Materials & Techniques: watercolor / Genre: literary theme / Image Available: Available

301. Jerusalem, Plate 42, "Thus Albion sat...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Jerusalem, Plate 52, "To the Deists...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Jerusalem, Plate 55, "When those who disregard...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Jerusalem, Plate 56, "Then Los heaved...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Jerusalem, Plate 57, "And the voices of Bath...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. Jerusalem, Plate 6, "His Spectre driv'n...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Jerusalem, Plate 69, "Then all the Males...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Jerusalem, Plate 71, "And above Albions Land...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Jerusalem, Plate 72, "And the Thirty-two Counties...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Jerusalem, Plate 87, "Repelling weeping Enion...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Jerusalem, Plate 89, "Tho divided by the Cross...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Jerusalem, Plate 92, "What do I see!...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Jerusalem, Plate 93, "Enitharmon heard...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Jerusalem, Plate 98, "Then each an Arrow flaming...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Jerusalem, Plate 99, "All Human Forms identified...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. The Shepherd, from Songs of Innocence

Creator:: William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 x 2 1/2 inches (7.6 x 6.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

335. Pity

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1795
Materials & Techniques:: Color printed monotype, with watercolor, pen and black ink, and varnish on moderately textured wove paper
Dimensions:: Sheet: 16 1/4 x 20 1/4 inches (41.3 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Tiriel Supporting the Dying Myratana and Cursing His Sons

Creator:: William Blake, 1757–1827
Date:: 1786 to 1789
Materials & Techniques:: Pen and black ink with gray wash and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 10 3/4 inches (18.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave

Creator:: Ford Madox Brown, 1821–1893
Date:: 1858
Materials & Techniques:: Watercolor, gouache, graphite and pastel on medium, slightly textured cream wove paper mounted to thick, gray card
Dimensions:: Sheet: 5 3/8 × 3 7/8 inches (13.7 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

343. Window West End, South Aisle, Saint Vincent

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. A Scene from "The Abbot"

Creator:: Sir David Wilkie, 1785–1841
Date:: 1833
Materials & Techniques:: Watercolor with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund

345. Apotheosis of Shakespeare's Characters

Creator:: Sir John Gilbert, 1817–1897
Date:: 1871
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper mounted on wood panel
Dimensions:: Sheet: 41 x 28 inches (104.1 x 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

346. Design for Love's Labour's Lost

Creator:: Thomas Grieve, 1799–1882
Date:: 1839
Materials & Techniques:: Watercolor, white gouache, graphite, pen and black ink, pen and brown ink, and collage on three layerd sheets of moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 3/4 inches (16.5 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Design for Midsummer Night's Dream

Creator:: Thomas Grieve, 1799–1882
Date:: undated
Materials & Techniques:: Watercolor, gouache, pen and ink, and graphite, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 × 6 1/2 inches (55.9 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Portentous Things

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor, brown wash, black chalk, white chalk, and graphite, with scraping out on smooth, thin, beige wove paper
Dimensions:: Sheet: 23 3/4 × 19 3/8 inches (60.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

349. Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

Creator:: William Hamilton, 1751–1801
Date:: undated
Materials & Techniques:: Watercolor and gouache over graphite with scraping out on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 9 inches (29.8 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

350. Faust and Margaret

Creator:: Theodor von Holst, 1810–1844
Date:: undated
Materials & Techniques:: Graphite, watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 6 1/2 inches (24.8 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Prospero Summoning Ariel

Creator:: William Young Ottley, 1771–1836
Date:: ca. 1800
Materials & Techniques:: Watercolor, graphite, gouache, white chalk, and pen and black ink on medium, slightly textured, white wove paper
Dimensions:: Sheet: 12 7/16 x 8 1/8 inches (31.6 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Illustration to Beaumont and Fletcher

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 4 inches (17.5 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Portia and Bassanio

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 5 1/8 inches (16.5 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore

Creator:: George Augustus Sala, 1828–1895
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 7/8 inches (16.2 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

355. The Murder of Banquo

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 1/2 inches (18.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Greatheart's Battle with Grim

Creator:: Richard Westall, 1765–1836
Date:: undated
Materials & Techniques:: Watercolor with pen and black ink on moderately thick, slightly textured cream wove paper
Dimensions:: Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Lear in the Storm

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with gouache and scraping, partially varnished on moderately thick, slightly textured, cream wove paper mounted on thick, slightly textured, peach wove paper with contemporary drawn border
Dimensions:: Contemporary drawn border: 30 1/16 x 24 15/16 inches (76.3 x 63.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

358. Falstaff Carrying Dead Hotspur

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gouache, and gum arabic on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige laid paper
Dimensions:: Mount: 16 3/8 x 20 1/4 inches (41.6 x 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

359. Enter Malvolio, Crossgartered...

Creator:: Sir John Gilbert, 1817–1897
Date:: 1863
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

360. Ferdinand Riding the Waves

Creator:: Theodor von Holst, 1810–1844
Date:: ca. 1830
Materials & Techniques:: Watercolor with gray wash and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Scene of Three Witches from Shakespeare's Macbeth

Creator:: George Cattermole, 1800–1868
Date:: 1840
Materials & Techniques:: Watercolor and gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 12 inches (24.8 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. The Sleepwalking Scene in Macbeth

Creator:: Henry Pierce Bone, 1779–1855
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, graphite and traces of white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 19 7/8 x 13 7/8 inches (50.5 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

363. The Death of Cordelia

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

364. Launce Teaching His Dog Crab

Creator:: Henry William Bunbury, 1750–1811
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, red chalk, black chalk, graphite, and gouache on medium, slightly textured, beige wove paper mounted on moderately thick, moderately textured, beige laid paper
Dimensions:: Mount: 16 5/16 x 20 3/8 inches (41.5 x 51.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

365. The Duel: 'Twelfth Night,' Act III, Scene IV

Creator:: Henry William Bunbury, 1750–1811
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen and gray ink, red ink, black ink, brown ink, gum arabic, graphite, and white gouache on moderately thick, slightly textured, beige wove paper, mounted on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 22 1/8 × 16 13/16 inches (56.2 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

366. MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

Creator:: Edward Francis Burney, 1760–1848
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on thin, smooth, brown wove paper
Dimensions:: Sheet: 9 × 9 inches (22.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

367. The Tenth Day of the Decameron

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8in. (27 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Macbeth and Banquo on the Heath

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

369. Je Dus Voyager

Creator:: Keith Vaughan, 1912–1977
Date:: 1949
Materials & Techniques:: Gouache and watercolor with pen and black ink on medium, smooth, cream laid paper
Dimensions:: Sheet: 19 5/8 × 12 1/8 inches (49.8 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

370. Faim, Soif, Cris, Danse, Danse, Danse

Creator:: Keith Vaughan, 1912–1977
Date:: 1949
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 6 1/2 inches (26.7 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

371. An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1842
Materials & Techniques:: Watercolor over etched outline, with gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 13/16 × 7 3/8 inches (12.2 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

Creator:: Andreas Geiger, 1765–1856
Date:: undated
Materials & Techniques:: Etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 1/16 inches (24 x 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

373. Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre

Creator:: Print made by John W. Gear, 1806–1866
Date:: undated
Materials & Techniques:: Lithograph with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 14 9/16 inches (26.2 x 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

374. Scene from Don Quixote

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and varnish, with scratching out; squared for transfer on moderately thick, moderately textured, beige laid paper
Dimensions:: Image: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Study of a Roman Banquet Scene

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 5 3/16 × 4 1/2 inches (13.2 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Study of a Soldier Attacking a Woman

Creator:: Robert Smirke, 1752–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 5 5/16 × 4 1/2 inches (13.5 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. L'Allegro

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor and graphite on thin, slightly textured, cream wove paper mounted to moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 6 1/2 × 4 7/8 inches (16.5 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

378. The Rustics Perform from "A Midsummer Night's Dream"

Creator:: John Massey Wright, 1777–1866
Date:: undated
Materials & Techniques:: Watercolor with brown ink over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 11/16 x 9 9/16 inches (14.4 x 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

379. Shakespeare Illustration: "Measure for Measure"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 4 inches (16.2 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

380. Shakespeare Illustration: "Henry VIII"

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 4 inches (16.5 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

381. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 5 11/16 inches (21.3 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Gadshill

Creator:: Print made by Philip Dawe, ca.1750–ca.1790
Date:: 1796
Materials & Techniques:: Color printed mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/16 x 12 3/16 inches (41.5 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Illustration to the Iliad

Creator:: John Michael Rysbrack, 1694–1770
Date:: between 1760 and 1769
Materials & Techniques:: Watercolor and gouache with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 15 1/8 inches (23.5 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

384. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 9/16 inches (10.5 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 9/16 inches (10.3 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 × 6 1/2 inches (10.5 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. The Reconciliation of the Montagues and the Capulets

Creator:: Frederic Leighton, 1830–1896
Date:: 1854
Materials & Techniques:: Watercolor with gouache over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 20 3/4 inches (39.6 x 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

395. Pirate's Isle

Creator:: David Cox, 1783–1859
Date:: 1826
Materials & Techniques:: Watercolor with stopping out, and scraping out on moderately thick slightly textured cream wove paper
Dimensions:: Sheet: 30 3/4 x 42 1/2 inches (78.1 x 108 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

396. Going Out in the Morning: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1807
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 17 1/16 inches (29.8 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. The Tiger at Bay: an illustration for Captain Thomas Williamson's "Oriental Field Sports"

Creator:: Samuel Howitt, 1756–1822
Date:: 1807
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 1/8 × 19 1/8 inches (35.9 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Mrs. Yates in the Character of Medea

Creator:: unknown artist
Date:: after 1771
Materials & Techniques:: Watercolor with pen and brown ink on medium, slightly textured, cream wove paper mounted on thick, slightly textured, beige laid paper
Dimensions:: Mount: 15 x 10 1/4 inches (38.1 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

399. Castle of Udolpho

Creator:: Rev. William Warren Porter, 1776–1804
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 16 inches (27 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

400. John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"

Creator:: John Downman, 1750–1824
Date:: 1787
Materials & Techniques:: Watercolor with gouache, black chalk and stumping on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 5/16 x 12 5/8 inches (41.4 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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301. Jerusalem, Plate 42, "Thus Albion sat...."

302. Jerusalem, Plate 52, "To the Deists...."

303. Jerusalem, Plate 53, "Jerusalem / Chap. 3"

304. Jerusalem, Plate 55, "When those who disregard...."

305. Jerusalem, Plate 56, "Then Los heaved...."

306. Jerusalem, Plate 57, "And the voices of Bath...."

307. Jerusalem, Plate 6, "His Spectre driv'n...."

308. Jerusalem, Plate 60, "The clouds of Albions Druid Temples...."

309. Jerusalem, Plate 61, "Behold: in the Visions of Elohim Jehovah...."

310. Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

311. Jerusalem, Plate 69, "Then all the Males...."

312. Jerusalem, Plate 71, "And above Albions Land...."

313. Jerusalem, Plate 72, "And the Thirty-two Counties...."

314. Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

315. Jerusalem, Plate 87, "Repelling weeping Enion...."

316. Jerusalem, Plate 89, "Tho divided by the Cross...."

317. Jerusalem, Plate 92, "What do I see!...."

318. Jerusalem, Plate 93, "Enitharmon heard...."

319. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

320. Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

321. Jerusalem, Plate 98, "Then each an Arrow flaming...."

322. Jerusalem, Plate 99, "All Human Forms identified...."

323. Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

324. Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"

325. Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

326. Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

327. Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"

328. Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

329. Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

330. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

331. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

332. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

333. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

334. The Shepherd, from Songs of Innocence

335. Pity

336. Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

337. Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

338. Young's Night Thoughts, Page 23, "We censure nature for a span too short"

339. Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"

340. The Book of Thel, Plate 4, "Why should the mistress . . . ."

341. Tiriel Supporting the Dying Myratana and Cursing His Sons

342. The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave

343. Window West End, South Aisle, Saint Vincent

344. A Scene from "The Abbot"

345. Apotheosis of Shakespeare's Characters

346. Design for Love's Labour's Lost

347. Design for Midsummer Night's Dream

348. Portentous Things

349. Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1

350. Faust and Margaret

351. Prospero Summoning Ariel

352. Illustration to Beaumont and Fletcher

353. Portia and Bassanio

354. Adina and Dr. Dulcamara, Scene from Donigetti's Elisir d'Amore

355. The Murder of Banquo

356. Greatheart's Battle with Grim

357. Lear in the Storm

358. Falstaff Carrying Dead Hotspur

359. Enter Malvolio, Crossgartered...

360. Ferdinand Riding the Waves

361. Scene of Three Witches from Shakespeare's Macbeth

362. The Sleepwalking Scene in Macbeth

363. The Death of Cordelia

364. Launce Teaching His Dog Crab

365. The Duel: 'Twelfth Night,' Act III, Scene IV

366. MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV

367. The Tenth Day of the Decameron

368. Macbeth and Banquo on the Heath

369. Je Dus Voyager

370. Faim, Soif, Cris, Danse, Danse, Danse

371. An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'

372. Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung

373. Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre