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Materials & Techniques watercolor

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Collection Prints and Drawings

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Subject Terms women

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Classification Drawings & Watercolors

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Robert Polhill Bevan Figures at Mass, Poland
Robert Polhill Bevan, 1865–1925
Figures at Mass, Poland
ca. 1904
Joseph Mallord William Turner Rome from Monte Mario
Joseph Mallord William Turner, 1775–1851
Rome from Monte Mario
ca. 1818
Joseph Mallord William Turner Dartmoor: The Source of the Tamar and the Torridge
Joseph Mallord William Turner, 1775–1851
Dartmoor: The Source of the Tamar and the Torridge
ca. 1813
Edward Lear Opposite Beni Hassan
Edward Lear, 1812–1888
Opposite Beni Hassan
1867
Edward Lear Howatke
Edward Lear, 1812–1888
Howatke
1867
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 29, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 39, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 39, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 25, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 33, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 33, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 71, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 75, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827
Joseph and Potiphar's Wife
1803 to 1805
George Romney Prison Scene
George Romney, 1734–1802
Prison Scene
undated
John Nixon A Review on Epson Downs
John Nixon, ca. 1760–1818
A Review on Epson Downs
undated
James Green Figures taking the Waters at the Spa at Scarborough
James Green, 1771–1834
Figures taking the Waters at the Spa at Scarborough
undated
James Green The Terrace, Scarborough
James Green, 1771–1834
The Terrace, Scarborough
undated
Charles Gore Gate Toward Bursit, Aix-la-Chappelle
Charles Gore, 1729–1807
Gate Toward Bursit, Aix-la-Chappelle
1785
Theodor von Holst Theatrical Group
Theodor von Holst, 1810–1844
Theatrical Group
undated
John Nixon Martha Gunn, Bather at Brighton
John Nixon, ca. 1760–1818
Martha Gunn, Bather at Brighton
1791
William Payne On the River Tivy, near Cardigan, Wales
William Payne, active 1850s
On the River Tivy, near Cardigan, Wales
1826
William Henry Hunt Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
William Henry Hunt A Street in a Country Village
William Henry Hunt, 1790–1864
A Street in a Country Village
ca. 1815
Henry Perlee Parker At Mrs. Bulley's, Hooe, near Plymouth
Henry Perlee Parker, 1795–1873
At Mrs. Bulley's, Hooe, near Plymouth
undated
William Henry Hunt Interior of a Room
Attributed to William Henry Hunt, 1790–1864
Interior of a Room
ca. 1821
William Henry Hunt The Portico of St. Martin-in-the-Fields
William Henry Hunt, 1790–1864
The Portico of St. Martin-in-the-Fields
ca. 1862
unknown artist Design for the Parterre at Hampton Court
unknown artist
Design for the Parterre at Hampton Court
early 18th century
William Hamilton Figures Harvesting
William Hamilton, 1751–1801
Figures Harvesting
undated
William Hamilton A Dramatic Scene with Three Women in an Interior
William Hamilton, 1751–1801
A Dramatic Scene with Three Women in an Interior
1794
John William Inchbold In Richmond Park
John William Inchbold, 1830–1888
In Richmond Park
1869
Thomas Hearne The Gateway of Lancaster Castle
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
John Frederick Lewis The Torre de Comares, Alhambra, 1835
John Frederick Lewis, 1804–1876
The Torre de Comares, Alhambra, 1835
1835
Hubert-François Gravelot Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
attributed to Hubert-François Gravelot, 1699–1773
Matrimonial Fisticuffs, with a Portrait of the Pugilist John Broughton, in the Background
undated
Joseph Murray Ince A Picnic on Richmond Hill
Joseph Murray Ince, 1806–1859
A Picnic on Richmond Hill
undated
Thomas Hearne The Ruins of Leiston Abbey
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
John Henderson Weymouth: with figures, shipping and view of (?) the Custon House
John Henderson, 1764–1843
Weymouth: with figures, shipping and view of (?) the Custon House
undated
Anthony Highmore Group of Three Ladies
Anthony Highmore, 1719–1799
Group of Three Ladies
undated
Richard Westall The Seven Bishops Going To Trial
Richard Westall, 1765–1836
The Seven Bishops Going To Trial
1790
John Frederick Lewis Highland Hospitality
John Frederick Lewis, 1804–1876
Highland Hospitality
1832
unknown artist Woman in Egyptian Dress
unknown artist
Woman in Egyptian Dress
undated
John Frederick Lewis Study for the Proclamation of Don Carlos
John Frederick Lewis, 1804–1876
Study for the Proclamation of Don Carlos
between 1834 and 1838
William Hay Seamstresses, St. Kitts, Carribean
William Hay, active 1776–1797
Seamstresses, St. Kitts, Carribean
1798
John Frederick Lewis A Street Scene in Granada on the Day of the Bullfight
John Frederick Lewis, 1804–1876
A Street Scene in Granada on the Day of the Bullfight
1833
Thomas Malton Winchester Tower, Windsor Castle
Thomas Malton, 1726–1801
Winchester Tower, Windsor Castle
undated
Thomas Malton the Younger York Water Gate
Thomas Malton the Younger, 1748–1804
York Water Gate
1795
James Miller A Christening at the Vatican with Swiss Papal Guard, etc.
Attributed to James Miller, active 1773–1814
A Christening at the Vatican with Swiss Papal Guard, etc
undated
George Morland A Hop Kiln
George Morland, 1763–1804
A Hop Kiln
1795
Aaron Edwin Penley Sheet of Studies of Deer, Figures and Landscape
Aaron Edwin Penley, 1807–1870
Sheet of Studies of Deer, Figures and Landscape
undated
Ambrose Poynter Sketches from Life in Paris: Two Women
Ambrose Poynter, 1796–1886
Sketches from Life in Paris: Two Women
ca. 1835
John Nixon At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
1804
Edward Francis Burney Mary, Queen of Scots
Edward Francis Burney, 1760–1848
Mary, Queen of Scots
undated
unknown artist Battersea Bridge
unknown artist
Battersea Bridge
undated
Lewis Vaslet The Spoiled Child, Scene IV
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene IV
ca. 1802
Lewis Vaslet The Spoiled Child, Scene VI
Lewis Vaslet, 1742–1808
The Spoiled Child, Scene VI
ca. 1802
Richard Westall Rosebud, or the Judgement of Paris
Richard Westall, 1765–1836
Rosebud, or the Judgement of Paris
1791
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
William Pars The Secundini Monument at Ighel in the Duchy of Luxembourg
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
Paul Sandby The Gunpowder Magazine, Hyde Park
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
J. Findlay Sir Violet Sighaway & Mr. Villiers
J. Findlay, active 1825–1857
Sir Violet Sighaway & Mr. Villiers
undated
Thomas Hearne Haymaking
Thomas Hearne, 1744–1817
Haymaking
undated
Edmund Thomas Parris Sketches from Life
Edmund Thomas Parris, 1793–1873
Sketches from Life
1826
William Payne Torquay
William Payne, active 1850s
Torquay
undated
Edmund Thomas Parris Studies of Figures: Women, Tradespeople, etc.
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
Samuel Prout Figures on a Beach
Samuel Prout, 1783–1852
Figures on a Beach
after 1827
Robert Smirke Scene of a Bacchanalia
Robert Smirke, 1752–1845
Scene of a Bacchanalia
undated
Thomas Girtin The Village of Kirkstall, Yorkshire
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
Peter DeWint The Cornfield
Peter DeWint, 1784–1849
The Cornfield
undated
Thomas Rowlandson Greenwich
Thomas Rowlandson, 1756–1827
Greenwich
1795 to 1800
David Cox The Junction of the Severn and the Wye with Chepstow in the Distance
David Cox, 1783–1859
The Junction of the Severn and the Wye with Chepstow in the Distance
1830
Charles Claude Pyne The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
Charles Claude Pyne, 1802–1878
The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
1872
Samuel Hieronymus Grimm Langworth
Samuel Hieronymus Grimm, 1733–1794
Langworth
1785
James Malton A Military Encampment in Hyde Park
James Malton, 1761–1803
A Military Encampment in Hyde Park
1785
Thomas Rowlandson A Ball at Scarborough
Thomas Rowlandson, 1756–1827
A Ball at Scarborough
ca. 1820
Thomas Rowlandson Viewing at the Royal Academy
Thomas Rowlandson, 1756–1827
Viewing at the Royal Academy
ca. 1815