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William Blake The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 25, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 25, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 31, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 31, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 3, "Ode on the Spring."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 35, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 35, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 33, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 33, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 37, "Ode to Adversity."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 41, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 43, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 49, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 5, "Ode on the Spring."

between 1797 and 1798

William Blake Jerusalem, Plate 67, "By those who drink their blood...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 67, "By those who drink their blood...."

1804 to 1820

William Blake Jerusalem, Plate 9, "Condens'd his Emanations...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 9, "Condens'd his Emanations...."

1804 to 1820

William Blake Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"

1797

William Blake Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

William Blake, 1757–1827

The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 23, "A Long Story."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 23, "A Long Story."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 51, "The Progress of Poesy."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 53, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 53, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 55, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 55, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 57, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 57, "The Bard."

between 1797 and 1798

William Blake Jerusalem, Plate 66, "In awful pomp & gold...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 66, "In awful pomp & gold...."

1804 to 1820

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

1804 to 1820

William Blake Jerusalem, Plate 75, "And Rahab Babylon the Great...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 75, "And Rahab Babylon the Great...."

1804 to 1820

William Blake Jerusalem, Plate 76

Print made by William Blake, 1757–1827

Jerusalem, Plate 76

1804 to 1820

William Blake Jerusalem, Plate 78, "The Spectres of..."

William Blake, 1757–1827

Jerusalem, Plate 78, "The Spectres of..."

1804 to 1820

William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

1804 to 1820

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"

1797

William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

William Blake Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"

1797

William Blake Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake The Poems of Thomas Gray, Design 61, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 61, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 59, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 59, "The Bard."

between 1797 and 1798

William Blake The Poems of Thomas Gray, Design 63, "The Bard."

William Blake, 1757–1827

The Poems of Thomas Gray, Design 63, "The Bard."

between 1797 and 1798

William Blake Jerusalem, Plate 6, "His Spectre driv'n...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 6, "His Spectre driv'n...."

1804 to 1820

William Blake The Shepherd, from Songs of Innocence

William Blake, 1757–1827

The Shepherd, from Songs of Innocence

ca. 1795

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Christ Appearing to the Apostles after the Resurrection

Print made by William Blake, 1757–1827

Christ Appearing to the Apostles after the Resurrection

1795 to 1805

William Blake Sealing the Stone and Setting a Watch

William Blake, 1757–1827

Sealing the Stone and Setting a Watch

1800 to 1803

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake Mary Magdalen at the Sepulchre

William Blake, 1757–1827

Mary Magdalen at the Sepulchre

ca. 1805

Edward Lear Seated Men

Edward Lear, 1812–1888

Seated Men

1867

Edward Lear Studies of Camels and Egyptian Men

Edward Lear, 1812–1888

Studies of Camels and Egyptian Men

1867

Edward Lear Silsilis

Edward Lear, 1812–1888

Silsilis

1854

Edward Lear Opposite Beni Hassan

Edward Lear, 1812–1888

Opposite Beni Hassan

1867

Edward Lear Howatke

Edward Lear, 1812–1888

Howatke

1867

Edward Lear Near Suez, evening, 15 January 1849 (43)

Edward Lear, 1812–1888

Near Suez, evening, 15 January 1849 (43)

1849

George Romney Prison Scene

George Romney, 1734–1802

Prison Scene

undated

James Green Figures taking the Waters at the Spa at Scarborough

James Green, 1771–1834

Figures taking the Waters at the Spa at Scarborough

undated

Thomas Hearne View of Bath from Spring Gardens

Thomas Hearne, 1744–1817

View of Bath from Spring Gardens

1790

Thomas Hearne Goodrich Castle on the Wye

Thomas Hearne, 1744–1817

Goodrich Castle on the Wye

ca. 1785

Thomas Hearne Thaxted Church, Essex

Thomas Hearne, 1744–1817

Thaxted Church, Essex

ca. 1800

Richard Westall The Seven Bishops Going To Trial

Richard Westall, 1765–1836

The Seven Bishops Going To Trial

1790

John Frederick Lewis Seated Turk

John Frederick Lewis, 1804–1876

Seated Turk

between 1840 and 1841

unknown artist Design for the Parterre at Hampton Court

unknown artist

Design for the Parterre at Hampton Court

early 18th century

John Baverstock Knight The Beach at Charmouth

John Baverstock Knight, 1785–1859

The Beach at Charmouth

undated

Master of the Wire Line Country Scene: Cottage and Figures on a Winding Road

Master of the Wire Line, 18th century

Country Scene: Cottage and Figures on a Winding Road

undated

unknown artist Interior of Milan Cathedral

unknown artist

Interior of Milan Cathedral

undated

J. Tobin Preparing to lay eel traps

J. Tobin, active 1776

Preparing to lay eel traps

undated

Peter Tillemans Figures in a Landscape by a River

Peter Tillemans, 1684–1734

Figures in a Landscape by a River

undated

Thomas Shotter Boys Hotel de Ville, Hague

Thomas Shotter Boys, 1803–1874

Hotel de Ville, Hague

1859

unknown artist Ships and Hulks Moored in an Estuary

unknown artist

Ships and Hulks Moored in an Estuary

undated

Paul Sandby The Queen Elizabeth Gate

Paul Sandby, 1731–1809

The Queen Elizabeth Gate

1767

William Pars Temple of Venus and Rome from the Colosseum

William Pars, 1742–1782

Temple of Venus and Rome from the Colosseum

1781

Samuel Prout The Monnow Bridge, Monmouthshire

Samuel Prout, 1783–1852

The Monnow Bridge, Monmouthshire

before 1814

Henry Pierce Bone The Sleepwalking Scene in Macbeth

Henry Pierce Bone, 1779–1855

The Sleepwalking Scene in Macbeth

undated

unknown artist Lear in the Storm

unknown artist

Lear in the Storm

undated

Henry William Bunbury Launce Teaching His Dog Crab

Henry William Bunbury, 1750–1811

Launce Teaching His Dog Crab

undated

Henry William Bunbury Falstaff Carrying Dead Hotspur

Henry William Bunbury, 1750–1811

Falstaff Carrying Dead Hotspur

undated

John Martin Shadrach, Meshack and Abed-Nego before Nebuchadnezzar

Attributed to John Martin, 1789–1854

Shadrach, Meshack and Abed-Nego before Nebuchadnezzar

undated

John Martin The Stoning of Saint Stephen

Attributed to John Martin, 1789–1854

The Stoning of Saint Stephen

undated

John Martin Christ with Three Figures

Attributed to John Martin, 1789–1854

Christ with Three Figures

undated

Thomas Malton the Younger York Water Gate

Thomas Malton the Younger, 1748–1804

York Water Gate

1795

unknown artist Three Men (Jan 31/68)

unknown artist

Three Men (Jan 31/68)

1868

unknown artist Three Men

unknown artist

Three Men

undated

John Varley Boat Building

John Varley, 1778–1842

Boat Building

1806

John Thomas Serres Plymouth Roads

John Thomas Serres, 1759–1825

Plymouth Roads

undated

James Wilcox Buckingham Palace from St. James's Park

James Wilcox, active 1830

Buckingham Palace from St. James's Park

1830