Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
9
Henry William Burgess, active 1809–1860
Interior of a Coppersmith's, Shoe Lane
undated
10
John Thomas Smith, 1766–1833
Hogarth at Old Slaughter's Hobbing with Highmore the Painter
1817
11
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
12
John Vanderbank, 1694–1739
Conversation Piece
undated
13
Samuel Wale, 1721–1786
The Pursuit (Probably a Design for The Tyburn Chronicle)
undated
14
Walter Geikie, 1795–1837
Humorous Family Scene
undated
15
Sir John Gilbert, 1817–1897
Wayfarers
undated
16
Francis Hayman, 1707/8–1776
Flying the Kite
ca. 1740
17
Francis Hayman, 1707/8–1776
Battledore and Shuttlecock
ca. 1740
18
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
19
John Thomas Smith, 1766–1833
The Smock Exposed
1817
20
John Thomas Smith, 1766–1833
Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
1817
21
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
22
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
23
John Thomas Smith, 1766–1833
The Reconcilation
1817
24
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
25
John Thomas Smith, 1766–1833
Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
1817
26
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
27
imitator of Canaletto, 1697–1768
Venetian Fantasy
undated
28
Matthew Haughton, 1768–1821
A Fashionable Audience
undated
29
Canaletto, 1697–1768
View of Old Somerset House from the Thames
undated
30
William Pars, 1742–1782
A View at Lucerne
1775
31
Edward Francis Burney, 1760–1848
Illustration for The New Doll: The Doll brought Home
1825
32
Edward Francis Burney, 1760–1848
Illustration for The New Doll: How Pretty it Is
undated
33
Edward Francis Burney, 1760–1848
Illustration for The New Doll: It's Mine, You may Look at It
undated
34
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
35
Edward Francis Burney, 1760–1848
Ilustration for The New Doll: Untitled
1825
36
Edward Francis Burney, 1760–1848
Illustration for- The New Doll: Untitled
1826
37
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Sewing Clothes for the Doll
1825
38
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Untitled
1825
39
Edward Francis Burney, 1760–1848
Illustration for The New Doll: Let me Have It in my Own Hands
undated
40
Paul Sandby, 1731–1809
Election Scene
undated
41
Isaac Weld, 1774–1856
An Execution, Rome
1819
42
William Henry Pyne, 1769–1843
Poulterer's Shop
undated
43
Francis Place, 1647–1728
A Study for the Pilkington Crest, a mower with a scythe
undated
44
Paul Sandby, 1731–1809
London Cries: A Lace Seller
ca. 1759
45
Paul Sandby, 1731–1809
London Cries: Boy with a Donkey
ca. 1759
46
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
47
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
48
John Thomas Smith, 1766–1833
Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
1817
49
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
50
Samuel De Wilde, 1748–1832
Head of a Man with a Beard Looking to the Left
undated
51
Thomas Manby, 1633(?)–1695
Ponte Lucano, Near Tivoli
between 1660 and 1690
52
Isaac Oliver, ca. 1565–1617
Classical Study of Three Figures
undated
53
George Morland, 1763–1804
Peasants in a Grotto
undated
54
Sir Richard Colt Hoare, 1758–1838
View on the Liris at Isola di Sora
1790
55
Thomas Rowlandson, 1756–1827
A Grub Street Poet
undated
56
Thomas Rowlandson, 1756–1827
Domestic Interior
undated
57
Thomas Rowlandson, 1756–1827
The London Citizen
undated
58
Thomas Rowlandson, 1756–1827
The Toll-Gate
undated
59
Thomas Rowlandson, 1756–1827
An Old Coquette Outstood her Market
between 1815 and 1820
60
Thomas Rowlandson, 1756–1827
Two Sleeping Figures
undated
61
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
62
Thomas Rowlandson, 1756–1827
A Livery Stable
undated
63
Thomas Rowlandson, 1756–1827
Kitty Overcome
1821
64
Thomas Rowlandson, 1756–1827
Norwich Market Place
undated
65
Thomas Rowlandson, 1756–1827
Parisian Street Figures
1786
66
Thomas Rowlandson, 1756–1827
Horsemen Colliding
between 1785 and 1790
67
Thomas Rowlandson, 1756–1827
Going to Market
undated
68
Thomas Rowlandson, 1756–1827
Ladies at Tea
between 1790 and 1795
69
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
70
Marcellus Laroon the Younger, 1679–1772
The Tea Party
ca. 1770
71
Thomas Rowlandson, 1756–1827
New Shoes
undated
72
Thomas Rowlandson, 1756–1827
The Miseries of the Country
undated
73
Thomas Rowlandson, 1756–1827
A Stage Coach Outside of the Entrance of an Inn
undated
74
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
undated
75
Thomas Stothard, 1755–1834
November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
undated
76
Thomas Stothard, 1755–1834
December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
undated
77
Thomas Stothard, 1755–1834
April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
undated
78
Thomas Rowlandson, 1756–1827
Providence—The Protection of Drunken Men
ca. 1784
79
Thomas Rowlandson, 1756–1827
Cat Like Courtship
undated
80
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
81
James Smetham, 1821–1889
Cutting Reviews
undated
82
James Smetham, 1821–1889
The Country Artist
undated
83
Sawrey Gilpin, 1733–1807
Horseman fleeing storm
undated
84
Sawrey Gilpin, 1733–1807
Harbour Scene with Castle on left and Ships at Right
undated
85
John Flaxman, 1755–1826
Two Women Talking to a Man at a Counter
undated
86
George Dance, 1741–1825
The Collector
undated
87
Thomas Gainsborough, 1727–1788
Wooded Landscape with Figures, Donkeys and Cottage
ca. 1767
88
John White Abbott, 1763–1851
The Courtyard of Mr. Bank's House, Northernhay, Exeter
1816
89
Hubert-François Gravelot, 1699–1773
Drawing for a Frontispiece: "The Toast"
1735
90
Hubert-François Gravelot, 1699–1773
Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)