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1. The Wolverhampton Racecourse

The Wolverhampton Racecourse
Creator:
unknown artist
Date:
1837
Materials & Techniques:
Oil on canvas
Dimensions:
23 x 33 inches (58.4 x 83.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia

'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
Creator:
Charles Reuben Ryley, 1752–1798
Date:
1786
Materials & Techniques:
Oil on canvas
Dimensions:
11 x 13 3/4 inches (27.9 x 34.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Scene in a London Street

Scene in a London Street
Creator:
John Collet, ca. 1725–1780
Date:
1770
Materials & Techniques:
Oil on canvas
Dimensions:
37 1/2 x 49 inches (95.3 x 124.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. North Country Mails at the Peacock, Islington

North Country Mails at the Peacock, Islington
Creator:
James Pollard, 1792–1867
Date:
1821
Materials & Techniques:
Oil on canvas
Dimensions:
43 x 60 3/4 inches (109.2 x 154.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

5. One Tree Hill, Greenwich, with London in the Distance

One Tree Hill, Greenwich, with London in the Distance
Creator:
John Feary, ca. 1745–1788
Date:
1779
Materials & Techniques:
Oil on panel
Dimensions:
27 1/2 x 48 inches (69.9 x 121.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

6. Design for the Parterre at Hampton Court

Design for the Parterre at Hampton Court
Creator:
unknown artist
Date:
early 18th century
Materials & Techniques:
Gray ink with watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/16 × 19 15/16 inches (16 × 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Martha Gunn, Bather at Brighton

Martha Gunn, Bather at Brighton
Creator:
John Nixon, ca. 1760–1818
Date:
1791
Materials & Techniques:
Watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 7/16 × 8 9/16 inches (13.8 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Falstaff in the Boar's Head

Falstaff in the Boar's Head
Creator:
Robert Smirke, 1752–1845
Date:
1807
Materials & Techniques:
Oil with brown ink and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 3/4 x 9 3/4 inches (19.7 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Interior of Pitlessie Mill with a Man Sieving Corn

The Interior of Pitlessie Mill with a Man Sieving Corn
Creator:
Sir David Wilkie, 1785–1841
Date:
1818
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 11 1/2 inches (19 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. View on Exmoor

View on Exmoor
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The South Sea House

The South Sea House
Creator:
Print made by unknown artist
Date:
between 1720 and 1728
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. A View of Erith, Looking Up the Thames

A View of Erith, Looking Up the Thames
Creator:
Print made by John Boydell, 1720–1804
Date:
1750
Materials & Techniques:
Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Windsor Bridge

Windsor Bridge
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1792
Materials & Techniques:
Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. View of Leiston Abbey

View of Leiston Abbey
Creator:
Print made by William Byrne, 1743–1805
Date:
1781
Materials & Techniques:
Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:
Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by William Day, 1764–1807
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Viewing at the Royal Academy

Viewing at the Royal Academy
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The Ceremony of Opening London Bridge, August 1, 1831

The Ceremony of Opening London Bridge, August 1, 1831
Creator:
Print made by Thomas Allom, 1804–1872
Date:
undated
Materials & Techniques:
Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
Creator:
Print made by Thomas Barber, ca. 1768–1843
Date:
1829
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:
Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. A Perspective View of the Foundling Hospital with Emblematic Figures

A Perspective View of the Foundling Hospital with Emblematic Figures
Creator:
Charles Grignion, 1717–1810
Date:
1749
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:
Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
Creator:
James Gillray, 1756–1815
Date:
1802
Materials & Techniques:
Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Frankley Chapel, S. E., Worcestershire

Frankley Chapel, S. E., Worcestershire
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1812
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 7/8 inches (11.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley
Creator:
Print made by William Angus, 1752–1821
Date:
1793
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. The House of George Humphrys, Esq., Spark Brook

The House of George Humphrys, Esq., Spark Brook
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 x 10 1/2 inches (22 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Bordesley Hall, the Seat of John Taylor, Esq.

Bordesley Hall, the Seat of John Taylor, Esq.
Creator:
William Ellis, 1747–1810
Date:
1792
Materials & Techniques:
Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 x 10 9/16 inches (21.7 x 26.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Castles in England

Castles in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board
Creator:
Louis Haghe, 1806–1885
Date:
ca. 1840
Materials & Techniques:
Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 19 3/16 inches (36.9 x 48.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Column at Yarmouth to the Memory of Lord Nelson

Column at Yarmouth to the Memory of Lord Nelson
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1817
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Chain Pier at Brighton

Chain Pier at Brighton
Creator:
Print made by John Bruce, fl. 1826
Date:
ca. 1830
Materials & Techniques:
Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. The Late Entrance to Ber Street, Norwich

The Late Entrance to Ber Street, Norwich
Creator:
Robert Dixon, 1780–1815
Date:
1810
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 8 1/8 inches (27 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. View of Tonbridge During the Late Election, December 18, 1832

View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. St. Martin's Church

St. Martin's Church
Creator:
Print made by unknown artist
Date:
between 1731 and 1754
Materials & Techniques:
Etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Monstrosities of 1822 - Pt. 5

Monstrosities of 1822 - Pt. 5
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Royal Crescent, County Hospital, St. George's Chapel, Kemp Town
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 20 15/16 inches (35.5 x 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The High Street, Southampton

The High Street, Southampton
Creator:
Print made by Day & Co., 1824–1913
Date:
1828
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. New Steine and Rock Gardens

New Steine and Rock Gardens
Creator:
Print made by Day & Co., 1824–1913
Date:
1839
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The London Citizen

The London Citizen
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Rag Fair or Rosemary Lane

Rag Fair or Rosemary Lane
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and red-brown and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 5 inches (18.4 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Comforts of Bath: The Concert

Comforts of Bath: The Concert
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and gray and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 1/2 x 8 1/8 inches (14 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Doctor Syntax loses his Money on the Race Ground at York

Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. The Vicar of Wakefield: Frontispiece

The Vicar of Wakefield: Frontispiece
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 4 5/8 inches (16.5 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. The Welcome

The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. The Departure from Wakefield

The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. The Vicar's Family on the Road to Church

The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. The Surprise

The Surprise
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 9/16 x 7 1/2 inches (11.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Embarkation at Southampton, June 20th 1794

Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827
Date:
1794
Materials & Techniques:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 6 9/16 x 14 inches (16.7 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:
Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Comforts of Bath: The Breakfast

The Comforts of Bath: The Breakfast
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Comforts of Bath: The Pump Room

Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Mount: 5 5/8 x 8 3/8 inches (14.3 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Steine, Brighton

The Steine, Brighton
Creator:
John Nixon, ca. 1760–1818
Date:
1787
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 6 3/4 inches (9.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. A Christening in Chevening Church, Kent

A Christening in Chevening Church, Kent
Creator:
Benjamin West, 1738–1820
Date:
undated
Materials & Techniques:
Graphite and white chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 4 9/16 x 7 1/4 inches (11.6 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Characters in the Streets of London

Characters in the Streets of London
Creator:
Benjamin West, 1738–1820
Date:
1799
Materials & Techniques:
Brown wash with pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 x 15 13/16 inches (30.2 x 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Carisbrooke Castle, Isle of Wight

Carisbrooke Castle, Isle of Wight
Creator:
attributed to Michael "Angelo" Rooker, 1746–1801
Date:
undated
Materials & Techniques:
Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 16 1/4 inches (25.1 x 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Roslin Castle, Midlothian

Roslin Castle, Midlothian
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1780
Materials & Techniques:
Gouache on medium laid paper, mounted on board
Dimensions:
Sheet: 18 1/8 x 25 1/8 inches (46 x 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Design for a Greenhouse at Kew Gardens

Design for a Greenhouse at Kew Gardens
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black and brown ink, watercolor and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/8 x 19 13/16 inches (31.4 x 50.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Creator:
Robert Adam, 1728–1792
Date:
between 1770 and 1780
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. View of Queen Square

View of Queen Square
Creator:
Engraved by Robert Pollard, 1755–1838
Date:
1789
Materials & Techniques:
Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Bodmin Cornwall: The Arrival of the Stage-Coach

Bodmin Cornwall: The Arrival of the Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827
Date:
1795
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 15 inches (23.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Plymouth Dock

Plymouth Dock
Creator:
Thomas Rowlandson, 1756–1827
Date:
1817
Materials & Techniques:
Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Dimensions:
Sheet: 6 7/8 x 11 5/8 inches (17.5 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. A Review of the Northapmton Militia at Brackley

A Review of the Northapmton Militia at Brackley
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 13/16 x 10 3/8 inches (19.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. The Exhibition Stare-Case, Somerset House

The Exhibition Stare-Case, Somerset House
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1800
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Milkmaids and Gentlemen in St. James's Park

Milkmaids and Gentlemen in St. James's Park
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and gray-brown ink with wash, over graphite; verso: pen and gray brown ink and watercolor blots on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 12 3/16 inches (18.1 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Covent Garden Market

Covent Garden Market
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1810
Materials & Techniques:
Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/16 x 9 9/16 inches (15.7 x 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Soldiers in St. James Park

Soldiers in St. James Park
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. A Review on Blackheath, May 1785

A Review on Blackheath, May 1785
Creator:
Thomas Rowlandson, 1756–1827
Date:
1785
Materials & Techniques:
Watercolor with pen and black ink, over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 13 inches (19.2 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Hyde Park Corner

Hyde Park Corner
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. The French Lady in London

The French Lady in London
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
ca. 1771
Materials & Techniques:
Gray wash black ink and gouache over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 9 inches (29.2 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Dover Pier

Dover Pier
Creator:
Joshua Cristall, 1768–1847
Date:
ca. 1807
Materials & Techniques:
Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 16 3/16 inches (31.2 x 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Dover Pier

Dover Pier
Creator:
Joshua Cristall, 1768–1847
Date:
1807
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 x 19 inches (31.4 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Drury Lane. The School for Scandal

Drury Lane. The School for Scandal
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and black, gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 x 15 3/8 inches (26 x 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Queen Square, London

Queen Square, London
Creator:
Edward Dayes, 1763–1804
Date:
1786
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, smooth, cream wove paper
Dimensions:
Sheet: 17 1/16 x 23 1/2 inches (43.4 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection