Materials & Techniques: laid paper / Creator Gender: male / Period: 18th century / Genre: literary theme / Work Type: intaglio print

Engraved by William Woollett, 1735–1785

Celadon and Amelia

1766

Print made by John Blackmore, active 1740–1780

Sigismonda

between 1769 and 1771

Print made by Edward Fisher, 1722–1785

Edwin

1776

Print made by Edward Fisher, 1722–1785

Edwin

1776

Print made by Edward Fisher, 1722–1785

Burchell Reading the Ballad

1776

Print made by Edward Fisher, 1722–1785

Don Ferdinand

1777

Print made by Edward Fisher, 1722–1785

Don Ferdinand

1777

Print made by Edward Fisher, 1722–1785

Lucilia

1776

Print made by Valentine Green, 1739–1813

Pamela and Philoclea

ca. 1777

Print made by Thomas Park, ca. 1760–1834

Ella, or the Sweets of Constancy

1786

Print made by John Watts, active 1766–1786

Van Dyke in the Character of Icarus

1778

Print made by John Watts, active 1766–1786

Van Dyke in the Character of Icarus

1778

Print made by John Faber the Younger, ca. 1695–1756

Kitty Clive as Lady Easy in "The Careless Husband"

1739

Print made by Edward Fisher, 1722–1785

Angelina

1776

Print made by Edward Fisher, 1722–1785

George Primrose

1777

Print made by James McArdell, ca. 1729–1765

Lisabetta

undated

Print made by Thomas Watson, 1743–1781

Maria

1777

John Blackmore, active 1740–1780

Samuel Foote

1771

Print made by John Jones, ca. 1745–1797

The Honble Mrs. Tollemache, in the Character of Miranda

1786

Print made by Robert Dunkarton, 1744–1811

Mrs. Jordan as L'Allegro

1771

Print made by Robert Dunkarton, 1744–1811

Mrs. Yates as 'Melancholy' in 'Il Penseroso'

1771

Print made by John Dean, 1754–1798

Miss Crockatt as Julia de Roubigné

1786

Print made by Thomas Watson, 1743–1781

Miss Elizabeth Beauclerc as 'Una'

1782

Print made by John Finlayson, 1730–1776

David Garrick in the Character of 'Kitely'

1769

Print made by Edward Fisher, 1722–1785

Garrick Between Tragedy and Comedy

undated

Print made by Robert Dighton, 1752–1814

Hamlet in Scotland

1794

William Nutter, 1754–1802

Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia

1789

Peltro W. Tomkins, 1760–1840

The Three Witches

1786

George Vertue, 1684–1756

Ralph Cudworth

undated

Giuseppe Marchi, ca. 1735–1808

Samuel Dyer

1773

William Smith, active 1775–1776

Johannes Gay

1775

John Finlayson, 1730–1776

Mr. Garrick in the Character of Kitely

1769

John Faber the Younger, ca. 1695–1756

Matthew Prior

1728

James Watson, 1740–1790

John Hawkesworth

1773

Print made by Hugh Downman, d. 1789

Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip

ca. 1787

Simon François Ravenet, 1706–1774

Isaac Watts

undated

Print made by Francesco Bartolozzi, 1728–1815

Ophelia: There Is Rue for You and Here's Some for Me

1784

Print made by Daniel Berger, 1744–1824

Die Maussalle.... - "Hamlet," Act III, Scene II

between 1778 and 1780

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II

1778

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX

1778

John Faber the Younger, ca. 1695–1756

William Congreve Esq

1733

Francesco Bartolozzi, 1728–1815

Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire

1787

Richard Purcell, active 1746–1766

Garrick Between Tragedy and Comedy (David Garrick)

undated

Johann Jacobé, 1733–1797

Honorable Miss Mary Monkton

1781

Print made by William Birch, 1755–1834

Mrs. Robinson

1792

Thomas Watson, 1743–1781

Elizabeth Ann Sheridan (née Linley) as St. Cecilia

1779

George Vertue, 1684–1756

Sir Philip Sidney

1741

George Vertue, 1684–1756

Edmund Spenser

1727

John Faber the Younger, ca. 1695–1756

George Stepney Esq

1733

unknown artist

Sir Richard Steele

ca.1733

John Faber the Younger, ca. 1695–1756

Sir Richard Steele

1733

John Jones, ca. 1745–1797

Honorable Mrs. Tollemache in the Character of Miranda

1786

Thomas Watson, 1743–1781

Resignation

1772

John Keyse Sherwin, c.1751–1790

Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"

1791

John Faber the Younger, ca. 1695–1756

Joseph Addison Esq

1733

John Raphael Smith, 1752–1812

Joseph Warton, Master of Winchester College

1786

Print made by Francesco Bartolozzi, 1728–1815

Lovelace in Prison

1788

Print made by John Dean, 1754–1798

Phoebe Hoppner as Caroline de Lichtfield

1786

Print made by William Dickinson, 1746–1823

Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor

1780

Print made by John Faber the Younger, ca. 1695–1756

Margaret Woffington as Mrs. Ford in "The Merry Wives of Windsor"

1751

Print made by John Finlayson, 1730–1776

La Signora Zamperini in the Character of Cecchina

1769

Print made by Francis Haward, 1759–1797

Mrs. Siddons, in the Character of the Tragic Muse

1787

Print made by Francis Haward, 1759–1797

Cymon and Iphigenia

1797

Print made by John Young, 1755–1825

Clara at the tomb of Eloisa

1786

Print made by John Dixon, ca. 1740–1811

David Garrick as Richard III

1772

Print made by Edward Fisher, 1722–1785

Clara

1777

Print made by James McArdell, ca. 1729–1765

Lisabetta

undated

Print made by Thomas Park, ca. 1760–1834

Saberna

1786

Print made by Thomas Park, ca. 1760–1834

Saberna, or the Effects of Falshood

1786

Print made by John Hall, 1739–1797

Comedies

ca. 1776

Print made by Adriaan van der Werff, 1659–1722

Pyramus and Thisbe

1710s

Print made by Philip Dawe, ca.1750–ca.1790

Juliet

1779

Print made by Johann Philip Koch, ca. 1716–1796

Die Unschuldige Susana - Susanna Innocens

undated

Print made by Richard Earlom, 1743–1822

Bathsheba Bringing Abishag to David

1779

Print made by Thomas Watson, 1743–1781

Sigismunda

1779

Print made by Francesco Bartolozzi, 1728–1815

John Henderson as Iago

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket: Anacreontic Society Meeting

1773

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

Guillaume Philippe Benoist Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming

1745