Collection: Prints and Drawings / Date: 1826 / Image Use: Free to Use / Classification: Prints

1. The Ruins of Netley Abbey

Creator:: Print made by John Constable, 1776–1837
Date:: 1826
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/16 x 17 5/16 inches (30.7 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. For the Sexes: The Gates of Paradise, Plate 1, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. For the Sexes: The Gates of Paradise, Plate 4, "Water"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. For the Sexes: The Gates of Paradise, Plate 6, "Air"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. For the Sexes: The Gates of Paradise, London, 1826

Creator:: William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Bound volume of twenty engravings
Dimensions:: Spine: 13 3/4in. (34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 17 3/4 inches (27.9 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 15 1/2 inches (28.6 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 × 11 3/4 inches (21.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/4 × 19 5/8 inches (32.4 × 49.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826
Materials & Techniques:: Line engraving, First published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 9/16 × 16 7/16 inches (26.8 × 41.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826-1832
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 × 17 5/16 inches (30.5 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Deep-Dene, South Front - Surrey

Creator:: Thomas Barber, ca. 1768–1843
Date:: 1826
Materials & Techniques:: Engraving / Plate 2 Proof
Dimensions:: Sheet: 6 1/4 × 7 7/8 inches (15.9 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Dover from Shakespeare's Cliff

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 × 11 3/4 inches (22.2 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Folkstone, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Deal, Kent

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1826
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 16 3/4 inches (28.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Deep-Dene, North West Front

Creator:: Thomas Barber, ca. 1768–1843
Date:: 1826
Materials & Techniques:: Engraving / Plate 3 Proof
Dimensions:: Sheet: 6 1/8 × 7 13/16 inches (15.6 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Deep-Dene. East or Carriage Front, Surrey

Creator:: William Wallis, 1794– active 1830
Date:: 1826
Materials & Techniques:: Engraving / Plate 1 Proof
Dimensions:: Sheet: 6 1/8 × 7 13/16 inches (15.6 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Bass Rock

Creator:: Print made by William Miller, 1796–1882
Date:: 1826
Materials & Techniques:: Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 1/2 × 19 3/4 inches (36.8 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Bolton Abbey, Wharfdale

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Edinburgh Castle, Vignette Title to Vol. I

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, engraver's proof on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Edinburgh Castle, Vignette Title to Vol. I

Creator:: Print made by George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 3/16 × 11 1/16 inches (38.6 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Edinburgh from Leith Harbour, Vignette Title to Vol. II

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Line engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 15 1/4 × 11 1/16 inches (38.7 × 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Bass Rock

Creator:: Print made by William Miller, 1796–1882
Date:: 1826
Materials & Techniques:: Line engraving and etching, 2nd state on thick, moderately textured, beige wove paper, with beige chine collé
Dimensions:: Sheet: 11 3/16 × 15 1/8 inches (28.4 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Children Crying Forfeits

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1826
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 13 1/16 × 9 5/16 inches (33.2 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

42. William Esdaile

Creator:: Print made by Robert Graves, 1798–1873
Date:: 1826
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 20 1/4 × 16 1/4 inches (51.4 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

43. Portrait of James Ward, R. A.

Creator:: unknown artist
Date:: 1826
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. McLean's Scraps for Albums

Creator:: McLean, active 1820s
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 3/4 x 9 1/4in. (24.8 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Crying Forfeits

Creator:: Print made by Charles Turner, 1774–1857
Date:: c.1826
Materials & Techniques:: Mezzotint (first state) on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 7/16 × 9 inches (29.1 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

46. Lady Acland and Children

Creator:: Print made by Samuel Cousins, 1801–1887
Date:: 1826
Materials & Techniques:: Mezzotint, line engraving, and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 18 7/8 x 15 1/8 inches (47.9 x 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

47. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1826-1837
Materials & Techniques:: Line engraving, 1st state on moderately thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 11/16 inches (28.6 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Virginia Water. No. II

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826-1837
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Henry Raeburn

Creator:: William Walker, 1791–1867
Date:: 1826
Materials & Techniques:: Stipple engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 7/8 × 15 7/8 inches (55.6 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The City of the Pestilence

Creator:: Print made by John Bell, 1811–1895
Date:: between 1826 and 1852
Materials & Techniques:: Etching on medium, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 3/8 x 15 inches (29 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

51. View of the Town and Part of the Harbour of Falmouth from Pendennis Castel, Cornwall

Creator:: William Daniell, 1769–1837
Date:: 1826
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 16 x 26 7/8in. (40.6 x 68.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Wrapper to 'The Ports of England'

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Etching and line engraving on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint; engraver's Proof (b) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 1/2 × 20 inches (34.3 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 13 1/2 inches (27.9 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Scarborough

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Whitby

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, engraver's proof (b) on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 13 3/8 × 20 inches (34 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Whitby

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Mezzotint, engraver's proof (c) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 19 7/8 inches (34.6 × 50.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Action with the Spanish Slave Frigate 'Velos Passaheros' Captured by Boarding by H.M. Ship 'Primrose' Commander W. Boughton, off Wydah Bight of Benin, September 6, 1830

Action with the Spanish Slave Frigate 'Velos Passaheros' Captured by Boarding by H.M. Ship 'Primrose' Commander W. Boughton, off Wydah Bight of Benin, September 6, 1830

Creator:: Edward Duncan, 1803–1882
Date:: ca. 1831
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 12 1/4 x 17 3/4in. (31.1 x 45.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Wrapper for Ports of England

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Letterpress and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Ascot Heath Race for His Majesty's Gold Plate

Creator:: James Pollard, 1792–1867
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 15 1/4 x 26 3/8in. (38.7 x 67cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. The North Prospect of the Cathedral Church of St. Mary at Worcester

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 15/16 x 13 7/16 inches (25.3 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Adams's Visit to Parson Trulliber

Creator:: Print made by George Cruikshank, 1792–1878
Date:: ca. 1831
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 7/16 x 5 11/16 inches (24 x 14.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

63. A. More

Creator:: Print made by Robert Cooper, ca. 1800–1836
Date:: 1826
Materials & Techniques:: Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 11/16 × 4 5/16 inches (14.4 × 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Crying Forfeits

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1826
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 17 1/16 × 12 3/8 inches (43.3 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

65. Reynolds

Creator:: J. Pass, active 1796–1800
Date:: 1826
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 10 1/8 x 6 3/4in. (25.7 x 17.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frederick W. Hilles

66. Le Retour

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 x 10 7/8 inches (36.2 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Brackline

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 x 13 3/16 inches (26.7 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Ancienne Porte a Stirling

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 9/16 x 13 5/16 inches (26.8 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Ancienne Tour Près de Lanark

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/2 x 13 7/8 inches (26.7 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Lac de Killin

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Glenfinlas

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 9/16 x 11 5/8 inches (24.3 x 29.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. La Prière

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 3/4 inches (18.5 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Le Repos

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 7/8 inches (36.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Le Silence Favorable

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 14 3/16 x 10 5/8 inches (36 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. La Conversation

Creator:: Print made by Rose Joseph Lemercier, 1803–1887
Date:: 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper with gray chine collé
Dimensions:: Sheet: 14 3/8 x 11 inches (36.5 x 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Les Plaisirs Paternels

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 13/16 x 5 13/16 inches (19.8 x 14.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Opera House

Creator:: Daniel Havell, 1785–1826
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Old Fulham or Putney Bridge

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Palace of LaBelle Gabrielle

Creator:: Print made by William Miller, 1796–1882
Date:: 1826-1837
Materials & Techniques:: Line engraving, 1st state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Wrapper to 'The Ports of England'

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Etching and line engraving on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 20 × 13 3/8 inches (50.8 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Sun-set at Sea after a Storm

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1826
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 7 1/2 x 12in. (19.1 x 30.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Lambeth Palace

Creator:: Edward Francis Finden, 1791–1857
Date:: 1826
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. tms:36989

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1826
Materials & Techniques:: Line engraving and stipple engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 7/8 × 9 3/16 inches (30.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Billingsgate

Creator:: George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Etching on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 8 15/16 × 6 7/8 inches (22.7 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Hornsey

Creator:: George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The East Prospect of the New Bridge now erecting over the River of Thames, from Putney in County Surrey to Fulham in County Middlesex

Creator:: John Harris, 1811–1865
Date:: undated
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Ports of England, Title Page and Wrapper

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Letterpress and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Wrapper for Ports of England

Creator:: Print made by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Advertisement for 'Ports of England'

Creator:: Engraved by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Advertisement for 'Ports of England'

Creator:: Engraved by Thomas Goff Lupton, 1791–1873
Date:: 1826
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Plans of Covent Garden and Drury Lane Theatres

Creator:: unknown artist
Date:: 1826
Materials & Techniques:: Engraving, letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Elephant and Castle, Newington

Creator:: Robert William Smart, active 1820–1834
Date:: 1826
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. View of the Proposed St. Katherine's Docks

Creator:: unknown artist
Date:: 1826
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Bolton Abbey, Wharfdale

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1826
Materials & Techniques:: Line engraving, first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 3/8 × 8 5/16 inches (16.2 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Richmond Hill

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with beige chine collé
Dimensions:: Sheet: 7 5/16 × 9 1/2 inches (18.6 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Nantes

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1826-1837
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Wreck

Creator:: Print made by Henry Griffiths, 1835–1849
Date:: 1826-1837
Materials & Techniques:: Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 6 inches (21.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Florence from the Chiesa al Monte

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1826-1837
Materials & Techniques:: Line engraving, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 6 11/16 × 9 1/2 inches (17 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Royal Naval School at New Cross

Creator:: Print made by Thomas Talbot Bury, 1811–1877
Date:: undated
Materials & Techniques:: Hand-colored lithograph on moderately thick cream card
Dimensions:: Sheet: 14 1/16 x 18 3/4 inches (35.7 x 47.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Stratford Bow, as seen in September 1826

Creator:: George Cooke, 1781–1834
Date:: 1826
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Collection Prints and Drawings

Date 1826

Image Use Free to Use

Classification Prints

Search Results

1. The Ruins of Netley Abbey

2. For the Sexes: The Gates of Paradise, Plate 1, Title Page

3. For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

4. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

5. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

6. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

7. For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

8. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

9. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

10. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

11. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

12. For the Sexes: The Gates of Paradise, Plate 4, "Water"

13. For the Sexes: The Gates of Paradise, Plate 6, "Air"

14. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

15. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

16. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

17. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

18. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

19. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

20. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

21. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

22. For the Sexes: The Gates of Paradise, London, 1826

23. Dover from Shakespeare's Cliff

24. Dover from Shakespeare's Cliff

25. Dover from Shakespeare's Cliff

26. Dover from Shakespeare's Cliff

27. Richmond Hill

28. Richmond Hill

29. Deep-Dene, South Front - Surrey

30. Dover from Shakespeare's Cliff

31. Folkstone, Kent

32. Deal, Kent

33. Deep-Dene, North West Front

34. Deep-Dene. East or Carriage Front, Surrey

35. Bass Rock

36. Bolton Abbey, Wharfdale

37. Edinburgh Castle, Vignette Title to Vol. I

38. Edinburgh Castle, Vignette Title to Vol. I

39. Edinburgh from Leith Harbour, Vignette Title to Vol. II

40. Bass Rock

41. Children Crying Forfeits

42. William Esdaile

43. Portrait of James Ward, R. A.

44. McLean's Scraps for Albums

45. Crying Forfeits

46. Lady Acland and Children

47. Nantes

48. Virginia Water. No. II

49. Henry Raeburn

50. The City of the Pestilence

51. View of the Town and Part of the Harbour of Falmouth from Pendennis Castel, Cornwall

52. Wrapper to 'The Ports of England'

53. Scarborough

54. Scarborough

55. Scarborough

56. Whitby

57. Whitby

58. Action with the Spanish Slave Frigate 'Velos Passaheros' Captured by Boarding by H.M. Ship 'Primrose' Commander W. Boughton, off Wydah Bight of Benin, September 6, 1830

59. Wrapper for Ports of England

60. Ascot Heath Race for His Majesty's Gold Plate

61. The North Prospect of the Cathedral Church of St. Mary at Worcester

62. Adams's Visit to Parson Trulliber

63. A. More

64. Crying Forfeits

65. Reynolds

66. Le Retour

67. Brackline

68. Ancienne Porte a Stirling

69. Ancienne Tour Près de Lanark

70. Lac de Killin

71. Glenfinlas

72. La Prière