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Materials & Techniques aquatint

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1. Junction of Severn and Wye

Junction of Severn and Wye
Creator:
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Date:
1811
Materials & Techniques:
Etching, aquatint, and mezzotint, printed in brown ink; engraver's proof (b?) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/2 inches (25.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Crofton Hall, Yorkshire

Crofton Hall, Yorkshire
Creator:
Robert Havell, 1769–1832
Date:
1813
Materials & Techniques:
Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 17 3/16 inches (29.2 x 43.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815

The Marquis of Anglesea Wounded Whilst Leading a Charge of Heavy Cavalry at the Close of the Battle of Waterloo, June 18, 1815
Creator:
Print made by Matthew Dubourg, active 1786–1838
Date:
1815
Materials & Techniques:
Aquatint with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 12 5/8 inches (25.1 × 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Watermill Above the Bridge at Charenton

The Watermill Above the Bridge at Charenton
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers

Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers
Creator:
Attributed to John Hassell, 1767–1825
Date:
1810
Materials & Techniques:
Aquatint
Dimensions:
Sheet: 6 7/8 x 5 9/16in. (17.5 x 14.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Color-printed stipple engraving with aquatint and drypoint
Dimensions:
Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. View of the Thuilleries and Bridge, taken from the Quai d'Orsai

View of the Thuilleries and Bridge, taken from the Quai d'Orsai
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 3/4 inches (40 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. View of the Pont St. Michael, taken from the Pont Neuf

View of the Pont St. Michael, taken from the Pont Neuf
Creator:
Etched by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 10 x 17 7/8in. (25.4 x 45.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. View of the City with the Louvre & Taken from Pont Marie

View of the City with the Louvre & Taken from Pont Marie
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint with tracing on verso on medium, slightly textured. cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Views of the Pantheon, taken from the Arsenal

Views of the Pantheon, taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. A General View of Paris, taken from Chaillot 1803.

A General View of Paris, taken from Chaillot 1803.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628

On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
Creator:
after Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 5/8 inches (39.7 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. View of the Village of Chaillot & C. taken from Pont de la Concorde

View of the Village of Chaillot & C. taken from Pont de la Concorde
Creator:
Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. View of St. Cloud and Mt. Calvary taken from Pont de Seve

View of St. Cloud and Mt. Calvary taken from Pont de Seve
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance

View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. View of the Gate of St. Denis Taken from the Suburbs.

View of the Gate of St. Denis Taken from the Suburbs.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

The Water Works at Marli,and St. Germain en Laye Seen in the Distance.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 × 24 1/2 inches (39.4 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. View of the Palace and Village of Choisi, on the Banks of the Siene

View of the Palace and Village of Choisi, on the Banks of the Siene
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Creator:
Print made by James Gillray, 1756–1815
Date:
1805
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

25. Military Costumes of the Reign of King Henry VI, 1447

Military Costumes of the Reign of King Henry VI, 1447
Creator:
Print made by John Augustus Atkinson, 1775–1831
Date:
1812
Materials & Techniques:
Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 9/16 x 14 11/16 inches (26.9 x 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26. Elizabeth Alexander

Elizabeth Alexander
Creator:
Print made by Elizabeth Christiana Fanshawe, 1778–1856
Date:
1806
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 9 1/16 inches (33 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art

27. Mother and Child XII

Mother and Child XII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 17 1/4 × 20 1/2 inches (43.8 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

28. Mother and Child XIII

Mother and Child XIII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

29. Mother and Child XIV

Mother and Child XIV
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

30. Mother and Child XV

Mother and Child XV
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 17 1/4 × 20 1/2 inches (43.8 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

31. Mother and Child XVI

Mother and Child XVI
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

32. Mother and Child I

Mother and Child I
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Harriet Loria Popowitz

33. Mother and Child X

Mother and Child X
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 24 3/8 inches (52.1 × 61.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Harriet Loria Popowitz

34. Mother and Child XI

Mother and Child XI
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Harriet Loria Popowitz

35. Oliver Cromwell, P.R.O.C.

Oliver Cromwell, P.R.O.C.
Creator:
Print made by Jan van de Velde IV, ca. 1620–1686
Date:
ca. 1655
Materials & Techniques:
Line engraving, stipple engraving and aquatint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 16 × 12 3/16 inches (40.6 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

36. Lady Dashwood & Child

Lady Dashwood & Child
Creator:
Print made by Charles Howard Hodges, 1764–1837
Date:
1785
Materials & Techniques:
Mezzotint, 3rd state with aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 × 10 7/16 inches (35.6 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

37. Mother and Child II

Mother and Child II
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 17 1/4 × 20 1/2 inches (43.8 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

38. Mother and Child XX

Mother and Child XX
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

39. Mother and Child XXVIII

Mother and Child XXVIII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

40. Mother and Child VIII

Mother and Child VIII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

41. Portrait of Whistler

Portrait of Whistler
Creator:
Henri Charles Guérard, 1846–1897
Date:
1888
Materials & Techniques:
Etching, drypoint, aquatint and roulette, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 17 3/8 x 12 5/16 inches (44.1 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jeanne K. Welcher

42. Turnips & Carrots ho

Turnips & Carrots ho
Creator:
Print made by Thomas Gaugain, 1748–1812
Date:
1797
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 12 7/8 inches (41.3 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, Bequest of Doris M. Brixey

43. Mother and Child XVIII

Mother and Child XVIII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

44. Mother and Child XVII

Mother and Child XVII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

45. Mother and Child XXI

Mother and Child XXI
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

46. Mother and Child XXIV

Mother and Child XXIV
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Etching, aquatint, and drypoint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 17 1/4 × 20 1/2 inches (43.8 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

47. Mother and Child XXV

Mother and Child XXV
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, roulette, and drypoint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

48. Mother and Child XXVI

Mother and Child XXVI
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

49. Mother and Child XXIX

Mother and Child XXIX
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, roulette, and drypoint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 17 1/4 × 20 1/2 inches (43.8 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

50. Mother and Child III

Mother and Child III
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

51. Mother and Child V

Mother and Child V
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

52. Mother and Child IV

Mother and Child IV
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 24 3/8 × 20 1/2 inches (61.9 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

53. Mother and Child VI

Mother and Child VI
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

54. Mother and Child VII

Mother and Child VII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 17 1/4 × 20 1/2 inches (43.8 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

55. Mother and Child XXIII

Mother and Child XXIII
Creator:
Print made by Henry Moore, 1898–1986
Date:
1983
Materials & Techniques:
Color-printed etching, aquatint, and roulette on moderately thick, moderately textured, white wove Arches paper
Dimensions:
Sheet: 20 1/2 × 17 1/4 inches (52.1 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

56. Water Engine, Cold-Bath-Field's Prison

Water Engine, Cold-Bath-Field's Prison
Creator:
Print made by John Bluck, active 1791–1831
Date:
1808
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

57. Pass-Room Bridewell

Pass-Room Bridewell
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 12 5/8 inches (24.2 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

58. West India Docks

West India Docks
Creator:
Print made by John Bluck, active 1791–1831
Date:
1810
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (24 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

59. Saint Stephen's, Walbrook

Saint Stephen's, Walbrook
Creator:
Print made by John Bluck, active 1791–1831
Date:
1809
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/16 x 12 5/8 inches (23.9 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

60. Dining Hall, Asylum

Dining Hall, Asylum
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 12 11/16 inches (24.2 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

61. Two Bunches of Penny Primroses, Two Bunches a Penny

Two Bunches of Penny Primroses, Two Bunches a Penny
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1793
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 13 1/4 inches (42.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Sweet China Oranges, Sweet China

Sweet China Oranges, Sweet China
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1794
Materials & Techniques:
Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/16 × 13 1/2 inches (43.7 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Milk below Maids

Milk below Maids
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1793
Materials & Techniques:
Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured cream wove paper
Dimensions:
Sheet: 16 1/4 × 12 1/2 inches (41.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Knives, Scissars, and Razors to Grind

Knives, Scissars, and Razors to Grind
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. New Mackrel, New Mackrel

New Mackrel, New Mackrel
Creator:
Print made by Niccoló Schiavonetti, 1771–1813
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with handcoloring in water color on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 13 1/2 inches (43.5 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Do You Want Any Matches?

Do You Want Any Matches?
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1794
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Fresh Gathered Peas, Young Hastings

Fresh Gathered Peas, Young Hastings
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 13 7/8 inches (43.2 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Round & Sound, Five Pence a Pound, Duke Cherries

Round & Sound, Five Pence a Pound, Duke Cherries
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 13 3/8 inches (43.5 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Strawberrys, Scarlet Strawberries.

Strawberrys, Scarlet Strawberries.
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 13 1/2 inches (43.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Hot Spice Gingerbread, Smoking Hot!

Hot Spice Gingerbread, Smoking Hot!
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1796
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 12 3/4 inches (42.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Old Chairs to Mend

Old Chairs to Mend
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 13 3/8 inches (43.8 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. A New Love Song, Only ha'Penny a Piece

A New Love Song, Only ha'Penny a Piece
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1796
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 13 5/16 inches (42.5 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Views in the Levant: The Sacred Cave of Archidamus

Views in the Levant: The Sacred Cave of Archidamus
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1785
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Chain Pier at Brighton

Chain Pier at Brighton
Creator:
Print made by John Bruce, fl. 1826
Date:
ca. 1830
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Mamma at Romps

Mamma at Romps
Creator:
Print made by Samuel Freeman, 1773–1857
Date:
1810
Materials & Techniques:
Colored aqutatint and stipple engraving, with etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/16 x 10 3/8 inches (34.2 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Her Majesty Queen Victoria & Family

Her Majesty Queen Victoria & Family
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
ca. 1851
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on thick, smooth, cream wove paper
Dimensions:
Sheet: 4 13/16 × 7 5/16 inches (12.3 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Greenwich Hospital

Greenwich Hospital
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Hampton Court

Hampton Court
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 × 8 1/8 inches (14 × 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Haddon Hall

Haddon Hall
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 9/16 × 4 3/16 inches (14.2 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 3/8 inches (14.1 x 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Italian Peasants - Tryoliean Waltz.

Italian Peasants - Tryoliean Waltz.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on cream card
Dimensions:
Image: 4 5/16 x 6 3/8 inches (11 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Prince Albert

Prince Albert
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper mounted on contemporary cream card with unevenly painted gold border
Dimensions:
Mount: 10 1/16 x 8 1/16 inches (25.5 x 20.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Queen Victoria

Queen Victoria
Creator:
after George Baxter, 1804–1867
Date:
ca. 1860
Materials & Techniques:
Aquatint, stipple engraving, etching, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 13/16 × 7 1/2 inches (27.5 × 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Prince Albert

Prince Albert
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 7/16 × 7 1/2 inches (26.5 × 19 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. The Death of Ananias

The Death of Ananias
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 3/4 x 7 1/16 inches (12 x 18 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Christ's Charge to Peter

Christ's Charge to Peter
Creator:
after George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving, and color woodcut on thick, smooth, cream wove paper mounted on beige card
Dimensions:
Image: 4 1/2 x 7 inches (11.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Set of Needle-Box Prints

Set of Needle-Box Prints
Creator:
Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 2 1/4 × 5 1/4 inches (5.7 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Lincoln Cathedral

Lincoln Cathedral
Creator:
Thomas Malton, 1726–1801
Date:
1800
Materials & Techniques:
Color aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 22 3/8 × 29 3/8 inches (56.8 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Visit to the Convent at Amiens

Visit to the Convent at Amiens
Creator:
unknown artist
Date:
1803
Materials & Techniques:
Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 18 15/16 × 26 5/16 inches (48.1 × 66.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Returning from a Review...Paris

Returning from a Review...Paris
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Changing Horses Near Clermont

Changing Horses Near Clermont
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Breakfast at Breteuil

Breakfast at Breteuil
Creator:
unknown artist
Date:
1801
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Inn Yard at Calais

Inn Yard at Calais
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. The Margate Hoy

The Margate Hoy
Creator:
Print made by Charles Catton the elder RA, 1728–1798
Date:
1785
Materials & Techniques:
Etching, aquatint and hand-coloring on moderately thick, slightly textured, gray laid paper
Dimensions:
Sheet: 11 15/16 × 18 inches (30.4 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Fitting out. - Plate 1

Fitting out. - Plate 1
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1820
Materials & Techniques:
Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1785
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Repose in Egypt

Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Repose in Egypt

Repose in Egypt
Creator:
Print made by James Barry, 1741–1806
Date:
ca. 1776
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection