North-West Front, Cassiobury, with Hounds and Huntsmen
8
after Joseph Mallord William Turner, 1775–1851
Les Fetes de la Moisson
9
after Joseph Mallord William Turner, 1775–1851
The Trout Stream
10
unknown artist
The Eton Boat on the Towpath of the Thames: Windsor Castle in Background
ca. 1845
11
Sir Edwin Henry Landseer, 1802–1873
Hounds and Hunters Attacking Deer
1831
12
Patrick Nasmyth, 1787–1831
Sportsman and His Dogs
1828
13
John Frederick Lewis, 1804–1876
Tyrolese Hunters
between 1827 and 1828
14
John Frederick Lewis, 1804–1876
Game Keeper and Boy Ferreting a Rabbit
ca. 1828
15
John Nixon, ca. 1760–1818
Brighton Races
1805
16
George Barret, ca. 1728/32–1784
River with Angler
undated
17
unknown artist
Retriever with Hare in Its Mouth
early 19th century
18
Print made by William John Cooke, 1797–1865
Plymouth, Devonshire
1832
19
Print made by James H. Kernot, active early 19th century
St. Catherine's Hill, near Guildford, Surrey
1832
20
Print made by James T. Willmore, 1800–1863
Llangollen, North Wales
1837
21
Print made by William Ward, 1766–1826
Henry Callender
1812
22
Print made by William Ward, 1766–1826
Filho da Puta and Sir Joshua
1818
23
Print made by Richard Earlom, 1743–1822
Bull Dogs and Badgers
1807
24
Print made by William Radclyffe, 1780–1855
Eaton College, Berkshire
1831
25
Print made by James Redway, active 1827–1838
Christ Church College, Oxford
1834
26
Print made by James T. Willmore, 1800–1863
Ullswater, Cumberland
1835
27
Print made by James T. Willmore, 1800–1863
Powis Castle, Montgomery
1835
28
Print made by James T. Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
29
Print made by James T. Willmore, 1800–1863
Richmond Terrace, Surrey
1838
30
Print made by Robert Wallis, 1794–1878
Virginia Water No. 1
1828-1832
31
Print made by Robert Wallis, 1794–1878
Virginia Water No. 11
1828
32
Print made by Robert Wallis, 1794–1878
Virginia Water No. 1
1828-1832
33
Print made by James Basire the younger, 1769–1822
Whalley Abbey (nearer view)
1800
34
Print made by Samuel Rawle, 1771–1860
Raby Castle, County of Durham
1820
35
Print made by Thomas Higham, 1796–1844
Boulevards, Paris
1835
36
John Martin, 1789–1854
Archers Stalking a Stag
1821
37
Print made by Richard Parkes Bonington, 1802–1828
Glenfinlas
1826
38
Print made by Thomas Goldsworth Dutton, 1819/20–1891
The Iron Yachts Mystery and Blue Belle in the Match Sailed May 23rd, 1843
1843
39
James Mitan, 1776–1822
The Pavilion & Steyne at Brighton
1806
40
Print made by Frederick Christian Lewis the Elder, 1779–1856
Promenade on the Ramparts of Nantes
undated
41
Print made by Matthew Dubourg, active 1786–1838
Grouse Shooting
1822
42
Print made by Matthew Dubourg, active 1786–1838
Partridge Shooting
1822
43
Print made by Matthew Dubourg, active 1786–1838
Pheasant Shooting
1822
44
Print made by Matthew Dubourg, active 1786–1838
Snipe Shooting
1822
45
Sir Francis Seymour Haden, 1818–1910
On the Thames
1859
46
Sir Francis Seymour Haden, 1818–1910
On the Thames
1859
47
Print made by James T. Willmore, 1800–1863
Okehampton, Devonshire
1828
48
Print made by James T. Willmore, 1800–1863
Llandberis Lake, Wales
1834
49
Print made by James T. Willmore, 1800–1863
Winander-Mere, Westmoreland
1837
50
Sir Francis Seymour Haden, 1818–1910
A Salmon River, no. 2
1884
51
Liborio Prosperi, 1854–1928
Vanity Fair: Jockeys; 'Mr. Abington', Abington Baird, October 6, 1888
1888
52
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
53
George Alken, 1794–active 1837
Exercising a Racehorse
undated
54
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
55
Henry Thomas Alken, 1785–1851
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
56
Henry Thomas Alken, 1785–1851
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
57
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
58
Henry Thomas Alken, 1785–1851
Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth
between 1818 and 1822
59
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
60
Henry Thomas Alken, 1785–1851
Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
between 1818 and 1822
61
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
62
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
63
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
64
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
65
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
66
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
67
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
68
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
69
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
70
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
71
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
72
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
73
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
74
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
75
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
76
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
77
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman, Right Arm with Curved Sword Upraised
between 1827 and 1851
78
Henry Thomas Alken, 1785–1851
Turbaned Cavalryman on a Horse
undated
79
Henry Thomas Alken, 1785–1851
Knight Falling From His Horse at a Squire's Tilt
undated
80
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
81
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
82
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
83
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
84
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
85
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
86
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
87
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
88
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
89
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
90
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
91
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
92
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
93
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
94
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
95
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
96
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
97
Henry Thomas Alken, 1785–1851
Two Pointers, Facing Right with a Sportsman
undated
98
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
99
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark