appointment in the Study Room

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Subject Terms hills

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Francis Danby The Ferry
Francis Danby, 1793–1861
The Ferry
ca. 1840
Robert Polhill Bevan The Meet
Print made by Robert Polhill Bevan, 1865–1925
The Meet
1898-1899
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
Robert Polhill Bevan The Flying Pack
Print made by Robert Polhill Bevan, 1865–1925
The Flying Pack
1898-1899
John Constable Dedham Vale from Langham
John Constable, 1776–1837
Dedham Vale from Langham
between 1830 and 1831
John Constable Dedham Vale from Langham
John Constable, 1776–1837
Dedham Vale from Langham
ca. 1813
Samuel Palmer Shoreham, Kent
Samuel Palmer, 1805–1881
Shoreham, Kent
between 1831 and 1832
Samuel Palmer Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.
Samuel Palmer, 1805–1881
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq
ca. 1840
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
1880
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Rising Moon
Print made by Samuel Palmer, 1805–1881
The Rising Moon
1857
William Hogarth Study for the Foundlings
William Hogarth, 1697–1764
Study for the Foundlings
ca. 1739
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Rheinfels Looking to Katz and Gourhausen
Joseph Mallord William Turner, 1775–1851
Rheinfels Looking to Katz and Gourhausen
1817
Joseph Mallord William Turner Foul by God: River Landscape with Anglers Fishing From a Weir
Joseph Mallord William Turner, 1775–1851
Foul by God: River Landscape with Anglers Fishing From a Weir
ca. 1830
Joseph Mallord William Turner Evening Landscape with Castle and Bridge in Yorkshire
Joseph Mallord William Turner, 1775–1851
Evening Landscape with Castle and Bridge in Yorkshire
between 1798 and 1799
Joseph Mallord William Turner A Three Storied Georgian House in a Park
Joseph Mallord William Turner, 1775–1851
A Three Storied Georgian House in a Park
ca. 1795
Joseph Mallord William Turner Mountain Landscape with Lake
Joseph Mallord William Turner, 1775–1851
Mountain Landscape with Lake
ca. 1842
Joseph Mallord William Turner In the Valley Near Vietri
Joseph Mallord William Turner, 1775–1851
In the Valley Near Vietri
ca. 1794
Joseph Mallord William Turner From the Isola Borromena, Lago Maggiore
Joseph Mallord William Turner, 1775–1851
From the Isola Borromena, Lago Maggiore
ca. 1795
Joseph Mallord William Turner Villa Salviati on the Arno
Joseph Mallord William Turner, 1775–1851
Villa Salviati on the Arno
between 1796 and 1797
Joseph Mallord William Turner Santa Lucia, A Convent near Caserta
Joseph Mallord William Turner, 1775–1851
Santa Lucia, A Convent near Caserta
ca. 1795
Joseph Mallord William Turner Near Grindelwald
Joseph Mallord William Turner, 1775–1851
Near Grindelwald
ca. 1796
Joseph Mallord William Turner On the Mosell, Near Traben Trarbach
Joseph Mallord William Turner, 1775–1851
On the Mosell, Near Traben Trarbach
ca. 1841
Joseph Mallord William Turner Hind Head Hill
Etched by Joseph Mallord William Turner, 1775–1851
Hind Head Hill
1811
Joseph Mallord William Turner Carlisle
Joseph Mallord William Turner, 1775–1851
Carlisle
ca. 1832
Joseph Mallord William Turner Tivoli with the Temple of the Sybil and the Cascades
Joseph Mallord William Turner, 1775–1851
Tivoli with the Temple of the Sybil and the Cascades
between 1796 and 1797
Joseph Mallord William Turner Crichton Castle (Mountainous Landscape with a Rainbow)
Joseph Mallord William Turner, 1775–1851
Crichton Castle (Mountainous Landscape with a Rainbow)
ca. 1818
Joseph Mallord William Turner Sir William Hamilton's Villa
Joseph Mallord William Turner, 1775–1851
Sir William Hamilton's Villa
ca. 1795
Edward Lear Oasis Village
Edward Lear, 1812–1888
Oasis Village
1854
Edward Lear View near Palermo
Edward Lear, 1812–1888
View near Palermo
1847
William Blake Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
William Blake The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)
1794
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 27, "They Lived a Period of Years . . . ." (Bentley 28)
1794
William Blake Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
1789
William Blake Songs of Innocence, Plate 16, "Night" (Bentley 20)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
William Blake Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
1789
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards"
ca. 1797
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
William Blake Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 33, "Turning his back to the Divine Vision...."
1804 to 1820
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake A Woody Landscape
William Blake, 1757–1827
A Woody Landscape
ca. 1801
John Malchair Road Between Hills
pupil of John Malchair, 1730–1812
Road Between Hills
undated
John Malchair Mountainous Landscape with Castle on Hill
Pupil of John Malchair, 1730–1812
Mountainous Landscape with Castle on Hill
undated
John Malchair Castle on a Distant Hill
pupil of John Malchair, 1730–1812
Castle on a Distant Hill
undated
William Marlow Nîmes from the Tour Magne
William Marlow, 1740–1813
Nîmes from the Tour Magne
ca. 1765
Mary Mitford On the Seine
Mary Mitford, active 1770
On the Seine
1770
Alexander Monro Boxhill from West Humble Lane
Alexander Monro, 1802–1844
Boxhill from West Humble Lane
undated
Dr. Thomas Monro Composition: Hilly Country
Dr. Thomas Monro, 1759–1833
Composition: Hilly Country
undated
William Pars The Falls at Powerscourt, Co. Wicklow, Ireland
William Pars, 1742–1782
The Falls at Powerscourt, Co. Wicklow, Ireland
undated
John Martin The Rescue of Lot
John Martin, 1789–1854
The Rescue of Lot
1833
John Martin Lot Fleeing Sodom
Attributed to John Martin, 1789–1854
Lot Fleeing Sodom
undated
John Martin The Ravens Feeding Elijah
Attributed to John Martin, 1789–1854
The Ravens Feeding Elijah
undated
John Martin An Elderly Man Petitioning Christ
Attributed to John Martin, 1789–1854
An Elderly Man Petitioning Christ
undated
William Pearson Unidentified Landscape: Trees with Church
William Pearson, 1772–1849
Unidentified Landscape: Trees with Church
undated
John Hassell Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq.
John Hassell, 1767–1825
Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq
ca. 1812
Claude Hayes Moorland with Sheep and Shepherd
Claude Hayes, 1852–1922
Moorland with Sheep and Shepherd
undated
John William Inchbold Swiss Valley Landscape
John William Inchbold, 1830–1888
Swiss Valley Landscape
1885
Frederick Christian Lewis the Elder River Tamar, near Endsleigh, Devon
Frederick Christian Lewis the Elder, 1779–1856
River Tamar, near Endsleigh, Devon
ca. 1832
John Linnell View at Mr. Sheppard's, The Ridge, Gloucestershire
John Linnell, 1792–1882
View at Mr. Sheppard's, The Ridge, Gloucestershire
undated
John Linnell Windsor Forest
John Linnell, 1792–1882
Windsor Forest
1815
John Martin Cain and Abel
Attributed to John Martin, 1789–1854
Cain and Abel
undated
William Marlow Tivoli
William Marlow, 1740–1813
Tivoli
ca. 1768
Hugh O'Neill Oxford from Boar's Hill
Hugh O'Neill, 1784–1824
Oxford from Boar's Hill
1811
Philippe-Jacques de Loutherbourg A Path on a Hilltop
Philippe-Jacques de Loutherbourg, 1740–1812
A Path on a Hilltop
undated
John Middleton Woodland Scene with a Path Across a Stream
attributed to John Middleton, 1826–1856
Woodland Scene with a Path Across a Stream
undated
Dr. Thomas Monro Composition: Recollection of J.R. Cozen's of Nemi
Dr. Thomas Monro, 1759–1833
Composition: Recollection of J.R. Cozen's of Nemi
between 1790 and 1820
John Martin Moonlit Landscape with a Ruined Castle
John Martin, 1789–1854
Moonlit Landscape with a Ruined Castle
between 1820 and 1830
Jacob More A View at Terracina
Jacob More, 1740–1793
A View at Terracina
1778
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
Sir David Wilkie Fife
Sir David Wilkie, 1785–1841
Fife
undated
Dr. Thomas Monro The Edge of the Lake
Dr. Thomas Monro, 1759–1833
The Edge of the Lake
undated
John Thomas Serres Bolt Head, South East, 1/2 South (4 or 5 miles)
John Thomas Serres, 1759–1825
Bolt Head, South East, 1/2 South (4 or 5 miles)
undated
John Thomas Serres Ram Head, North by West (2 miles distance)
John Thomas Serres, 1759–1825
Ram Head, North by West (2 miles distance)
undated
Cornelius Varley Beddgelert Church
Cornelius Varley, 1781–1873
Beddgelert Church
1805
Michael "Angelo" Rooker Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House
Michael "Angelo" Rooker, 1746–1801
Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House
undated
William Taverner An Italian Landscape: village on a hill left, hillside sloping towards right, with distant valley beyond
William Taverner, 1703–1772
An Italian Landscape: village on a hill left, hillside sloping towards right, with distant valley beyond
undated
John Varley Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
John Varley Bamburgh Castle, Northumberland
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
William Byrne The Ruins of the College of Lincluden
Print made by William Byrne, 1743–1805
The Ruins of the College of Lincluden
1782
John Varley View of Rugged Coastline, Bamburgh, Northumberland
John Varley, 1778–1842
View of Rugged Coastline, Bamburgh, Northumberland
undated
John Varley Landscape by Moonlight
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
John Thomas Serres The High Land of Dungarven, West by North
John Thomas Serres, 1759–1825
The High Land of Dungarven, West by North
undated
James Ward The Vale of Llangollen
James Ward, 1769–1859
The Vale of Llangollen
undated
John Varley Mountainous Landscape with Lake
John Varley, 1778–1842
Mountainous Landscape with Lake
1840