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Date 1803

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Thomas Girtin A General View of Paris taken from Chaillot
Print made by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin A General View of Paris taken from Chaillot
etching by Thomas Girtin, 1775–1802
A General View of Paris taken from Chaillot
1803
Thomas Girtin A General View of Paris, taken from Chaillot 1803.
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
James Gillray A Scotch Poney - commonly call'd a Galloway
James Gillray, 1756–1815
A Scotch Poney - commonly call'd a Galloway
1803
William Ward A Vegetable Market
William Ward, 1766–1826
A Vegetable Market
1803
Thomas Girtin A View of Pont Neuf, the Mint and etc.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint and etc
1803
Thomas Girtin A View of Pont Neuf, the Mint, & c.
Print made by Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, & c
1803
Thomas Girtin A View of Pont Neuf, the Mint, &c.
Thomas Girtin, 1775–1802
A View of Pont Neuf, the Mint, &c
1803
William Daniell A View of the Commercial Docks at Rotherhithe
Print made by William Daniell, 1769–1837
A View of the Commercial Docks at Rotherhithe
1803
unknown artist A View of the Savoy from the River Thames
Print made by unknown artist
A View of the Savoy from the River Thames
between 1803 and 1814
William Daniell An Elevated View of the New Dock in Wapping
Print made by William Daniell, 1769–1837
An Elevated View of the New Dock in Wapping
1803
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
unknown artist Bambridge on Trial for Murder by a Committee of the House of Commons
unknown artist
Bambridge on Trial for Murder by a Committee of the House of Commons
1803
William Daniell Brunswick Dock on the Thames at Blackwall
Print made by William Daniell, 1769–1837
Brunswick Dock on the Thames at Blackwall
1803
John Raphael Smith Cottage Family
John Raphael Smith, 1752–1812
Cottage Family
1803
James S. Storer Cowper's Summer House
Print made by James S. Storer, 1771–1853
Cowper's Summer House
1803-1804
James Girtin Dedication Page for: to the Right Honorable George Earl of Essex
Print made by James Girtin, ca. 1780–after 1820
Dedication Page for: to the Right Honorable George Earl of Essex
1803
Francesco Bartolozzi Earth
Print made by Francesco Bartolozzi, 1728–1815
Earth
1803
William Byrne Eton, from the Slough Road
Print made by William Byrne, 1743–1805
Eton, from the Slough Road
1803
William Daniell Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
Print made by William Daniell, 1769–1837
Francis Milner Newton, Esq., R.A., Late Secretary to the Royal Academy
1803
unknown artist Frontispiece to The Sporting Magazine or Monthly Calendar, Volume 48
Print made by unknown artist
Frontispiece to The Sporting Magazine or Monthly Calendar, Volume 48
1803
John Young George Canning
Print made by John Young, 1755–1825
George Canning
1803
James Gillray German - Nonchalence: - or - The Vexation of Little Boney.
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
James Girtin Half Title page for: Views in Paris and its Environs.
James Girtin, ca. 1780–after 1820
Half Title page for: Views in Paris and its Environs
1803
James Parker Henry Addington, 1st Viscount Sidmouth
James Parker, 1750–1805
Henry Addington, 1st Viscount Sidmouth
1803
Samuel William Reynolds Her Grace the Duchess of Bedford
Samuel William Reynolds, 1773–1835
Her Grace the Duchess of Bedford
1803
Samuel William Reynolds Her Grace the Duchess of Bedford
Print made by Samuel William Reynolds, 1773–1835
Her Grace the Duchess of Bedford
1803
Charles Wilkin Her Grace The Duchess of Rutland
Print made by Charles Wilkin, 1750–1814
Her Grace The Duchess of Rutland
1803
George Dawe James Northcote, Esqr. R. A.
Print made by George Dawe, 1781–1829
James Northcote, Esqr. R. A
1803
Francesco Bartolozzi Joan of Arc Maid of Orleans Receiving the Consecrated Banner
Print made by Francesco Bartolozzi, 1728–1815
Joan of Arc Maid of Orleans Receiving the Consecrated Banner
1803
Caroline Watson Judith, or Cowper's Oak
Print made by Caroline Watson, 1760–1814
Judith, or Cowper's Oak
1803-1804
William Say Lady Mildmay and Child
Print made by William Say, 1768–1834
Lady Mildmay and Child
1803
John Sell Cotman Lakenham, near Norwich
Print made by John Sell Cotman, 1782–1842
Lakenham, near Norwich
ca. 1808
Thomas Medland Light House at Havre
Print made by Thomas Medland, 1755–1823
Light House at Havre
1803
Samuel William Reynolds Marchioness of Exeter
Print made by Samuel William Reynolds, 1773–1835
Marchioness of Exeter
1803
Francesco Bartolozzi Mary Stuart, Queen Of Scotland
Francesco Bartolozzi, 1728–1815
Mary Stuart, Queen Of Scotland
1803
Francesco Bartolozzi Miss Farren
Print made by Francesco Bartolozzi, 1728–1815
Miss Farren
1803
William Blake Mrs Cowper Mother of the Poet
Print made by William Blake, 1757–1827
Mrs Cowper Mother of the Poet
1803-1804
James Ward Mrs. Billington as St. Cecilia
Print made by James Ward, 1769–1859
Mrs. Billington as St. Cecilia
1803
James Ward Mrs. Elizabeth Billington as St. Cecilia
James Ward, 1769–1859
Mrs. Elizabeth Billington as St. Cecilia
1803
James S. Storer Olney Bridge
Print made by James S. Storer, 1771–1853
Olney Bridge
1803-1804
John Greig Olney Church
Print made by John Greig, active 1803–1853
Olney Church
1803-1804
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
Thomas Medland Rouen, from Mount St. Catherine
Print made by Thomas Medland, 1755–1823
Rouen, from Mount St. Catherine
1803
Samuel William Reynolds Samuel Whitbread Esq.
Samuel William Reynolds, 1773–1835
Samuel Whitbread Esq
1803
William Watts Sheerness Dockyard
William Watts, 1752–1851
Sheerness Dockyard
1803
John Raphael Smith Shepherd's Meal
John Raphael Smith, 1752–1812
Shepherd's Meal
1803
unknown artist Sir Humphrey Davy
unknown artist
Sir Humphrey Davy
1803
James S. Storer The Alcove from the Avenue
Print made by James S. Storer, 1771–1853
The Alcove from the Avenue
1803-1804
Haveill Gillbank The Benevolent Heir or The Tenant Restored to his Family
Haveill Gillbank, 18th–19th centuries
The Benevolent Heir or The Tenant Restored to his Family
1803
John Greig The Elms
Print made by John Greig, active 1803–1853
The Elms
1803-1804
James Gillray The King of Brobdingnag and Gulliver
Print made by James Gillray, 1756–1815
The King of Brobdingnag and Gulliver
1803
William Blake The Life, and Posthumous Writings, of William Cowper (volume 2)
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 2)
1803-1804
William Blake The Life, and Posthumous Writings, of William Cowper (volume 3)
Prints made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper (volume 3)
1803-1804
William Blake The Life, and Posthumous Writings, of William Cowper, (volume 1)
Print made by William Blake, 1757–1827
The Life, and Posthumous Writings, of William Cowper, (volume 1)
1803-1804
John Greig The Peasant's Nest
Print made by John Greig, active 1803–1853
The Peasant's Nest
1803-1804
James Gillray The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
James Gillray, 1756–1815
The Pigs Possessed: - or - The Broad Bottom'd Litter Running Headlong into Ye Sea of Perdition. A Supplement to More Pigs thanTeats
ca. 1808
Haveill Gillbank The Rapacious Steward or Unfortunate Tenant
Haveill Gillbank, 18th–19th centuries
The Rapacious Steward or Unfortunate Tenant
1803
James S. Storer The Rustic Bridge.
Print made by James S. Storer, 1771–1853
The Rustic Bridge
1803-1804
James S. Storer The Shrubbery
Print made by James S. Storer, 1771–1853
The Shrubbery
1803-1804
John Greig The Temple in the Wilderness
Print made by John Greig, active 1803–1853
The Temple in the Wilderness
1803-1804
Thomas Girtin The Water Mill above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
Thomas Girtin The Water Mill above the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton
1803
Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
Thomas Girtin The Water Works at Marli and St. German en Laye seen in the distance
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli and St. German en Laye seen in the distance
1803
Thomas Girtin The Water Works at Marli,and St. Germain en Laye Seen in the Distance.
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
Thomas Girtin The Watermill Above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
Richard Banks Harraden The Waterworks at Marli; and St. German en Laye seen in the distance
Richard Banks Harraden, 1778–1862
The Waterworks at Marli; and St. German en Laye seen in the distance
1803
John Greig The Wilderness
Print made by John Greig, active 1803–1853
The Wilderness
1803-1804
James Girtin Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
James Girtin, ca. 1780–after 1820
Title Page for: A Selection of the Most Picturesque Views in Paris and its Environs
1803
Thomas Ryder Twelfth Night, Act III, Scene IV: Olivia's House
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
Francesco Bartolozzi Twelfth Night, Act V, Scene I: The Street
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
Thomas Girtin View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Thomas Girtin, 1775–1802
View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
1803
Thomas Girtin View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
1803
Thomas Girtin View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
Thomas Girtin View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame
1803
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
Thomas Girtin View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
1803
Thomas Girtin View of Pont Neuf, part of the Louvre and the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre and the College of Four Nations
1803
Thomas Girtin View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
Thomas Girtin, 1775–1802
View of Pont Neuf, part of the Louvre, Notre Dame, and the College of four Nations
1803
Thomas Girtin View of Pont St. Michael taken from Pont Neuf
Print made by Thomas Girtin, 1775–1802
View of Pont St. Michael taken from Pont Neuf
1803
Thomas Girtin View of Pont St. Michel, taken from Pont Neuf
Thomas Girtin, 1775–1802
View of Pont St. Michel, taken from Pont Neuf
1803
Thomas Girtin View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
Thomas Girtin View of the Gate of St. Denis Taken from the Suburbs.
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
Thomas Girtin View of the Gate of the St. Denis taken from the Suburbs
Print made by Thomas Girtin, 1775–1802
View of the Gate of the St. Denis taken from the Suburbs
1803
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin View of the Palace and Village of Choisi on the Banks of the Seine
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi on the Banks of the Seine
1803
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Seine
Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Seine
1803
Thomas Girtin View of the Palace and Village of Choisi, on the Banks of the Siene
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Print made by Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of the Pantheon taken from the Arsenal
Thomas Girtin, 1775–1802
View of the Pantheon taken from the Arsenal
1803
Thomas Girtin View of the Pont St. Michael, taken from the Pont Neuf
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
Thomas Girtin View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
Thomas Girtin View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
1803
Thomas Girtin View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
Print made by Thomas Girtin, 1775–1802
View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde
1803