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1
- A Shepherd and his Flock under the Moon and Stars
- ca. 1827
2
- Prison Scene
- undated
3
- Horseman of Montecavallo
- between 1773 and 1774
4
- Woman at a Column
- undated
5
- Shepherdess Cutting an Inscription on a Tree
- undated
6
- Two Nude Children
- undated
7
- Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
- 1817
8
- Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
- 1817
9
- Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
- 1817
10
- Venetian Fantasy
- undated
11
- Landscape at Ambleside
- ca. 1800
12
- Capriccio of a Venetian Courtyard
- undated
13
- Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
- 1817
14
- Illustration for The New Doll: How Pretty it Is
- undated
15
- Ilustration for The New Doll: Untitled
- 1825
16
- Illustration for The New Doll: Untitled
- 1825
17
- Illustration for- The New Doll: Untitled
- 1826
18
- Illustration for The New Doll: Untitled
- 1825
19
- Illustration for The New Doll: The Doll brought Home
- 1825
20
- Illustration for The New Doll: Let me Have It in my Own Hands
- undated
21
- Illustration for The New Doll: Sewing Clothes for the Doll
- 1825
22
- Illustration for The New Doll: It's Mine, You may Look at It
- undated
23
- Election Scene
- undated
24
- Conversation Piece
- undated
25
- The Pursuit (Probably a Design for The Tyburn Chronicle)
- undated
26
- Classical Study of Three Figures
- undated
27
- A Fashionable Audience
- undated
28
- Cat Like Courtship
- undated
29
- An Execution, Rome
- 1819
30
- London Cries: A Lace Seller
- ca. 1759
31
- London Cries: Boy with a Donkey
- ca. 1759
32
- Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
- 1817
33
- Hogarth Drinking the First Glass of Wine with His Wife - Their Dogs Keeping Respectful Distances
- 1817
34
- Sir James Thornhill's Boy Entering His Master's Painting Room to Deliver the Bundle and a Letter in the Presence of Lady Thornhill
- 1817
35
- The Smock Exposed
- 1817
36
- The Reconcilation
- 1817
37
- Hogarth Drawing Sarah Malcolm
- 1817
38
- Hogarth Solicits His Patron Bishop Hoadley to Look Over His MS. 'Analysis of Beauty'
- 1817
39
- Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
- 1817
40
- Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
- 1817
41
- Hogarth Sitting to Roubiliac for His Bust
- 1817
42
- Hogarth at Old Slaughter's Hobbing with Highmore the Painter
- 1817
43
- Interior of a Coppersmith's, Shoe Lane
- undated
44
- Ponte Lucano, Near Tivoli
- between 1660 and 1690
45
- Poulterer's Shop
- undated
46
- A Study for the Pilkington Crest, a mower with a scythe
- undated
47
- A View at Lucerne
- 1775
48
- View of Old Somerset House from the Thames
- undated
49
- Head of a Man with a Beard Looking to the Left
- undated
50
- Peasants in a Grotto
- undated
51
- Humorous Family Scene
- undated
52
- Wayfarers
- undated
53
- Battledore and Shuttlecock
- ca. 1740
54
- Flying the Kite
- ca. 1740
55
- Unidentified Periodical / Play Illustration
- undated
56
- View on the Liris at Isola di Sora
- 1790
57
- Views in the Levant: Landscape with Travellers Resting under Tree, Temple of Minerva, Medici, Rome
- ca. 1740
58
- Providence—The Protection of Drunken Men
- ca. 1784
59
- Covent Garden Market
- between 1795 and 1810
60
- A Grub Street Poet
- undated
61
- The Miseries of the Country
- undated
62
- The Tea Party
- ca. 1770
63
- Harbour Scene with Castle on left and Ships at Right
- undated
64
- Horseman fleeing storm
- undated
65
- The London Citizen
- undated
66
- Parisian Street Figures
- 1786
67
- New Shoes
- undated
68
- An Old Coquette Outstood her Market
- between 1815 and 1820
69
- Two Sleeping Figures
- undated
70
- Labourers at Rest
- between 1790 and 1795
71
- The Toll-Gate
- undated
72
- Ladies at Tea
- between 1790 and 1795
73
- Going to Market
- undated
74
- A Livery Stable
- undated
75
- Norwich Market Place
- undated
76
- Kitty Overcome
- 1821
77
- Horsemen Colliding
- between 1785 and 1790
78
- Cutting Reviews
- undated
79
- November 1st: Where is My Lord of Leicester (Vol. 3, p. 164) November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
- undated
80
- A Stage Coach Outside of the Entrance of an Inn
- undated
81
- The Country Artist
- undated
![Thomas Stothard April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)](https://media.collections.yale.edu/thumbnail/ycba/f8db807a-6d7f-48bc-910a-9b7ddb6f96f0)
82
- April 1st: It is I your Host (Vol. 1, p. 199) April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
- undated
83
- December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343) December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
- undated
![Thomas Stothard August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)](https://media.collections.yale.edu/thumbnail/ycba/62eb7eb2-0cc1-44eb-b049-334872524376)
84
- August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
- undated
85
- Domestic Interior
- undated
86
- Drawing for a Frontispiece: "The Toast"
- 1735
87
- Design for an Ornamental Cartouche: Engraved Portrait of Thomas Cromwell, Earl of Essex (1485?-1540)
- undated
88
- The Collector
- undated
89
- Two Women Talking to a Man at a Counter
- undated
90
- The Courtyard of Mr. Bank's House, Northernhay, Exeter
- 1816
91
- Wooded Landscape with Figures, Donkeys and Cottage
- ca. 1767