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Collection Prints and Drawings

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William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

1794

William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

1789

William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)

1789

William Blake Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Print made by William Blake, 1757–1827

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

1789

William Blake Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."

ca. 1797

William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"

ca. 1797

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788

William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)

ca. 1788

William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

ca. 1788

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake Jerusalem, Plate 1, Frontispiece

Print made by William Blake, 1757–1827

Jerusalem, Plate 1, Frontispiece

1804 to 1820

William Blake Jerusalem, Plate 100

Print made by William Blake, 1757–1827

Jerusalem, Plate 100

1804 to 1820

William Blake Jerusalem, Plate 12, "Why wilt thou give to her...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 12, "Why wilt thou give to her...."

1804 to 1820

William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 19, "His children exil'd from his breast...."

1804 to 1820

William Blake Jerusalem, Plate 20, "But when they saw Albion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 20, "But when they saw Albion...."

1804 to 1820

William Blake Jerusalem, Plate 21, "O Vala! O Jerusalem...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 21, "O Vala! O Jerusalem...."

1804 to 1820

William Blake Jerusalem, Plate 24, "What have I said?...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 24, "What have I said?...."

1804 to 1820

William Blake Jerusalem, Plate 35, "Then the Divine hand...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 35, "Then the Divine hand...."

1804 to 1820

William Blake Jerusalem, Plate 36, "Reuben returnd to his place...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 36, "Reuben returnd to his place...."

1804 to 1820

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Jerusalem, Plate 7, "Was living: panting...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 7, "Was living: panting...."

1804 to 1820

William Blake Jerusalem, Plate 78, "The Spectres of..."

William Blake, 1757–1827

Jerusalem, Plate 78, "The Spectres of..."

1804 to 1820

William Blake Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 84, "Highgates heights & Hampstead...."

1804 to 1820

William Blake Jerusalem, Plate 93, "Enitharmon heard...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 93, "Enitharmon heard...."

1804 to 1820

William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 94, "Albion cold lays on his Rock...."

1804 to 1820

William Blake Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 96, "As the Sun & Moon lead forward...."

1804 to 1820

William Blake Jerusalem, Plate 99, "All Human Forms identified...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 99, "All Human Forms identified...."

1804 to 1820

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"

1797

William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 27, "O Treacherous Conscience!"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

1797

William Blake Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"

1797

William Blake America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."

1793

William Blake America. A Prophecy, Plate 7, "Albions Angel stood...."

Print made by William Blake, 1757–1827

America. A Prophecy, Plate 7, "Albions Angel stood...."

1793

William Blake The Book of Thel, Plate 2, Title Page

Print made by William Blake, 1757–1827

The Book of Thel, Plate 2, Title Page

1789

William Blake Europe. A Prophecy, Plate 3, "Preludium"

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 3, "Preludium"

1794

William Blake Europe. A Prophecy, Plate 13 (Bentley 10)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 13 (Bentley 10)

1794

William Blake Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)

1794

William Blake Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

Print made by William Blake, 1757–1827

Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)

1794

William Blake The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)

1794

William Blake The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 9, "As the Stars Are Apart from the Earth...." (Bentley 6)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 6, "Air"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 7, "Fire"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

William Blake Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Print made by William Blake, 1757–1827

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

1789

William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"

ca. 1797

William Blake Young's Night Thoughts, Page 23, "We censure nature for a span too short"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 23, "We censure nature for a span too short"

ca. 1797

William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"

ca. 1797

William Blake The Man Sweeping the Interpreter's Parlour

William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

William Blake Abraham and Isaac

William Blake, 1757–1827

Abraham and Isaac

1799 to 1800

William Blake Christ Giving Sight to Bartimaeus

William Blake, 1757–1827

Christ Giving Sight to Bartimaeus

1799 to 1800

William Blake Copy of the Laocoön, for Rees's Cyclopædia

William Blake, 1757–1827

Copy of the Laocoön, for Rees's Cyclopædia

1815

William Blake Albion Compelling the Four Zoas to Their Proper Tasks

William Blake, 1757–1827

Albion Compelling the Four Zoas to Their Proper Tasks

1804 to 1810

William Blake Joseph and Potiphar's Wife

William Blake, 1757–1827

Joseph and Potiphar's Wife

1803 to 1805

William Blake Mary Magdalen at the Sepulchre

William Blake, 1757–1827

Mary Magdalen at the Sepulchre

ca. 1805

William Blake Christ Appearing to the Apostles after the Resurrection

Print made by William Blake, 1757–1827

Christ Appearing to the Apostles after the Resurrection

1795 to 1805

William Blake Satan Approaching the Court of Chaos

William Blake, 1757–1827

Satan Approaching the Court of Chaos

1784 to 1785

William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons

William Blake, 1757–1827

Tiriel Supporting the Dying Myratana and Cursing His Sons

1786 to 1789

William Blake Sealing the Stone and Setting a Watch

William Blake, 1757–1827

Sealing the Stone and Setting a Watch

1800 to 1803

Paul Sandby Italianate Landscape with Travellers no. 2

Paul Sandby, 1731–1809

Italianate Landscape with Travellers no. 2

ca. 1760

William Frome Smallwood Ghent: Street with Figures, Leading Up to the Cathedral

William Frome Smallwood, 1806–1834

Ghent: Street with Figures, Leading Up to the Cathedral

1832

Michel Jean Cazabon Avenue and Entrance to St. James Barracks

Michel Jean Cazabon, 1813–1888

Avenue and Entrance to St. James Barracks

1857

unknown artist Interior of Milan Cathedral

unknown artist

Interior of Milan Cathedral

undated

John Thomas Smith The Reconcilation

John Thomas Smith, 1766–1833

The Reconcilation

1817

Paul Sandby Caricature of George Bubb Dodington and Sir Thomas Robinson

Paul Sandby, 1731–1809

Caricature of George Bubb Dodington and Sir Thomas Robinson

ca. 1761

Thomas Shotter Boys Hotel de Ville, Hague

Thomas Shotter Boys, 1803–1874

Hotel de Ville, Hague

1859

Sir Charles Barry Perspective View: the New Houses of Parliament

Sir Charles Barry, 1795–1860

Perspective View: the New Houses of Parliament

ca. 1840-1849

Samuel Prout The Colosseum, Rome

Samuel Prout, 1783–1852

The Colosseum, Rome

undated

Master of the Wire Line Country Scene: Cottage and Figures on a Winding Road

Master of the Wire Line, 18th century

Country Scene: Cottage and Figures on a Winding Road

undated

George Shepheard The Village of Aldbury, Hertfordshire

George Shepheard, ca. 1770–1842

The Village of Aldbury, Hertfordshire

1816

Canaletto Capriccio of a Venetian Courtyard

Follower of Canaletto, 1697–1768

Capriccio of a Venetian Courtyard

undated

Thomas Girtin Ruins of the Savoy Palace, London

Thomas Girtin, 1775–1802

Ruins of the Savoy Palace, London

undated

John Flaxman But Deliver Us From Evil

John Flaxman, 1755–1826

But Deliver Us From Evil

1805

Samuel Davis Rocky River Scene with Sepoys

Samuel Davis, 1760–1819

Rocky River Scene with Sepoys

undated

Andrew Wilson The Baths of Caracalla

Andrew Wilson, 1780–1848

The Baths of Caracalla

1810

Thomas Rowlandson Dr. Syntax Made Free of the Cellar

Thomas Rowlandson, 1756–1827

Dr. Syntax Made Free of the Cellar

undated

Michael "Angelo" Rooker Illustration to Beaumont and Fletcher

Michael "Angelo" Rooker, 1746–1801

Illustration to Beaumont and Fletcher

undated

Michael "Angelo" Rooker Clare Castle, Suffolk

Michael "Angelo" Rooker, 1746–1801

Clare Castle, Suffolk

between 1797 and 1800

Dominic Serres Shipping in Southampton Water, off Calshott Castle

Dominic Serres, 1722–1793

Shipping in Southampton Water, off Calshott Castle

undated

William Simpson The Dilkoosha, Lucknow in the Distance

William Simpson, 1823–1899

The Dilkoosha, Lucknow in the Distance

1866

William Simpson Dust Storm Coming On, near Jeypore, Rajpootana

William Simpson, 1823–1899

Dust Storm Coming On, near Jeypore, Rajpootana

1863

John Varley Boat Building

John Varley, 1778–1842

Boat Building

1806

John Thomas Smith Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House.

John Thomas Smith, 1766–1833

Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House

1817

Thomas Shotter Boys Notre Dame, Paris

Thomas Shotter Boys, 1803–1874

Notre Dame, Paris

between 1831 and 1845

John Thomas Smith Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

John Thomas Smith, 1766–1833

Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends

1817

Thomas Shotter Boys A Christening

Thomas Shotter Boys, 1803–1874

A Christening

undated

John Thomas Smith Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

John Thomas Smith, 1766–1833

Hogarth Having Been Followed by Barry and a Friend was Caught Backing a Boy to Fight Purposely to Catch His Fearful Countenance

1817

George Fennell Robson The Murder of Banquo

George Fennell Robson, 1788–1833

The Murder of Banquo

ca. 1830

John Singleton Copley Study for the Central Group in the "Death of Earl of Chatham"

John Singleton Copley, 1738–1815

Study for the Central Group in the "Death of Earl of Chatham"

1778

Thomas Stothard For the Triumph of Britannia

Thomas Stothard, 1755–1834

For the Triumph of Britannia

undated

Thomas Stothard Study for the Wellington Shield

Thomas Stothard, 1755–1834

Study for the Wellington Shield

undated