Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
1797
2
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
3
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
1797
4
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
1797
5
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
1797
6
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
1797
7
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
8
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
9
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
1797
10
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
1797
13
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist"
1797
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"
1797
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 88, "But for the Blessing Wrestle Not with Heaven"
1797
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 92, "When Faith Is Virtue, Reason Makes It So"
1797
17
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
18
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"
1797
19
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
20
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"
1797
21
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
22
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
1797
23
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
24
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
1797
25
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
1797
26
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"
1797
27
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
1797
28
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
1797
29
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
1797
31
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
1797
32
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
33
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 17, "Night the Second, on Time, Death and Friendship"
1797
34
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
1797
35
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
36
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
37
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
38
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
1797
39
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
40
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
41
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
1797
42
William Henry Brooke, 1772–1860
Herstmonceux Castle from the South
undated
43
Print made by James Walker, 1748–1808
Hampton Court, Herefordshire
1797
44
Print made by James Walker, 1748–1808
Carlisle
1797
45
Print made by James Walker, 1748–1808
Elgin Cathedral, Morayshire
1797
46
Print made by James Walker, 1748–1808
Flint, from Park-Gate
1797
47
Print made by Bartholomew Howlett, 1767–1827
Grantham Church
1797
48
Print made by James Walker, 1748–1808
Westminster Bridge
1797
49
Print made by James Walker, 1748–1808
Ely
1797
50
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
51
Print made by William Ward, 1766–1826
The Daughters of Sir Thomas Frankland
1797
52
Print made by Francesco Bartolozzi, 1728–1815
The Right Honorable Lady Jane Dundas
ca. 1802
53
Print made by Charles Wilkin, 1750–1814
The Right Honourable Lady Charlotte Duncombe
1797
54
Print made by Charles Wilkin, 1750–1814
The Right Honourable Charlotte Viscountess St. Asaph
1797
55
George Siegmund Facius, 1750–1804
John Smith, D.D.F.S.A
1797
56
Benjamin Smith, 1775–1833
"Tempest", Act I, Scene I
1797
57
William Evans, active 1797–1856
Sir Henry Charles Englefield, 7th Baronet
undated
58
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
59
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
60
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
61
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
62
William Ward, 1766–1826
Daughters of Sir Thomas Frankland
1797
63
Francesco Bartolozzi, 1728–1815
The Apotheosis of A Beautiful Female
1797
64
unknown artist
North Front of the Bank
1797
65
John Whessell, 1760–ca. 1823
The Woodman's Return
1797
66
John Whessell, 1760–ca. 1823
The Itinerant Potters
1797
67
Francesco Bartolozzi, 1728–1815
Abraham Entertaining Three Angels, Genesis 18, v. 1
1797
68
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
69
Robert Pollard, 1755–1838
A North East View of the Tuesday Market Place of Lynn Regis
1797
70
William Woollett, 1735–1785
The Rural Cott
1797
71
Print made by John Harris the elder, 1767–1832
Phalaena Aceris. Acer Rubrum (Grey Maple Moth, Red Maple), Plate 93 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
72
Thomas Gaugain, 1748–1812
Turnips and Carrots
1797
73
Print made by John Harris the elder, 1767–1832
Phalaena Quernaria. Quercus Rubra (American Oak Beauty, Northern Red Oak), Plate 103 from James Edward Smith, the 'Natural History of the Rarer Lepidopterous Insects of Georgia', London, 1797
1797
74
Francesco Bartolozzi, 1728–1815
The Birth of Pyrrhus
1797
75
Print made by James Walker, 1748–1808
Hampton Court, Herefordshire
1797
76
Print made by James Walker, 1748–1808
Westminster Bridge
1797
77
Francesco Bartolozzi, 1728–1815
Jacob's Vision, Genesis 28, v. II
1797
78
Print made by unknown artist
Portrait de Van-Dyck
undated
79
Edward Harding, 1755–1840
Sir John Medina
1797
80
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
81
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
82
Print made by Thomas Burke, 1749–1815
Content and Innocence
1797
83
Print made by Robert Pollard, 1755–1838
His Majesty Reviewing His Troops on Black Heath
1797
84
Print made by Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
1797
85
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
86
Print made by Francesco Bartolozzi, 1728–1815
Luís Pinto De Sousa Coutinho, Visconde De Balsemão
1797
87
Francesco Bartolozzi, 1728–1815
Princess Charlotte Augusta
1797
88
Print made by Thomas Gainsborough, 1727–1788
Wooded Upland Landscape with Riders and Packhorse
1797
89
Print made by William Nelson Gardiner, 1766–1814
Mr. Kemble, of the Theatre Royal, Drury Lane
1797
90
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797
91
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Madame Banti
1797
92
John William Edy, 1760–1820
View of His Majesty's Ship Boyne of 98 Guns, on Fire by Accident at Spithead, May 1, 1795
1797
93
John Murphy, ca. 1748–1820
The Encampment at Brighton
1797
94
Print made by Francesco Bartolozzi, 1728–1815
Queen Catherine Howard
1797
95
John Raphael Smith, 1752–1812
Sir Brooke Boothby, 6th Baronet Boothby of Broadlow Ash
1797
96
Print made by Francesco Bartolozzi, 1728–1815
Their Royal Highnesses, The Prince & Princess Of Wales