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Materials & Techniques black chalk
Remove constraint Materials & Techniques: black chalkCredit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionImage Available Available
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1
- Ruin of St. Botolph's Priory, Colchester
- ca. 1809
2
- Key to the Mint
- 1974
3
- The White House (Gould's Farm Luppitt)
- ca. 1920
4
- Under the Hammer
- between 1912 and 1913
5
- Sale at Ward's Repository, No. 2
- ca. 1918
6
- The Horse Mart
- ca. 1917
7
- Timber Hauling
- ca. 1917
8
- Swiss Cottage, Hampstead
- between 1912 and 1913
9
- Ploughing the Hillside
- ca. 1905
10
- Study for Mare and Foal, Lytchetts, Clayhidon
- 1917
11
- A Morning at Tattersalls (with further sketches in left margin folded over)
- undated
12
- Rocky Landscape in Wales
- 1835 or 1836
13
- Old Cedar Tree in Botanic Garden, Chelsea
- 1854
14
- A Page from a Cornish Sketchbook: Cornwall 30
- undated
15
- The Rock Slip near Boscastle
- undated
16
- Wilmot's Hill, Kent
- ca. 1851
17
- Rome from San Spirito
- undated
18
- Llwyngwynedd and Part of Llyn-y-ddina Between Capel Curig and Beddegelert, North Wales
- 1835 or 1836
19
- Boxhill
- 1868
20
- Study of a Pilgrim
- undated
21
- The Valley of Dolwyddelan
- undated
22
- Trees in a Meadow
- ca. 1805
23
- Wooded Slope with a Receding Road
- ca. 1805
24
- Leopard Body, Lateral View
- 1795 to 1806
25
- Tiger, Recumbent, Viewed Ventrally
- 1795 to 1806
26
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
27
- Dorking Hen, Lateral View
- 1795 to 1806
28
- Human Figure, Posterior View (Almost Identical to Finished Drawing for Table XII)
- 1795 to 1806
29
- Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)
- 1795 to 1806
30
- Gabriel Hunt
- undated
31
- Hymen
- ca. 1748
32
- Study of a Female Nude
- undated
33
- A View of Boppart, with Figures on the River Bank
- 1817
34
- Waterfall of Lodore, Cumberland
- undated
35
- Standing Girl Holding an Object
- undated
36
- Temple of Minerva Medica, Rome
- 1754
37
- Trees and a Cottage by a River
- 1827
38
- The Via Nomentana
- 1754
39
- Italian Landscape with Three-Arched Bridge, Bridgehouse, Figures on near Bank, and Poplars on Farther Bank
- ca. 1752
40
- Moonlight Landscape
- between 1850 and 1859
41
- Hercules Resting
- undated
42
- Arthur Gore, first Earl of Arran
- undated
43
- The Wood Cutter
- undated
44
- Jonathan Richardson, Jr
- ca. 1728
45
- Hastings Races
- undated
46
- View of St. Catherine's Hill near Guildford
- undated
47
- Mrs. Ives of Catton
- 1780
48
- Mountainous Landscape with a Bridge and House
- ca. 1816
49
- Sleeping Pig
- undated
50
- Plant Study
- undated
51
- Study of two girls, with a study of a hand to the right
- undated
52
- Point-to-Point Racing
- undated
53
- A Rhinoceros: Head and Shoulders, Facing Left
- undated
54
- Head of a Leopard
- undated
55
- A Camel Resting
- undated
56
- Man Leading a Trotting Stallion to Right
- undated
57
- Flying Childers Galloping to Left: Bridled but not Saddled
- undated
58
- The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
- undated
59
- The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
- undated
60
- Head of a Tiger
- undated
61
- Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
- undated
62
- A Mare: Possibly a Study for "L'Amour de Cheval", Dated 1827, in the Tate Gallery
- 1827
63
- The Sporting Parson: "He Sheweth Them the Way They Should Go"
- undated
64
- The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
- undated
65
- Delivering a Calf
- undated
66
- The Sporting Parson: "He Then Goes in For Baptism"
- undated
67
- The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "
- undated
68
- The Sporting Parson: "He Sends Mother Eve's Apples Flying"
- undated
69
- A Stable Boy rubbing down a Racehorse
- undated
70
- A Dappled Horse in a Stable
- undated
71
- A Gentleman Standing, Seen Back View, Wearing a Driving or Riding Coat ..
- undated
72
- Royal Review at Windsor - Queen Victoria and Khedive Ismail Pashe of Egypt, June 26th, 1868
- undated
73
- The Quorn towards Ashby de la Zouch, Leicestershire
- 1919
74
- Sketch of Two Figures in an Interior: One Seated, One Standing
- undated
75
- Royal Horse Artillery at the Gallop
- undated
76
- Head of a Male Lion
- undated
77
- Hounds: "Fleur" and "Frogmore"
- 1878
78
- Hounds: "Seagull"
- 1878
79
- The Sporting Parson: "He Trieth a Little 'High Church' Style"
- undated
80
- The Sporting Parson: "Next a Little Low Church"
- undated
81
- The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"
- undated
82
- A Gentleman Standing, Seen Full Face, Wearing a Driving or Riding Coat
- undated
83
- A Young Boy with Dogs
- ca. 1798
84
- Hounds in a Landscape
- undated
85
- A Hunting Party
- undated
86
- Head of an Eagle, Facing Left
- undated
87
- The Artist From the Horse's Point of View
- undated
88
- An Old Cabin on the Bank of a River
- undated
89
- An Open Road
- undated
90
- A Thatched Shelter Suspended from a Tree
- undated
91
- Study of a Pianist and Bass Player
- undated
92
- A Country Lane with a Farm Labourer Climbing a Five-bar Gate, 1808
- 1808
93
- Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
- undated
94
- George Graham and His Wife, Margaret, Making a Balloon Ascent, London, 1823
- 1823
95
- Head of a Lioness
- between 1910 and 1915
96
- Rear View Study of a Man walking
- undated
97
- Study of a Military Scene
- undated
98
- Study of a Figure, Holding a Dagger
- undated
99
- Study of Feet
- undated
100
- Rear View Sstudy of a Nude Figure
- undated