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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre literary theme
Remove constraint Genre: literary themeSubject Terms man
Remove constraint Subject Terms: manSearch Results
1
- Virgil's Tomb by Moonlight, with Silius Italicus
- 1779
- Not on view
2
- Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
- between 1773 and 1774
- Not on view
3
- Louis-Francois Roubiliac Modelling His Monument to Shakespeare
- between 1760 and 1761
- Not on view
4
- A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
- ca. 1826
- Not on view
5
- Dr. Syntax: Losing His Temper
- ca. 1810
- Not on view
6
- Dr. Syntax: Walking with a Stick
- ca. 1810
- Not on view
7
- Apuleia in Search of Apuleius
- between 1813 and 1823
8
- Procris and Cephalus
- 1812
9
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
10
- Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
- 1797
11
- Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
- 1797
12
- Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
- 1797
13
- The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
- between 1797 and 1798
14
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
15
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
16
- The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
17
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
18
- Jerusalem, Plate 76
- 1804 to 1820
19
- Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
- 1797
20
- Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
- 1797
21
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
22
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
23
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
24
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
25
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
26
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
27
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
29
- The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
- between 1797 and 1798
30
- The Poems of Thomas Gray, Design 79, "The Descent of Odin."
- between 1797 and 1798
31
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
32
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
33
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
34
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
35
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
36
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798
37
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
38
- The Poems of Thomas Gray, Design 37, "Ode to Adversity."
- between 1797 and 1798
39
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
40
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
41
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
42
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
43
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
44
- Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
- 1797
45
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
46
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
47
- The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
- between 1797 and 1798
48
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
49
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
50
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
51
- She Never Told Her Love, But Sat Like Patience on a Monument
- 1827
52
- Celadon and Amelia from Thomson's 'The Seasons'
- undated
53
- Greatheart's Battle with Grim
- undated
54
- Illustration for Don Quixote, Two Figures at a Table
- undated
55
- St. Julienne's Chapel
- 1834
56
- Ferdinand Riding the Waves
- ca. 1830
57
- Faust and Margaret
- undated
58
- Anne Page and Slender
- 1821
59
- Lysander Awakening to See Helena
- 1825
60
- Illustration to Homer's Iliad
- 1723
61
- Malvolio: Possibly a Self-Portrait in the Role
- undated
62
- Prospero Summoning Ariel
- ca. 1800
63
- Thomas Weston as Spy in Bates "The Rival Candidates"
- undated
64
- Studies for Shylock
- 1825
65
- Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
- ca. 1787
66
- Prospero and Ariel
- 1821
67
- Procris and Cephalus
- 1864
68
- Robert Blair, The Grave, Title Page
- 1808, published 1813
69
- The Reunion of the Soul & the Body
- 1808, published 1813
70
- The Soul Exploring the Recesses of the Grave
- 1808, published 1813
71
- The Soul Hovering over the Body reluctantly Parting with Life
- 1808, published 1813
72
- Isaac Watts
- undated
73
- Sleepest or Wakest Thou?
- ca. 1853
74
- Katherina and Grumio
- 1821
75
- Launce with his Dog Crab
- ca. 1821
76
- Christ Descending into the Grave
- 1808, published 1813
77
- Lovelace in Prison
- 1788
78
- Rinaldo and Armida
- 1775
79
- As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
- 1803
80
- John Henderson as Iago
- 1786
81
- Ticket: Anacreontic Society Meeting
- 1773
82
- John Henderson as Iago
- before 1786
83
- And Ah! Let Pity Turn Her Dewy Eyes..
- 1801
84
- Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
- 1786
85
- Ticket: Anacreontic Society Meeting
- 1779
86
- Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
- 1776
87
- Reverend Hugh Blair, D.D
- 1801
88
- St. Herbert's Chapel
- 1834
89
- The Captive
- 1781
90
- Mr. Garrick in "The Farmer's Return"
- 1766
91
- Portrait of John Moody as Foigard
- between 1769 and 1771
92
- Celadon and Amelia
- 1782
93
- Gadshill
- 1796
94
- Henderson in the Character of Falstaff
- undated
95
- John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
- 1787
96
- The Apparition of the Armed Head: Macbeth
- ca. 1781
97
- Prospero and Miranda
- 1781
98
- Ferdinand and Ariel
- ca. 1781
99
- Lady Percy Watching the Sleeping Hotspur
- 1781
100
- Antigonus Disposing of Perdita
- ca. 1781