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Materials & Techniques brown ink
Remove constraint Materials & Techniques: brown inkMaterials & Techniques brown wash
Remove constraint Materials & Techniques: brown washOn-site Access Accessible by appointment in the Study Room
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Remove constraint Image Available: AvailableWork Type watercolor
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1
- The Haunted Wood
- undated
2
- Study of Old Buildings
- undated
3
- Landscape Sketch
- undated
4
- Dawn
- between 1831 and 1832
5
- Trees and Deer
- 1825
6
- Shipping Scene, with Fishermen
- between 1815 and 1820
7
- S. Pietro Degli Agostiniani. Leonessa
- 1844
8
- Manor (Knowsley Lane?)
- undated
9
- Memphis
- 1867
10
- Albania
- between 1848 and 1849
11
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
12
- Mythological Group of Women and Children
- undated
13
- A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
- undated
14
- Studies for the Head of a Lady (Studies of a Woman's Head)
- undated
15
- Two Lovers (Man Awakening from a Dream)
- undated
16
- Lord Salisbury, Standing by a Pillar
- undated
17
- Queen's Park, Port of Spain
- 1851
18
- On the Cimaronero River
- 1857
19
- Boulner, East Yarmouth
- undated
20
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
21
- Hogarth Engraving His Master's Shop-bill the Sign of the Angel
- 1817
22
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
23
- Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
- 1817
24
- The Smock Exposed
- 1817
25
- Hogarth Drawing Sarah Malcolm
- 1817
26
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
27
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
28
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
29
- Interior of a Coppersmith's, Shoe Lane
- undated
30
- Culver Cliff, Sandown Bay, Isle of Wight
- undated
31
- Advanced Guard - Sunrise
- ca. 1832
32
- Page Boy Asleep
- undated
33
- Figure studies
- 1723
34
- Luggila, County of Wicklow
- undated
35
- Design for Ceiling Walls and Staircase
- between 1712 and 1713
36
- The Stoning of St. Stephen
- undated
37
- A Design for a Ceiling
- undated
38
- Port of Spain, from the Harbour
- 1851
39
- A Scene at Windsor
- undated
40
- Sheet of Classical Figure Studies
- undated
41
- A Niche for Mr. Portman's House at Sherborne
- ca. 1720
42
- The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
- undated
43
- Lullingstone Castle
- ca. 1670
44
- Trinity Church, Port of Spain
- 1851
45
- Bamboo Arches, St. Anns
- 1851
46
- Maraccas Waterfall
- 1851
47
- St. James Barracks
- 1851
48
- The Cottage, Mount Tamana
- 1851
49
- Cedar Point, Mount Tamana
- 1851
50
- Cobham Hall, Kent: Plan and Elevation of Lodge
- ca. 1790
51
- Falstaff Disguised as Herne
- undated
52
- Solitude, The Reading Magdalene
- undated
53
- Wayfarers
- undated
54
- Nemi
- 1824
55
- The Villa Adrianna, Rome
- 1824
56
- Alcibiades and Timon
- undated
57
- Andromache Mourning the Death of Hector
- between 1760 and 1763
58
- Tournon Opposite to Teint on the Rhone
- ca. 1780
59
- Fish Market, Hastings
- 1824
60
- A Fashionable Audience
- undated
61
- Queen Anne's Court, Cheyne Walk, Chelsea
- 1874
62
- Design for a Hunting Trophy or Loving Cup
- undated
63
- The Dying Man
- ca. 1853
64
- Group of Caricature Heads
- undated
65
- Macbeth and the Witches
- between 1777 and 1778
66
- Harbor
- undated
67
- Ram and Two Sheep
- undated
68
- Classical Composition
- undated
69
- Classical Composition
- undated
70
- Achilles Lamenting the Death of Patroclus
- between 1760 and 1763
71
- Cheyne Walk, Old Chelsea
- 1861
72
- Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
- ca. 1690
73
- Mount Soratte from Civita Castellana
- 1816
74
- Crater of Vesuvius
- 1816
75
- Battledore and Shuttlecock
- ca. 1740
76
- Flying the Kite
- ca. 1740
77
- Ceres and Abas: Ovid, Metamorphoses, Book 5
- ca. 1723
78
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
79
- The Building of Waterloo Bridge
- ca. 1816
80
- Civita Castellana
- undated
81
- Macrocarpa
- undated
82
- Leda and the Swan
- undated
83
- Peasants in a Grotto
- undated
84
- Landscape with Trees and Church Spire
- undated
85
- A Bull Charging
- 1794
86
- Standing Woman
- undated
87
- Landscape with Bridge
- undated
88
- Nocturnal View of Mountainous Landscape with River
- undated
89
- Thatched Roof and Tree
- undated
90
- Design for a Ceiling Decoration (with a Parrot)
- undated
91
- Design for a Wall Panel
- undated
92
- Shed
- undated
93
- Langley Park, Norfolk: Elevation of the South Front
- ca. 1750
94
- Design of Apollo and the Python for a Painted over-door Decoration
- undated
95
- Maraval Dike
- 1851
96
- Design for a Lunette
- undated
97
- Our Blessed Lady and St Thomas of Canterbury: Perspective of the Interior
- 1838
98
- The Rescue of Lot
- 1833
99
- Burial of Sarah
- 1833
100
- The Walls of Jericho
- 1834