On-site Access: Accessible by appointment in the Study Room / Period: 18th century / Associated Places: London

1. The First Stage of Cruelty: Children Torturing Animals

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

2. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1751, printed 1790
Materials & Techniques:: Line engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 7/8 x 19 1/4 inches (63.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Patricia Cornwell

3. Plans for the House to be Built at Hampstead

Creator:: George Romney, 1734–1802
Date:: 1794
Materials & Techniques:: Various media, including: graphite; pen and brown ink over graphite
Dimensions:: Sheet: 6 1/2 x 10 inches (16.5 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth

4. Holbein's Gateway and Jones's Banqueting House, Whitehall...

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 6 1/2in. (12.1 x 16.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Whitehall Palace, London: Elevation of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 17 11/16 inches (34.4 × 44.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Design for the Staircase at Stratford Place

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Pen and black ink, yellow and gray washes; (verso) graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/2 x 23 1/8 inches (41.9 x 58.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. St. James's Park, London: Plan

Creator:: Lancelot ('Capability') Brown, 1716–1783
Date:: 1770
Materials & Techniques:: Pen and black and brown ink, watercolor on moderately thick, smooth, cream vellum
Dimensions:: Sheet: 19 1/2 x 27 1/16 inches (49.5 x 68.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. King's Mews, Charing Cross, London: Section

Creator:: William Kent, ca.1686–1748
Date:: 1731
Materials & Techniques:: Graphite, pen and black ink and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 12 7/8 inches (25.1 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Treasury, Whitehall, London: Alternate Elevations of the Facade

Creator:: William Kent, ca.1686–1748
Date:: ca. 1733
Materials & Techniques:: Graphite, pen and black ink, and brown wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/2 × 17 1/4 inches (21.6 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The City of Westminster from Near the York Water Gate

Creator:: Canaletto, 1697–1768
Date:: between 1746 and 1747
Materials & Techniques:: Watercolor, gray wash, and pen and brown ink on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/4 x 28 1/4 inches (38.7 x 71.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Painter-Stainers’ Hall

Creator:: Charles Tomkins, 1757–1823
Date:: 1799
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 5 3/8 inches (22.1 × 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. St. Bartholomews Hospital

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/4 × 5 5/8 inches (8.3 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. London Bridge

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/16 × 5 9/16 inches (7.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Old Somerset House

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 1/16 × 5 9/16 inches (7.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Guys Hospital

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 7/16 × 5 3/4 inches (8.7 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/16 × 3 7/8 inches (13.2 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Lambeth Palace

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 2 7/8 × 5 9/16 inches (7.3 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. An Encampment in St. James Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Whitehall Showing Holbein's Gate and Banqueting Hall

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1760
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The South Sea House

Creator:: Print made by unknown artist
Date:: between 1720 and 1728
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. St. Mary le Strand

Creator:: Sutton Nicholls, active 1725
Date:: 1731-1748
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Marlborough House

Creator:: Sutton Nicholls, active 1725
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The Monument

Creator:: Sutton Nicholls, active 1725
Date:: 1731-1748
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

Creator:: Print made by unknown artist
Date:: between 1720 and 1750
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 11/16 x 14 7/16 inches (44.9 x 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Admiralty Office

Creator:: Print made by Thomas Bowles, ca. 1712–died 1753
Date:: 1731
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. York Water Gate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1795
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Fountain's Boarding School, Marylebone

Creator:: James Miller, active 1773–1814
Date:: 1780
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper, laid down on a contemporary mount
Dimensions:: Sheet: 9 3/4 x 14 13/16in. (24.8 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Whitehall Palace, London: Section of Proposed Design

Creator:: unknown artist
Date:: between 1710 and 1740
Materials & Techniques:: Pen and brown ink, gray wash within double-ruled border on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 x 17 1/2 inches (33 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)

Creator:: Paul Sandby, 1731–1809
Date:: 1760
Materials & Techniques:: Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 6 1/8 inches (19.7 x 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. London Cries: "Black Heart Cherries..."

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 x 5 5/8 inches (17.8 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. London Cries: "Any Kitchen Stuff"

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor and black chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 3/4 inches (19.1 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. London Cries: Shoe Cleaner

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Gray, pink, and blue wash over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. London Cries: "Do You Want any Spoons..."

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 6 1/4 inches (20 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. London Cries: Fun upon Fun

Creator:: Paul Sandby, 1731–1809
Date:: 1759
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 5 7/8 inches (18.1 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. London Cries: Throws for a Ha'penny Have You a Ha'penny

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Brown wash, gray wash, graphite, and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 5 7/8 inches (19.7 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. London Cries: Last Dying Speech and Confession

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. London Cries: A Man with a Bottle

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Brown wash and black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 5 5/8 inches (19.7 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. London Cries: A Man Swaggering

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Brown wash, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/4 x 5 3/4 inches (19.7 x 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Group of Men on Westminster Pier

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1752
Materials & Techniques:: Watercolor, pen and black ink over graphite on medium, moderatelty textured, cream laid paper
Dimensions:: Sheet: 3 5/8 x 6 5/8 inches (9.2 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Westminster Bridge

Creator:: Print made by James Walker, 1748–1808
Date:: 1797
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Head Dresses in Covent Garden

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: 1747
Materials & Techniques:: Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 × 7 1/4 inches (7.6 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of Old Somerset House from the Thames

Creator:: Canaletto, 1697–1768
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 1/4 x 28 7/8 inches (41.3 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Characters in the Streets of London

Creator:: Benjamin West, 1738–1820
Date:: 1799
Materials & Techniques:: Brown wash with pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 15 13/16 inches (30.2 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Sketch of a Half-Facade for a Royal Palace, Hyde Park, London

Creator:: Sir John Soane, 1753–1837
Date:: ca. 1779
Materials & Techniques:: Brown wash, gray wash, pen and brown ink, and graphite on medium, moderately textured beige wove paper
Dimensions:: Sheet: 3 1/2 x 8 1/2 inches (8.9 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Westminster Abbey and Bridge from Somerset Garden

Creator:: Samuel Scott, 1701/2–1772
Date:: 1759
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 10 1/4 inches (20 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 3 15/16 inches (16.2 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral

Creator:: Sir James Thornhill, 1675–1734
Date:: between 1709 and 1717
Materials & Techniques:: Red chalk on thin, moderately textured, brown laid paper
Dimensions:: Sheet: 9 1/2 × 11 3/4 inches (24.1 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Design for the Parterre at Hampton Court

Creator:: unknown artist
Date:: early 18th century
Materials & Techniques:: Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Rotunda and Gardens, Ranelagh

Creator:: John Maurer, active 1713–1761
Date:: ca. 1744
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 16 11/16in. (25.4 x 42.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Mansion House

Creator:: John Maurer, active 1713–1761
Date:: undated
Materials & Techniques:: Pen and black ink, pen and gray ink, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/16 x 15 1/4in. (23 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Hinton St. George, Somerset: View of the Saloon

Creator:: Sir John Soane, 1753–1837
Date:: 1797
Materials & Techniques:: Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 x 14 15/16 inches (23.5 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. London Cries: A Milkmaid

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor, pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 5 7/8 inches (22.2 x 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. London Cries: A Fishmonger

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1759
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 5 5/8 inches (19.1 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Gunpowder Magazine, Hyde Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and gray ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 19 3/8 inches (37.1 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Sion House

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. From Hampstead

Creator:: Peter Tillemans, 1684–1734
Date:: 1730
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 15/16 × 6 1/8 inches (10 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

Creator:: Sir James Thornhill, 1675–1734
Date:: undated
Materials & Techniques:: Pen and black ink, brown ink, gray wash, brown wash, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 3/4 x 13 3/16 inches (24.8 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Ruins of the Savoy Palace, London

Creator:: Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Pen in black ink with gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 1/4 inches (21 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Ruins of St. Paul Covent Garden

Creator:: Print made by Thomas Medland, 1755–1823
Date:: 1795
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Sketch for the Oil Painting "The Conversion of St. Paul"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brushed black ink, gray wash and gouache on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 17 1/2 × 11 3/4 inches (44.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Receipt for a Set of Six London Views

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1758
Materials & Techniques:: Graphite, pen and black ink, and gray wash, incised for transfer on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 5/8 x 4 5/8in. (11.7 x 11.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

63. Broom House, Fulham, London

Creator:: William Augustus Barron, active 1777
Date:: 1774
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 × 8 7/8 inches (14.9 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Westminster Abbey

Creator:: Samuel Wale, 1721–1786
Date:: undated
Materials & Techniques:: Gray wash with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 3 1/8 × 5 1/2 inches (7.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Scenery, Haymarket Theatre

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Gray ink and gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 3/4 x 15 1/2 inches (17.1 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/8 × 18 3/16 inches (32.7 × 46.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Ceiling in the Banqueting House at Whitehall

Creator:: Print made by Simon Gribelin, 1662–1733
Date:: ca. 1720
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

Creator:: Simon Gribelin, 1662–1733
Date:: 1720
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 1/2 × 18 1/4 inches (31.8 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Night Watchman

Creator:: Print made by John Bogle, 1746–1804
Date:: 1776
Materials & Techniques:: Etching on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 17 3/4 x 11 15/16 inches (45.1 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. Lovelace in Prison

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1788
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 15 3/8 x 17 7/16 inches (39 x 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Details of the Screen of Entrance Porch, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/2 × 4 1/8 inches (44.5 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Plate IX: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. View of the Office of Ordnance with the Entrance of the House of Lords

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A view of the inside of Westminster Hall

Creator:: unknown artist
Date:: ca. 1700
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 × 11 7/8 inches (22.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Entrance Doorway in the Tower, St Stephen's Chapel

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Plate VIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 15 3/8 × 22 1/16 inches (39.1 × 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Plate X: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 15 5/8 × 22 5/8 inches (39.7 × 57.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Plate XI: St Stephen's Chapel

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Plate XIII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 16 × 22 1/8 inches (40.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Geometrical Construction of the Freeze and Battlements in the House of Commons

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1805
Materials & Techniques:: Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/2 inches (16.2 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:: Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Plate XII: St Stephen's Chapel

Creator:: Print made by James Basire, 1730–1802
Date:: 1795
Materials & Techniques:: Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 16 × 22 inches (40.6 × 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1780
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:: Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. View through the South East Window of the Crypt beneath St Stephen's, Westminster

Creator:: George Johann Scharf, 1788–1860
Date:: 1852
Materials & Techniques:: Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Entrance to the House of Lords

Creator:: Attributed to William Capon, 1757–1827
Date:: 1796
Materials & Techniques:: Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Entrance of the House of Lords with the Office of Ordnance

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, smooth, cream laid paper
Dimensions:: Sheet: 6 1/2 × 3 3/4 inches (16.5 × 9.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

Creator:: Print made by Charles Grignion, 1717–1810
Date:: undated
Materials & Techniques:: Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. North Side, Painted Chamber

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1793 and 1799
Materials & Techniques:: Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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On-site Access Accessible by appointment in the Study Room

Period 18th century

Associated Places London

Search Results

1. The First Stage of Cruelty: Children Torturing Animals

2. The Second Stage of Cruelty: Coachman Beating a Fallen Horse

3. Plans for the House to be Built at Hampstead

4. Holbein's Gateway and Jones's Banqueting House, Whitehall...

5. Whitehall Palace, London: Elevation of Proposed Design

6. Design for the Staircase at Stratford Place

7. St. James's Park, London: Plan

8. King's Mews, Charing Cross, London: Section

9. The Treasury, Whitehall, London: Alternate Elevations of the Facade

10. The City of Westminster from Near the York Water Gate

11. Painter-Stainers’ Hall

12. St. Bartholomews Hospital

13. London Bridge

14. Old Somerset House

15. Guys Hospital

16. An Illustration to the Newgate Calendar: Raby Finding a Woman's Ring Difficult to Be Pulled Off, Cut Off Her Finger, Near Finchley

17. Lambeth Palace

18. An Encampment in St. James Park

19. Whitehall Showing Holbein's Gate and Banqueting Hall

20. The South Sea House

21. St. Mary le Strand

22. Marlborough House

23. The Monument

24. St. Martin's Church

25. The West Prospect of the Church and Steeple of St. Mary le Bow in Cheapside

26. The Admiralty Office

27. York Water Gate

28. Fountain's Boarding School, Marylebone

29. Whitehall Palace, London: Section of Proposed Design

30. London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)

31. London Cries: "Black Heart Cherries..."

32. London Cries: "Any Kitchen Stuff"

33. London Cries: Shoe Cleaner

34. London Cries: "Do You Want any Spoons..."

35. London Cries: Fun upon Fun

36. London Cries: Throws for a Ha'penny Have You a Ha'penny

37. London Cries: Last Dying Speech and Confession

38. London Cries: A Man with a Bottle

39. London Cries: A Man Swaggering

40. A Group of Men on Westminster Pier

41. Westminster Bridge

42. Head Dresses in Covent Garden

43. View of Old Somerset House from the Thames

44. Characters in the Streets of London

45. Sketch of a Half-Facade for a Royal Palace, Hyde Park, London

46. Westminster Abbey and Bridge from Somerset Garden

47. The Mob Assembled to Pull Down the Bawdy House kept by Peter Wood in the Strand

48. Sketch for "The Conversion of St. Paul" for the Dome of St. Paul's Cathedral

49. Design for the Parterre at Hampton Court

50. The Rotunda and Gardens, Ranelagh

51. The Mansion House

52. Hinton St. George, Somerset: View of the Saloon

53. London Cries: A Milkmaid

54. London Cries: A Fishmonger

55. The Gunpowder Magazine, Hyde Park

56. Sion House

57. From Hampstead

58. Design for a Ceiling at Addiscombe: Bacchus and Ariadne

59. Ruins of the Savoy Palace, London

60. Ruins of St. Paul Covent Garden

61. Sketch for the Oil Painting "The Conversion of St. Paul"

62. Receipt for a Set of Six London Views

63. Broom House, Fulham, London

64. Westminster Abbey

65. Scenery, Haymarket Theatre

66. The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland

67. The Ceiling in the Banqueting House at Whitehall

68. The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I

69. Night Watchman

70. Lovelace in Prison

71. Details of the Screen of Entrance Porch, St Stephen's Chapel

72. Plate IX: St Stephen's Chapel

73. View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster