Materials & Techniques: line engraving / Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century / Image Available: Available

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by James C. Allen, active 1821–1831

Ehenbreitstein, During the Demolition of the Fortress in 1817 from the Quay at Coblentz

1824

Print made by Edward Goodall, 1795–1870

Tivoli, a Composition

1827

Etched by Samuel Middiman, ca. 1750–1831

The Temple of Jupiter in the Island of Aegina

1828

Print made by James T. Willmore, 1800–1863

Destruction of Both Houses of Parliament

1835

Print made by James T. Willmore, 1800–1863

Destruction of Both Houses of Parliament

1835

Print made by Thomas Crostick, active ca. 1828

Fonthill

1829

Print made by James T. Willmore, 1800–1863

Fire at Sea (vignette)

1835

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Augustus Welby Northmore Pugin, 1812–1852

St. Giles' Catholic Church: Elevation of the Steeple

undated

Print made by James C. Allen, active 1821–1831

Ehrenbreitstein

1824

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by James C. Allen, active 1821–1831

The Custom House

1827

Print made by Edward Goodall, 1795–1870

Cologne

1824

Print made by Edward Goodall, 1795–1870

Cologne

1824

Etched by Samuel Middiman, ca. 1750–1831

The Temple of Jupiter in the Island of Aegina

1828

Print made by James T. Willmore, 1800–1863

Nantes

1828-1832

Print made by James T. Willmore, 1800–1863

The Sea The Sea (vignette)

1836

Print made by Edward Goodall, 1795–1870

Florence from the Chiesa al Monte

1831

Print made by James T. Willmore, 1800–1863

Fire at Sea (vignette)

1835

Print made by Robert Wallis, 1794–1878

Havre

1833

Print made by William Miller, 1796–1882

Palace of La Belle Gabrielle

1828-1837

Print made by William Miller, 1796–1882

Palace of La Belle Gabrielle

1828-1837

Print made by James T. Willmore, 1800–1863

The Sea The Sea (vignette)

1836

Print made by Thomas Crostick, active ca. 1828

Fonthill

1828

Print made by Edward Goodall, 1795–1870

Florence from the Chiesa al Monte

1831

Print made by Robert Wallis, 1794–1878

Havre

1832

Print attributed to B. R. Davies, active ca. 1833

Mount Blanc

ca. 1828

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by Frederick Christian Lewis the Elder, 1779–1856

Giovanni and Garcia De' Medici

1830

Print made by Robert Wallis, 1794–1878

Ramsgate

1814 to 1826

Print made by John Scott, 1774–1828

Aysgarth Force

1818-1823

Print made by Samuel Middiman, ca. 1750–1831

Moss Dale Fall

1822

Print made by Samuel Middiman, ca. 1750–1831

Hardraw Fall

1817

Print made by John Wykeham Archer, 1808–1864

Crook of the Lune, Looking towards Hornby Castle

1821

Print made by Charles Heath, 1785–1848

Ingleborough, from Hornby Castle Terrace

1818-1823

Print made by Edward Goodall, 1795–1870

An Old Oak

1834

Print made by Edward Goodall, 1795–1870

St. Julienne's Chapel

1834

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1822

Print made by Edward Goodall, 1795–1870

St. Pierre's Cottage

1834

Print made by William Radclyffe, 1780–1855

Hornby Castle from Tatham Church

1818-1823

Print made by Edward Goodall, 1795–1870

The Boy of Egremond

1834

Print made by Edward Goodall, 1795–1870

Shipbuilding (An Old Oak Dead)

1834

Print made by Charles Heath, 1785–1848

Kirkby Lonsdale Churchyard

1818-1823

Print made by Robert Wallis, 1794–1878

Bolton Abbey

1834

Print made by Samuel Middiman, ca. 1750–1831

Weathercote Cave when Half Filled with Water

1821

Print made by Samuel Middiman, ca. 1750–1831

Weathercote Cave when Half Filled with Water

1821

Print made by George Cooke, 1781–1834

Edinburgh Castle, Vignette Title to Vol. I

1826

Print made by Henry Le Keux, 1787–1868

Borthwick Castle

1819

Engraved by Henry Le Keux, 1787–1868

High Street, Edinburgh

1819

Print made by George Cooke, 1781–1834

Edinburgh Castle, Vignette Title to Vol. I

1826

Print made by George Cooke, 1781–1834

Crichton Castle

1822

Print made by Robert Wallis, 1794–1878

Edinburgh from Leith Harbour, Vignette Title to Vol. II

1826

Print made by Edward Goodall, 1795–1870

Columbus and his Son

1834

Print made by Edward Goodall, 1795–1870

Cortes and Pizarro

1834

Print made by W. R. Smith, active 1819–1851

Rosslyn Castle

ca. 1822

Print made by James C. Allen, active 1821–1831

Dunbar

1824

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

William Finden, 1787–1852

The Bird's Nest

1834

Print made by Edward Goodall, 1795–1870

Tantallon Castle

1822

Refine your search

Collection

Creator

Date

On-site Access

Image Use

Image Available

Classification

Creator Gender

Collective Title

Period

Materials & Techniques

Height [cm]

Width [cm]

Work Type

Genre

Subject Terms

Associated Places

Associated People

Exhibition History

Credit Line

Materials & Techniques line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 19th century

Image Available Available

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques line engraving

Credit Line Yale Center for British Art, Paul Mellon Collection

Period 19th century

Image Available Available

Search Results