The Jockey Frank Buckle, the Owner-Breeder John Wastell, his Trainer Robert Robson, and a Stable-lad
1802
Not on view
9
James Ward, 1769–1859
An Overshot Mill
between 1802 and 1807
Not on view
10
Daniel Turner, active 1782–1805
Lambeth Palace from the West
1802
Not on view
11
unknown artist
Avenue with Figures
ca. 1807
Not on view
12
Joseph Mallord William Turner, 1775–1851
Lake Geneva and Mount Blanc
1802 to 1805
13
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
14
Cornelius Varley, 1781–1873
Carnarvon
1802
15
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
16
Isaac Weld, 1774–1856
Killarney (Ireland)
ca. 1807
17
Richard Earlom, 1743–1822
Tiger Hunting in the East Indies
1802
18
Robert Hills, 1769–1844
Studies of Haymakers
ca. 1807
19
James Malton, 1761–1803
Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
1802
20
James Malton, 1761–1803
Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
1802
21
James Malton, 1761–1803
Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
22
James Malton, 1761–1803
Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
1802
23
James Malton, 1761–1803
Preparatory drawing for Design 10, Plate 7 for A Collection of Designs for Rural Retreats
1802
24
James Malton, 1761–1803
Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
1802
25
Patrick Nasmyth, 1787–1831
Netley Abbey
undated
26
Sir George Howland Beaumont seventh Baronet, 1753–1827
Lane with Figures, May 1802
1802
27
Samuel De Wilde, 1748–1832
Portrait Studies of Actors including Mary Wells as Cowslip, John Kemble, Edmund Kean, and Sarah Siddons as Hermione
1802
28
James de Carle Sowerby, 1787–1871
Zebra
undated
29
James de Carle Sowerby, 1787–1871
A Crane
undated
30
James de Carle Sowerby, 1787–1871
Three Toucans
undated
31
James de Carle Sowerby, 1787–1871
Heads of Two Proboscis Monkeys
undated
32
Amos Green, 1735–1807
Views in England, Scotland and Wales: Watenlath, August 30, 1802
1802
33
Amos Green, 1735–1807
Views in England, Scotland and Wales: Chepstow Castle, October 15, 1802
1802
34
Amos Green, 1735–1807
Views in England, Scotland and Wales: Bowdar Stone Borrowdale, August 30, 1802
1802
35
William Alexander, 1767–1816
Conway, North Wales: The Castle and the Old College House
1802
36
Amos Green, 1735–1807
Views in England, Scotland and Wale: View near Bolton Abbey
1802
37
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, taken from the Quai d'Orsai
1802
38
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
39
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
40
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
41
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
42
Isaac Weld, 1774–1856
Dunloh Castle, Killarney, Ireland
ca. 1807
43
Amos Green, 1735–1807
Views in England, Scotland and Wales: Landscape with Stream
1802
44
James de Carle Sowerby, 1787–1871
A Parrot
undated
45
James de Carle Sowerby, 1787–1871
A Parrot
undated
46
James de Carle Sowerby, 1787–1871
A Cockatoo
undated
47
James de Carle Sowerby, 1787–1871
A Parrot
undated
48
James de Carle Sowerby, 1787–1871
A Parrot
undated
49
Patrick Nasmyth, 1787–1831
Battersea Fields, Painted for Charles Matthews, Esq
undated
50
Print made by S. Porter, active 1802
Durham Cathedral
1802
51
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
52
Thomas Girtin, 1775–1802
View of the Pantheon from the Arsenal
1802
53
John Glover, 1767–1849
The Thames at Isleworth
ca. 1807
54
Thomas Hearne, 1744–1817
The Poor House, Hadley, Hertfordshire
1802
55
James Hook, ca. 1772–1828
A Regency Pair: Man with Walking Stick
1802
56
James Hook, ca. 1772–1828
A Regency Pair
1802
57
Thomas Girtin, 1775–1802
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
1802
58
Cornelius Varley, 1781–1873
Tygwyn Ferry
1802
59
James Malton, 1761–1803
Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
1802
60
James Malton, 1761–1803
Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
1802
61
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
1802
62
James Malton, 1761–1803
Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
1802
63
James Malton, 1761–1803
Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
1802
64
James Malton, 1761–1803
Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
1802
65
James Malton, 1761–1803
Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
1802
66
James Malton, 1761–1803
Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
1802
67
James Malton, 1761–1803
Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
1802
68
James Malton, 1761–1803
Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
1802
69
James Malton, 1761–1803
Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
1802
70
James Malton, 1761–1803
Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
1802
71
James Malton, 1761–1803
Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
1802
72
Thomas Girtin, 1775–1802
View of the Pantheon, Paris
1802
73
John Varley, 1778–1842
View of Chepstow Castle, Monmouthshire, from Under the Bridge
1802
74
John William Upham, 1772–1828
The Abbey Barn, Abbotsbury
1802
75
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
76
Print made by James Basire the younger, 1769–1822
Inside View of the East End of Merton College Chapel
1802
77
unknown artist
Returning from a Review...Paris
1802
78
unknown artist
Inn Yard at Calais
1802
79
Print made by Thomas Girtin, 1775–1802
View of the Waterworks at Marly, and St. Germain-en-Laye Seen in the Distance
1802
80
Thomas Girtin, 1775–1802
View of Pont Neuf, The Mint etc
1802
81
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michel, Taken from Pont Neuf
1802
82
Print made by Thomas Girtin, 1775–1802
View of the Tuileries and Bridge taken from the Pont de la Concorde
1802
83
unknown artist
Light Head Dress and Long Petticoats
1802
84
Robert Smirke, 1752–1845
Untitled: Prince Amgrad & Prince Affad
1802
85
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
86
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
87
Thomas Stothard, 1755–1834
[One from] Two Albums, containing a total of 213 drawings by Stothard for book illustrations
1802 - 1825
88
Thomas Burke, 1749–1815
Saturday Morning, Favorite Chickens Going to Market
1802
89
unknown artist
Changing Horses Near Clermont
1802
90
Print made by Richard Corbould, 1757–1831
Old Trees with Old Man, a Girl and a Dog
1802, published 1806
91
Samuel Rawle, 1771–1860
A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)
1802
92
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Porticos of a Temple
1802-1804
93
Sir Robert Smirke the younger, 1781–1867
Temple of Sunias Minerva
1802-1804
94
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of the Temple of Sunias Minerva
1802-1804
95
Sir Robert Smirke the younger, 1781–1867
An Architectural Drawing of One of the Pillars in the Interior of a Temple
1802-1804
96
Sir Robert Smirke the younger, 1781–1867
Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
1802-1804
97
Sir Robert Smirke the younger, 1781–1867
Detailed Sketch of the Stone Relief of a Flower
1802-1804
98
Sir Robert Smirke the younger, 1781–1867
Figures in a Sailboat, With a Temple in the Distance
1802-1804
99
Sir Robert Smirke the younger, 1781–1867
Remains of a Temple at Corinth
1802-1804
100
Sir Robert Smirke the younger, 1781–1867
A Halt for the Evening of Our Guards and Attendants Between Messenia and Arcadia