Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
undated
303
unknown artist
Dr. Mum
undated
304
Philip William May, 1864–1903
"Jack" Millage
undated
305
Henry Courtney Selous, 1811–1890
Illustration to Pilgrim's Progress, 10. (The Pilgrim in the Armory)
undated
306
Walter Geikie, 1795–1837
Edinburgh Castle and Horse Fair
ca. 1828
307
John James Barralet, 1747–1815
Ledbury Church and Village, Herefordshire
undated
308
Sir John Gilbert, 1817–1897
Enter Malvolio, Crossgartered..
1863
309
Harold Gilman, 1876–1919
Two Horses
undated
310
Sir Charles D'Oyly, 1781–1845
Totnes from the Seymour Hotel
1838
311
John Glover, 1767–1849
Distant View of Greenwich
undated
312
George Lothian Hall, 1825–1888
A Mistica, Gibraltar
1844
313
George Lothian Hall, 1825–1888
The 48th Regiment with Casemate, Gibraltar
1844
314
George Lothian Hall, 1825–1888
The King's Bastion, the Club House Hotel, Gibraltar
1844
315
William Hamilton, 1751–1801
Figures Harvesting
undated
316
William Hamilton, 1751–1801
A Dramatic Scene with Three Women in an Interior
1794
317
William Hamilton, 1751–1801
Hero and Leander
1801
318
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
319
William Hamilton, 1751–1801
Ruins in Rome
between 1768 and 1775
320
Wenceslaus Hollar, 1607–1677
View of Steiereck on the Danube
ca. 1636
321
Wenceslaus Hollar, 1607–1677
View of the East Part of Southwark, Looking Towards Greenwich
ca. 1638
322
Attributed to George Perfect Harding, 1780–1853
Iconographie Anglaise par Reynolds et Autres: Dr. Richard D. Bentley
undated
323
Mary Harcourt, 1750–1833
An Arch in the Vault of an Overgrown Ruin
ca. 1780
324
Charles Gore, 1729–1807
Chamonix, Mer de Glace
between 1778 and 1779
325
Charles Gore, 1729–1807
View of Arundel
undated
326
Attributed to unknown artist
A Soldier on Horseback
undated
327
Benjamin Robert Haydon, 1786–1846
Studies of Napoleon, arms folded, with other figures
undated
328
Francis Hayman, 1707/8–1776
Messengers Before an Emperor
undated
329
Henry Greaves, 1850–1900
Queen Anne's Court, Cheyne Walk, Chelsea
1874
330
Aubrey Vincent Beardsley, 1872–1898
The Lady at the Dressing Table
ca. 1897
331
Francis Hayman, 1707/8–1776
Standing Figure of a Lady
undated
332
Thomas Hearne, 1744–1817
A Rustic Scene
undated
333
Thomas Hearne, 1744–1817
The Trees and River in the Park at Coleorton Hall, Leicestershire
undated
334
Thomas Hearne, 1744–1817
Windsor Castle from the Eton Playing Fields
undated
335
Julius Caesar Ibbetson, 1759–1817
Study of a Woman Seated on a Horse
undated
336
Thomas Hearne, 1744–1817
Goodrich Castle on the Wye
ca. 1785
337
Julius Caesar Ibbetson, 1759–1817
Woodcutter and His Family
undated
338
Julius Caesar Ibbetson, 1759–1817
The Sailor's Farewell
1801
339
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
340
Samuel Howitt, 1756–1822
African Civet
ca. 1817
341
J. Jacobs, active 1816–1864
Shakespeare House, Aldersgate Street
undated
342
Harold Gilman, 1876–1919
Norwegian Landscape
undated
343
Francis Le Piper, 1640–1698
A Sly Man in a Cap
undated
344
William Lewin, 1747–1795
Warbler: Reed Wren
before 1790
345
William Lewin, 1747–1795
Falcon: Hen Krestel
before 1790
346
attributed to Angelica Kauffmann, 1741–1807
Scene in a Roman Prison
undated
347
Edward Hull, 1810–1877
Lowestoft
1858
348
William Henry Hunt, 1790–1864
Portrait of a Man
ca. 1820
349
John Kendall, 1766–1829
Sarcophagus in a Church
May 10, 1806
350
William Henry Hunt, 1790–1864
Bird's Nest with Sprays of Apple Blossoms
ca. 1847
351
John Claude Nattes, 1765–1822
Blundeston near Lowestoft, Sussex
undated
352
John Hamilton Mortimer, 1740–1779
Choir and Orchestra (A Choral Band)
1776
353
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
354
John Nixon, ca. 1760–1818
Study for, In Mr. Barnard's Boat, Kingston
undated
355
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
356
unknown artist
Copy of Man, 1549 (with Beham's monogram)
undated
357
Master of the Wire Line, 18th century
Country Scene: Cottage and Figures on a Winding Road
undated
358
Michel Jean Cazabon, 1813–1888
The Governor's Residence, St. Anns
1851
359
Dominic Serres, 1722–1793
A Bridge over the Thames, with sailing barges in the foreground
1758-1793
360
Michel Jean Cazabon, 1813–1888
Village of Arima and Mount Tamana
1851
361
Thomas Sunderland, 1744–1828
Landscape: Trees, Lakes and Mountains, Lake District
undated
362
James Baynes, 1766–1837
Rocks with Central Cavern Among Trees
1797
363
George Barret Jr., 1767–1842
Boulner, East Yarmouth
undated
364
Louis Philippe Boitard, active 1734–1760
A Fisherwoman, Hands under Apron
undated
365
Louis Philippe Boitard, active 1734–1760
A Man Asleep with Hands Crossed in a Chair
undated
366
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
367
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
368
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
369
John Thomas Smith, 1766–1833
The Smock Exposed
1817
370
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
371
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
372
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
373
John Thomas Smith, 1766–1833
The Reconcilation
1817
374
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
375
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
376
Richard Brookes, 1721–1763
Rough Diamonds
ca. 1760
377
Richard Brookes, 1721–1763
Fireflies
1760
378
Richard Brookes, 1721–1763
Crowned Eagle and Two Birds
1760
379
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
380
Richard Brookes, 1721–1763
Sheep, and Three Animals
ca. 1760
381
Hubert-François Gravelot, 1699–1773
Design for a Medal: Britannia Ruling the Waves
1736
382
Hubert-François Gravelot, 1699–1773
Design for a Medal: Growing Arts Adorn Empire, Caroline Protecting
ca. 1736
383
Samuel Wale, 1721–1786
Interior Scene with Family at Tea
undated
384
Samuel Wale, 1721–1786
The Offer
undated
385
Benjamin West, 1738–1820
Mother and Child with Young Boy Leaning on Window Sill
undated
386
Mather Brown, 1761–1831
Man Seated on a Rock
undated
387
Sir Augustus Wall Callcott, 1779–1844
Woman on a Horse with Two Standing Women Overlooking a Landscape
undated
388
George Moutard Woodward, ca. 1760–1809
A Minute Regulation of the Opera Step
undated
389
unknown artist
Illustration to Tonson's Ovid Metamorphis (four of four)
ca. 1710
390
Lt. Paul Sandby, ca. 1820
Goat Hill and Ships
ca. 1820
391
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
392
Thomas Stothard, 1755–1834
Study for Illustration - A Princess with her Attendants
undated
393
Thomas Stothard, 1755–1834
Chinese Flower Seller
undated
394
Sir James Thornhill, 1675–1734
Portrait bust of a man in full-length wig
undated
395
William Mulready, 1786–1863
Denial and Disappointment
undated
396
unknown artist
Beggars and Horseman
1798
397
Thomas Bewick, 1753–1828
Study for "The Pinche or Red Tailed Monkey" (formerly the Cottenhead Marmoset)
ca. 1785-1789
398
Robert William Billings, 1813–1874
Court Yard of Caerlaverock Castle
1848
399
Robert William Billings, 1813–1874
Caerlaverock Castle Entrance Gateway and Flanking Towers
1848
400
Sir Robert Ker Porter, 1777–1842
A British Officer of the Staff and an Officer of Hussars