A Gentleman on a Managed Horse Riding Out With a Lady
undated
105
James Seymour, 1702–1752
A Lady and a Gentleman Riding Out
undated
106
James Seymour, 1702–1752
Lord Godolphin's White Foot, a Very Famous Horse That Was Never Beat
undated
107
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
108
James Seymour, 1702–1752
Study of a Mounted Jockey, Facing Left, June 3rd, 1744
1744
109
James Seymour, 1702–1752
Victorious
undated
110
James Seymour, 1702–1752
Groom Leading a Racehorse Wearing Hood and Sweaters, June 24, 1743
1743
111
John Collet, ca. 1725–1780
Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
undated
112
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
113
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
114
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
115
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
116
James Seymour, 1702–1752
A Racehorse, Bridled and Saddled
undated
117
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
118
Francesco Bartolozzi, 1728–1815
Atalanta and Hippomanes
1763
119
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1783
120
Francesco Bartolozzi, 1728–1815
Diana, The Huntress
1763
121
Francesco Bartolozzi, 1728–1815
A Sacrifice To Diana The Goddess Of Hunting
1791
122
Francesco Bartolozzi, 1728–1815
May
1793
123
Francesco Bartolozzi, 1728–1815
His Royal Highness, The Prince Of Wales
1795
124
Francesco Bartolozzi, 1728–1815
Young Girl With A Mouse On A String Teasing A Cat
1782
125
Richard Earlom, 1743–1822
Colonel Mordaunt's Cock Match at Lucknow
1792
126
James Gwin, 1700–1769
Position pour la Garde en Quarte et le Coup de Quarte
1763
127
James Gwin, 1700–1769
Position pour la Garde en Tierce
1763
128
James Gwin, 1700–1769
Position de la Garde de Tierce et le Coup de Seconde
1763
129
James Gwin, 1700–1769
Seconde Position du Salut
1763
130
James Gwin, 1700–1769
Premiere Position du Salut
1763
131
James Gwin, 1700–1769
Position de la Garde en Quarte, et le Coup de Flanconnade
1763
132
James Gwin, 1700–1769
Troisieme Position du Salut
1763
133
James Gwin, 1700–1769
De la Risposte de Quarte apres la Parade de Quarte
1763
134
James Gwin, 1700–1769
De la Passe en Quarte du Dehors des Armes
1763
135
James Gwin, 1700–1769
De la Volte sur la Passe au Dehors des Armes
1763
136
James Gwin, 1700–1769
Position Aprés Avoir Desarmé sur le Coup de Quarte
1763
137
James Gwin, 1700–1769
Demi Volte sur les Coups Forcés au Dehors des Armes
1763
138
James Gwin, 1700–1769
Du Desarmement Aprés Avoir Paré le Coup de Quarte
1763
139
James Gwin, 1700–1769
Position Aprés Avoir Désarmé sur le Coup de Tierce
1763
140
James Gwin, 1700–1769
Du Desarmement sur le Coup de Quarte ou de Seconde Paré de Prime
1763
141
James Gwin, 1700–1769
Du Desarmement sur le Coup de Tierce
1763
142
James Gwin, 1700–1769
Position Aprés Avoir Desarme sur le Coup de Quarte ou de Seconde Paré de Prime
1763
143
James Gwin, 1700–1769
Position de la Garde Italienne de L'Epée & Poignard
1763
144
James Gwin, 1700–1769
Du Desarmement Aprés la Parade au Dehors des Armes
1763
145
James Gwin, 1700–1769
Garde de L'Epée & Manteau Attaquée par L'Epée & Lanterne
1763
146
James Gwin, 1700–1769
De la Garde Espagnole, Figure A Attaqueé par la Garde Françoise
1763
147
James Gwin, 1700–1769
De la Garde Espagnole Combattüe Aprês la Parade du Coup d'Estramasson
1763
148
James Gwin, 1700–1769
L'Epée & Lanterne Combattüe par L'Epée et Manteau
1763
149
Thomas Rowlandson, 1756–1827
Breakfast before the Hunt
between 1785 and 1790
150
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
151
James Seymour, 1702–1752
Man Leading a Trotting Stallion to Right
undated
152
James Seymour, 1702–1752
Riders and Hounds in an Open Landscape
undated
153
James Seymour, 1702–1752
A Boar Hunt
undated
154
James Seymour, 1702–1752
Studies of a Jockey Whipping-On
undated
155
James Seymour, 1702–1752
Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
undated
156
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
157
James Seymour, 1702–1752
Victorious, with Jockey Up
undated
158
James Seymour, 1702–1752
Flying Childers at Exercise: Hooded and Rugged, with Jockey Up, Galloping Up, Galloping to Left
undated
159
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
160
James Seymour, 1702–1752
Kindly, with Jockey Up
undated
161
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
162
James Seymour, 1702–1752
Coursing - After the Kill
undated
163
James Seymour, 1702–1752
Flying Childers and Grooms
undated
164
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
165
Louis Philippe Boitard, active 1734–1760
Dosing a Racehorse
undated
166
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
167
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
168
Thomas Daniell, 1749–1840
Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
1796
169
Samuel Howitt, 1756–1822
Racing Scene
1792
170
George Garrard, 1760–1826
Colonel Thornton Driving Tandem on His Sporting Tour of Scotland
1786
171
John Vanderbank, 1694–1739
The Scholar Placed in His Seat Without Styrrops
1729
172
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
173
James Seymour, 1702–1752
Two Horses Racing, Jockeys Up: Railings in the Background
undated
174
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
175
Paul Sandby, 1731–1809
The Victor Conducted in Triumph
ca. 1781
176
William Ward, 1766–1826
Children Birdsnesting
1789
177
James Watson, 1740–1790
Lord Charles Bunbury
1768
178
Francois Vivares, 1709–1780
A View of Hopping Mill, Ware
1745
179
Print made by James Walker, 1748–1808
Wakefield
1798
180
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Games at Vauxhall: Playing at Cricket
ca. 1743
181
Francesco Bartolozzi, 1728–1815
Diana Preparing for the Hunt
1781
182
Francesco Bartolozzi, 1728–1815
January
1788
183
Francesco Bartolozzi, 1728–1815
April
1790
184
Print made by Andrew Lawrence, 1708–1747
The Death of the Stag
1753
185
Francesco Bartolozzi, 1728–1815
Regatta Ball at Ranelagh
1775
186
Frederick George Byron, 1764–1794
Shooting Party Setting Out
1789
187
Victor Marie Picot, 1744–1805
Winter
1794
188
Frederick George Byron, 1764–1794
Shooting Party Returning Home
1789
189
Print made by George Bickham the Elder, 1683/4–1758
Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9)
undated
190
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
191
Thomas Rowlandson, 1756–1827
A French Nobleman out Shooting
1778
192
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
193
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
194
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
195
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
196
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
197
Print made by William Wynne Ryland, 1732–1783
A Hawking Party
1765
198
Sawrey Gilpin, 1733–1807
Sketchbook Drawing
1787
199
Print made by Richard Houston, ca. 1721–1775
Childers, the Fleetest Horse that Ever Run at Newmarket