Materials & Techniques: laid paper / Creator Gender: male / Genre: genre subject / Subject Terms: architectural subject and women

William Pars, 1742–1782

The Secundini Monument at Ighel in the Duchy of Luxembourg

undated

Thomas Hearne, 1744–1817

Leeds Castle, Kent

undated

Robert Adam, 1728–1792

Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

between 1770 and 1780

Thomas Hearne, 1744–1817

The Gateway of Lancaster Castle

ca. 1778

Thomas Hearne, 1744–1817

The Ruins of Leiston Abbey

1781

Paul Sandby, 1731–1809

The Queen Elizabeth Gate

1767

Charles Gore, 1729–1807

Gate Toward Bursit, Aix-la-Chappelle

1785

John Varley, 1778–1842

View of New Street, near London Bridge

undated

Henry Monro, 1791–1814

High Street at Bushey, Hertfordshire

1812

Print made by unknown artist

St. Martin's Church

between 1731 and 1754

Print made by John Robert Cozens, 1752–1797

Bath: The Circus

1773

Print made by Lydia Bates, active 1784

Little Missenden Church from the Southeast

1784

William Ellis, 1747–1810

The House of George Humphrys, Esq., Spark Brook

1792

Print made by Robert Bryden, 1865–1939

Auld Brig, Ayr

1904

Print made by William Spencer Bagdatopolous, 1888–1965

Entry of the Rajah, Ogmor

1935

Print made by unknown artist

A View of Part of the Royal Gardens at Naples Towards the Sea

undated

Print made by unknown artist

Spanish Palace at Naples

undated

Print made by unknown artist

A View of the Royal Palace at Naples

undated

Print made by unknown artist

A View of the Piazza Navona in the City of Rome

undated

Print made by unknown artist

A View of the Piazza del Popolo in the City of Rome

undated

Print made by Paul Angier, active 1749

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

1749

Print made by Andrew Fairbairn Affleck, 1874/7–1936

San Lorenzo

undated

Print made by Charles William Cain, 1893–1962

The Return

undated

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Print made by Stanley Anderson, 1884–1966

Horse Guards

1911

Hedley Fitton, 1859–1929

St. Bartholomew's Gateway

undated

Print made by unknown artist

The South Sea House

between 1720 and 1728

William Ellis, 1747–1810

Bordesley Hall, the Seat of John Taylor, Esq

1792

Charles Grignion, 1717–1810

A Perspective View of the Foundling Hospital with Emblematic Figures

1749

Print made by George Arnald, 1763–1841

Dinant, No. 1: Southwest View

between 1818 and 1828

Print made by Thomas Shotter Boys, 1803–1874

Verona, Hay Barge on the Medway, and a Calvary (three prints)

after 1833

Engraved by Robert Pollard, 1755–1838

View of Queen Square

1789