Prospero Conjuring a Masque for Ferdinand and Miranda
ca. 1810
715
Robert Smirke, 1752–1845
Ferdinand Reunited with his Father
1821
716
Robert Smirke, 1752–1845
The Death of Ophelia
ca. 1810
717
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth Stabbing Duncan
between 1809 and 1811
718
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Daggers
between 1809 and 1811
719
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
720
Benjamin Robert Haydon, 1786–1846
The Murder of Duncan - Macbeth with the Body (and Lady Macbeth Approaching)
between 1809 and 1811
721
Print made by William Miller, 1796–1882
Dryburgh Abbey
1833
722
Print made by Robert Blyth, 1750–1784
The Captive
1781
723
Print made by William Miller, 1796–1882
Berwick-on-Tweed
1834
724
Print made by Henry Le Keux, 1787–1868
Abbotsford, Vignette Title
1834
725
Print made by William Miller, 1796–1882
Abbotsford from the Northern Bank of the Tweed
1839
726
Print made by James H. Kernot, active early 19th century
Wolf's Hope
1843
727
Print made by William Miller, 1796–1882
Sandy Knowe, or Smailholm Tower (Vignette)
1851
728
unknown artist
Shakespeare Illustration: "Measure for Measure"
undated
729
unknown artist
Shakespeare Illustration: "Henry VIII"
undated
730
unknown artist
Venus and Cupid
undated
731
Print made by James Fittler, 1758–1835
The Winter's Tale, Act IV, Scene III
1792
732
Print made by Edward Goodall, 1795–1870
Bolton Abbey
1834
733
Print made by Caroline Watson, 1760–1814
The Tempest, Act V, Scene I
1795
734
John Finlayson, 1730–1776
David Garrick in the Character of 'Kitely'
1769
735
Edward Fisher, 1722–1785
Miss Farren in the Character of Hermione
1781
736
Print made by Francesco Bartolozzi, 1728–1815
And Ah! Let Pity Turn Her Dewy Eyes..
1801
737
Print made by Francesco Bartolozzi, 1728–1815
Imogen's Bedchamber in Cymbeline's Palace, 'Cymbeline,' Act II, Scene II
1786
738
William Woollett, 1735–1785
Dido and Aeneas
1787
739
Isaac Cruikshank, 1764–1811
Shakespeare's Prophecy, the Last Act by One in the Tempest, or the Jack Daws in Borrowed Feathers (from: Caricature, vol. 3)
1795
740
Florence Claxton, active 1855–1889
L'Allegro
undated
741
Robert Thew, 1758–1802
Shakespeare's Tempest Act IV Scene I. Prospero's Cell
1800
742
Keith Vaughan, 1912–1977
Faim, Soif, Cris, Danse, Danse, Danse
1949
743
Charles Grignion, 1717–1810
Mr. Garrick in the Charakter (sic) of Richard the 3D
1746
744
Keith Vaughan, 1912–1977
Je Dus Voyager
1949
745
John Finlayson, 1730–1776
David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
1768
746
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
747
unknown artist
Mrs. Yates in the Character of Medea
after 1771
748
Frederic Leighton, 1830–1896
The Reconciliation of the Montagues and the Capulets
1854
749
Print made by unknown artist
The Death of Juliet
unknown
750
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
751
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
752
John Michael Rysbrack, 1694–1770
Illustration to the Iliad
between 1760 and 1769
753
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
754
Print made by Henry J. Townsend, 1810–1890
Where the Bee Sucks. The Tempest, Act V, Scene I, Ariel on a Hammock of Convolvulus
1853
755
Print made by William Miller, 1796–1882
Abbotsford, Large Vignette
1841
756
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
757
David Cox, 1783–1859
Pirate's Isle
1826
758
Robert Smirke, 1752–1845
Olivia and Maria
1822
759
Robert Smirke, 1752–1845
Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
undated
760
Print made by George Cruikshank, 1792–1878
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
761
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
762
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
763
Print made by George Cruikshank, 1792–1878
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
764
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
765
Print made by George Cruikshank, 1792–1878
Mrs. Sheppard Expostulating with her Son
1839
766
Print made by John Doyle ('H.B.'), 1797–1868
Tancred Entering the Enchanted Forest, Vide "Jerusalem Delivered"--Canto XIII
1847
767
Print made by M. H. Long
St. Herbert's Chapel
1884
768
Print made by John Doyle ('H.B.'), 1797–1868
A Scene From the Farce of "The Critic," a Little Altered
1848
769
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
770
Thomas Rowlandson, 1756–1827
Henderson in the Character of Falstaff
undated
771
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
undated
772
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
773
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
774
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
775
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
776
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
777
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
778
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
779
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
780
Carington Bowles, 1724–1793
Twelve Illustrations of Robinson Crusoe
1783
781
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
782
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
783
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
784
Print made by George Cruikshank, 1792–1878
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
785
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Lift me Up! Tie me in my Chair! Fill my Glass'
undated
786
Print made by George Richmond, 1809–1896
The Fatal Bellman
1827
787
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": "Water, I do Declare with Worms in it"
undated
788
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
789
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Takes a Ride at St. Cloud'
undated
790
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities:" 'Mr. Jorrocks Renounces the Acquaintance of the Yorkshireman'
undated
791
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page
undated
792
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
793
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
794
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to