Associated Places: Scotland - YCBA Collections Search Search Results

1. Staffa, Fingal's Cave

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1831 to 1832
Materials & Techniques:: Oil on canvas
Dimensions:: 35 3/4 x 47 3/4 inches (90.8 x 121.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

2. Inverary Pier, Loch Fyne: Morning

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1845
Materials & Techniques:: Oil on canvas
Dimensions:: 36 x 48 inches (91.4 x 121.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

3. Tummel Bridge, Perthshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1802 and 1803
Materials & Techniques:: Oil on panel
Dimensions:: 11 3/8 x 18 3/8 inches (28.9 x 46.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Heron Hawking below Stirling Castle

Creator:: Jan Wyck, ca. 1645–1700
Date:: ca. 1690
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 × 24 1/8 inches (62.2 × 61.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Edinburgh from the Castle

Creator:: David Roberts, 1796–1864
Date:: 1847
Materials & Techniques:: Oil on canvas
Dimensions:: 48 x 84 inches (121.9 x 213.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Clyde from Port Glasgow

Creator:: Sir Stanley Spencer, 1891–1959
Date:: 1945
Materials & Techniques:: Oil on canvas
Dimensions:: 20 x 30 inches (50.8 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

7. The Caledonian Coursing Meeting

Creator:: Richard Ansdell, 1815–1885
Date:: 1844
Materials & Techniques:: Oil on canvas
Dimensions:: 61 1/8 × 119 15/16 inches (155.3 × 304.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. A View of Edinburgh from the West

Creator:: Alexander Nasmyth, 1758–1840
Date:: 1822 to 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/4 x 36 1/4 inches (61.6 x 92.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Railway Bridge over the River Cart, Paisley

Creator:: Waller Hugh Paton, 1828–1895
Date:: 1857
Materials & Techniques:: Oil on canvas
Dimensions:: 27 × 39 inches (68.6 × 99.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Street in Oban, Night

Creator:: Sir James Guthrie, 1859–1930
Date:: ca. 1893
Materials & Techniques:: Oil on canvas
Dimensions:: 16 x 12 inches (40.6 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Isabel S. Kurtz in memory of her father, Charles M. Kurtz
On View:: Not on view

11. Castlefairn

Creator:: James Paterson, 1854–1932
Date:: between 1890 and 1895
Materials & Techniques:: Oil on canvas
Dimensions:: 17 3/4 × 30 inches (45.1 × 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Isabel S. Kurtz in memory of her father, Charles M. Kurtz
On View:: Not on view

12. Tantallon Castle (?), a study

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Oil on paper
Dimensions:: 11 3/4 × 8 3/4 inches (29.8 × 22.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Discussing a Catch of Salmon in a Scottish Fishing-Lodge

Creator:: William Shiels, 1785–1857
Date:: ca. 1840
Materials & Techniques:: Oil on canvas
Dimensions:: 38 x 50 3/4 inches (96.5 x 128.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. View of the City of Edinburgh

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 55 7/8 x 82 5/8 inches (141.9 x 209.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Ailsa Craig

Creator:: William Bell Scott, 1811–1890
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 12 13/16 x 19 1/4 inches (32.5 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. The Black Ball Line Packet Ship 'New York' off Ailsa Craig

Creator:: William Clark, 1803–1883
Date:: 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 24 x 36 inches (61 x 91.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. On the Clyde - Study of Lady Glen Coats

Creator:: Sir John Lavery, 1856–1941
Date:: 1890
Materials & Techniques:: Oil on canvas
Dimensions:: 15 3/4 x 7 3/4 inches (40 x 19.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. A Highland Landscape

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: ca. 1830
Materials & Techniques:: Oil on board
Dimensions:: 8 x 10 inches (20.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Edinburgh from the Braids

Creator:: Patrick Nasmyth, 1787–1831
Date:: 1812
Materials & Techniques:: Oil on canvas
Dimensions:: 27 1/4 × 35 1/8 inches (69.2 × 89.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. A View of Cessford and the Village of Caverton, Roxboroughshire in the Distance

Creator:: Patrick Nasmyth, 1787–1831
Date:: 1813
Materials & Techniques:: Oil on canvas
Dimensions:: 23 x 33 1/2 inches (58.4 x 85.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Hawthornden Castle, near Edinburgh

Creator:: Alexander Nasmyth, 1758–1840
Date:: between 1820 and 1822
Materials & Techniques:: Oil on canvas
Dimensions:: 18 x 24 inches (45.7 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Loch Awe, Argyllshire

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 20 x 24 inches (50.8 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Dumblain Abbey, Scotland

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink Third state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A Paddle-steamer in a Storm

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1841
Materials & Techniques:: Watercolor, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 11 3/8 inches (23.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. High Street, Edinburgh

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1818
Materials & Techniques:: Watercolor, pen and brown ink, graphite and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/4 inches (16.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Edinburgh Castle and Horse Fair

Creator:: Walter Geikie, 1795–1837
Date:: ca. 1828
Materials & Techniques:: Pen and black ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/8 inches (14 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Glencoe: A Shepherd Boy Crossing a Burn

Creator:: Walter Goodall, 1830–1889
Date:: 1857
Materials & Techniques:: Watercolor over graphite with scratching out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 19 3/8 inches (33.3 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Ruins of the College of Lincluden, Near Dumfries

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Ruins of the College of Lincluden, near Dumfries

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1806
Materials & Techniques:: Gray wash over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Highland Hospitality

Creator:: John Frederick Lewis, 1804–1876
Date:: 1832
Materials & Techniques:: Watercolor, gouache, gum, and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 1/8 x 29 7/8 inches (56.2 x 75.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Edinburgh

Creator:: Alexander Nasmyth, 1758–1840
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 16 5/16in. (27.3 x 41.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Creator:: Robert Adam, 1728–1792
Date:: between 1770 and 1780
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Edinburgh

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1778
Materials & Techniques:: Gray wash and black ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/2 × 11 1/2 inches (24.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Stirling Castle, No. 2

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1909
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 1/4 x 15 5/8 inches (26.1 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

37. Auld Brig, Ayr

Creator:: Print made by Robert Bryden, 1865–1939
Date:: 1904
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 9 15/16 x 13 7/8 inches (25.3 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

38. Head of Loch Lomond, with Ben Lomond in the Distance

Creator:: Paul Jacob Naftel, 1817–1891
Date:: 1859
Materials & Techniques:: Watercolor and gouache on moderately textured, cream wove paper
Dimensions:: Sheet: 25 × 31 1/2 inches (63.5 × 80 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

39. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

Creator:: Thomas Hearne, 1744–1817
Date:: 1778
Materials & Techniques:: Gray wash, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 13 5/8 x 10 3/8 inches (34.6 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Glasgow Exhibition: Ireland and Russia

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige Asian paper, laid on mount
Dimensions:: Sheet: 6 1/4 x 9 1/16 inches (15.9 x 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

41. William Robertson, D.D.

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1772
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 7/8 × 14 1/16 inches (50.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 × 6 7/8 inches (25.4 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Loch Leven Castle

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1844
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Palace of the Stuarts

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

45. Roslyn

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1899
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 8 5/8 inches (32.1 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

46. Rosslyn Chapel

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1901
Materials & Techniques:: Etching and drypoint on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 8 inches (28.3 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

47. Craigievar

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1908
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

48. Ben Ledi

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1911
Materials & Techniques:: Etching and drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

49. The Tay

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1912
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

50. Inverlochy

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1914
Materials & Techniques:: Drypoint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

51. Murthly on the Tay

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1905
Materials & Techniques:: Etching and drypoint on Japanese paper
Dimensions:: Plate: 3 7/8 x 10 1/8in. (9.8 x 25.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

52. Critchton Castle

Creator:: Print made by George Cooke, 1781–1834
Date:: 1819
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 15/16 × 15 1/16 inches (27.8 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Dunimarle

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1909
Materials & Techniques:: Drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 3/8 x 15 5/8 inches (26.3 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

54. Glasgow Cathedral

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1889
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

55. Glasgow Exhibition: From the Dome

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 10 7/16 x 6 7/16 inches (26.5 x 16.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

56. Glasgow Exhibition: Entrance from the Piazza

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper, laid on mount
Dimensions:: Sheet: 11 1/8 × 7 1/4 inches (28.3 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

57. Ayr Prison

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1905
Materials & Techniques:: Drypoint and etching with plate tone on moderately thick, slightly textured, beige Asian paper
Dimensions:: Sheet: 8 5/8 × 11 9/16 inches (21.9 × 29.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

58. Old Tower, Leith

Creator:: Print made by John Clerk of Eldin, 1728–1812
Date:: undated
Materials & Techniques:: Etching with pen and brown ink and gray wash on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 2 1/2 × 4 1/8 inches (6.4 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

59. Manse and Church of Cults, the Birthplace of Wilkie

Creator:: John Cousen, 1804–1880
Date:: undated
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Medallions of F. Hutcheson and L. Natter

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Mezzotint, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 10 7/16 inches (36.9 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The Palace, Stirling Castle

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1893
Materials & Techniques:: Etching on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 6 7/8 inches (30.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

62. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

Creator:: John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/8 x 14 inches (48.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. The Murder of Banquo

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor and gouache with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 10 1/2 inches (18.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. A Distant View of Edinburgh

Creator:: Thomas Stothard, 1755–1834
Date:: 1809
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/16 x 16 5/16in. (21.1 x 41.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Dumbarton Castle

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 1/4 × 7 3/4 inches (28.6 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. New Abbey, Near Dumfries

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 × 8 1/2 inches (33 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Ashestiel

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/4 × 8 3/4 inches (33.7 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Loch Katrine

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 3/4 × 8 7/8 inches (17.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Fingal's Cave, Staffa

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Line engraving; early engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 3/4 × 9 3/4 inches (34.9 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Dunfermline

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 12 5/8 × 9 3/4 inches (32.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Fort Augustus

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 8 1/2 inches (28.3 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Dunstaffnage

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving, engraver's proof on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 8 5/8 × 13 1/4 inches (21.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Dumbarton Castle

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, 1st published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. New Abbey, Near Dumfries

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and engraving, first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Dunfermline

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/4 × 11 7/8 inches (43.8 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Stirling

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Dunstaffnage

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Inverness

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving, first published state on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Killiecrankie

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Fort Augustus

Creator:: Print made by William Miller, 1796–1882
Date:: 1836
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Crichton Castle

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1834
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Loch Leven Castle

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1836-1837
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Abbotsford, Vignette Title

Creator:: Print made by Henry Le Keux, 1787–1868
Date:: 1834
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/8 inches (44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Stirling

Creator:: Charles Oliver Murray, 1842–1923
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 13/16 × 13 1/16 inches (14.8 × 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

85. View of Perth from Moncrieffe Hill

Creator:: Dominic M. Serres, c.1761–1804
Date:: undated
Materials & Techniques:: Gray wash and graphite; verso: graphite sketch of the town only on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/16 × 13 1/4 inches (23.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

86. The Interior of Pitlessie Mill with a Man Sieving Corn

Creator:: Sir David Wilkie, 1785–1841
Date:: 1818
Materials & Techniques:: Watercolor and gouache over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 11 1/2 inches (19 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Castle with Figures in a Classical Landscape

Creator:: Robert Adam, 1728–1792
Date:: undated
Materials & Techniques:: Watercolor, pen, and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 12 inches (24.2 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Linlithgow Palace

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 5 3/16 x 7 3/16 inches (13.1 x 18.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Ben Lomond, August 17

Creator:: James Ward, 1769–1859
Date:: ca. 1805
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 x 11 1/8 inches (10.2 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Birnam Wood

Creator:: Hugh William "Grecian" Williams, 1773–1829
Date:: before 1801
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 19 3/4 inches (38.1 × 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Macbeth and Banquo on the Heath

Creator:: George Fennell Robson, 1788–1833
Date:: ca. 1830
Materials & Techniques:: Watercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

92. A View of Edinburgh

Creator:: Alexander Nasmyth, 1758–1840
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 x 15 7/8in. (22.8 x 40.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Loch Lomond

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Crichton Castle

Creator:: Print made by George Cooke, 1781–1834
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 5/16 × 20 1/4 inches (36.4 × 51.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Bell Rock Lighthouse

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1824
Materials & Techniques:: Line engraving and etching, Proof on medium, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 1/16 × 13 3/16 inches (25.6 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Bell Rock Lighthouse

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1824
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 5/8 × 12 7/8 inches (24.4 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/16 × 17 inches (28.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Tantallon Castle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1822
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/4 × 10 1/8 inches (36.2 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Edinburgh from Leith Harbour, Vignette Title to Vol. II

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Line engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Associated Places Scotland

Search Results

1. Staffa, Fingal's Cave

2. Inverary Pier, Loch Fyne: Morning

3. Tummel Bridge, Perthshire

4. Heron Hawking below Stirling Castle

5. Edinburgh from the Castle

6. The Clyde from Port Glasgow

7. The Caledonian Coursing Meeting

8. A View of Edinburgh from the West

9. Railway Bridge over the River Cart, Paisley

10. Street in Oban, Night

11. Castlefairn

12. Tantallon Castle (?), a study

13. Discussing a Catch of Salmon in a Scottish Fishing-Lodge

14. View of the City of Edinburgh

15. Ailsa Craig

16. The Black Ball Line Packet Ship 'New York' off Ailsa Craig

17. On the Clyde - Study of Lady Glen Coats

18. A Highland Landscape

19. Edinburgh from the Braids

20. A View of Cessford and the Village of Caverton, Roxboroughshire in the Distance

21. Hawthornden Castle, near Edinburgh

22. Loch Awe, Argyllshire

23. Dumblain Abbey, Scotland

24. Dumblain Abbey, Scotland

25. A Paddle-steamer in a Storm

26. High Street, Edinburgh

27. Edinburgh Castle and Horse Fair

28. Glencoe: A Shepherd Boy Crossing a Burn

29. The Ruins of the College of Lincluden, Near Dumfries

30. The Ruins of the College of Lincluden, near Dumfries

31. Highland Hospitality

32. Edinburgh

33. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

34. Edinburgh

35. Dryburgh Abbey

36. Stirling Castle, No. 2

37. Auld Brig, Ayr

38. Head of Loch Lomond, with Ben Lomond in the Distance

39. Transept of Melrose Abbey, 1778 Near Old Melrose on the River Tweed, Roxburgh

40. Glasgow Exhibition: Ireland and Russia

41. William Robertson, D.D.

42. Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'

43. Loch Leven Castle

44. The Palace of the Stuarts

45. Roslyn

46. Rosslyn Chapel

47. Craigievar

48. Ben Ledi

49. The Tay

50. Inverlochy

51. Murthly on the Tay

52. Critchton Castle

53. Dunimarle

54. Glasgow Cathedral

55. Glasgow Exhibition: From the Dome

56. Glasgow Exhibition: Entrance from the Piazza

57. Ayr Prison

58. Old Tower, Leith

59. Manse and Church of Cults, the Birthplace of Wilkie

60. Medallions of F. Hutcheson and L. Natter

61. The Palace, Stirling Castle

62. Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

63. The Murder of Banquo

64. A Distant View of Edinburgh

65. Dumbarton Castle

66. New Abbey, Near Dumfries

67. Ashestiel

68. Loch Katrine

69. Fingal's Cave, Staffa

70. Dunfermline

71. Fort Augustus

72. Dunstaffnage

73. Dumbarton Castle

74. New Abbey, Near Dumfries

75. Dunfermline