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301. Plate XXXVIII: House of Lords, as Fitted up in 1835

Plate XXXVIII: House of Lords, as Fitted up in 1835
Creator:
Print made by T. Clarke, 1799–1839
Date:
1836
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

302. Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.

Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

303. Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber

Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 3/4 × 9 3/8 inches (29.8 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

304. Princes Chamber, East Side with the Old House of Lords

Princes Chamber, East Side with the Old House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

305. Drawing Room Ceiling, No. 3 Old Palace Yard

Drawing Room Ceiling, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

306. The Destruction by Fire of the Houses of Parliament

The Destruction by Fire of the Houses of Parliament
Creator:
Print made by M. Gauci, 1810–1846
Date:
after 1834
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

307. A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet

A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 5 × 15 5/8 inches (12.7 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

308. Elevation of the River Front

Elevation of the River Front
Creator:
Print made by Thomas Talbot Bury, 1811–1877
Date:
ca. 1835
Materials & Techniques:
Line engraving and etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 14 7/8 × 22 1/8 inches (37.8 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

309. Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.

Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c.
Creator:
Print made by R.C. Roffe, active in London 1806–1835
Date:
1827
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 6 13/16 × 17 3/16 inches (17.3 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

310. New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge

New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
Creator:
Print made by T. Kearnan, active 1821–1850
Date:
ca. 1835
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 6 7/8 × 11 1/4 inches (17.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

311. View of the East End of Henry VIIth Chapel as Restored in 1813

View of the East End of Henry VIIth Chapel as Restored in 1813
Creator:
Print made by George Hawkins, active 1795–1810
Date:
1814
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

312. Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey

Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
Creator:
Print made by Thomas Sutherland, ca. 1785–1838
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 10 × 12 1/8 inches (25.4 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

313. Henry the Seventh's Chapel

Henry the Seventh's Chapel
Creator:
Print made by Edward Rooker, 1724–1774
Date:
undated
Materials & Techniques:
Etching on slightly textured, medium, white laid paper
Dimensions:
Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

314. Henry VII's Shrine

Henry VII's Shrine
Creator:
Print made by Herbert Railton, 1857–1910
Date:
ca. 1890
Materials & Techniques:
Etching on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 10 × 13 1/8 inches (25.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

315. Seats in Henry VII Chapel, Westminster Abbey

Seats in Henry VII Chapel, Westminster Abbey
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1793
Materials & Techniques:
Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

316. South East View of the Towers of the Abbey, &c. from College St. Westminster

South East View of the Towers of the Abbey, &c. from College St. Westminster
Creator:
John Carter, 1748–1817
Date:
1782
Materials & Techniques:
Graphite, pen and black ink, watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 13 1/8 × 9 5/8 inches (33.3 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

317. North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey

North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
Creator:
Attributed to John Carter, 1748–1817
Date:
1792
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

318. Doorway, Dean's Yard, Westminster

Doorway, Dean's Yard, Westminster
Creator:
Attributed to Sir Charles Barry, 1795–1860
Date:
1837
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 8 × 6 1/8 inches (20.3 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

319. South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June

South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 6 1/4 × 8 3/4 inches (15.9 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

320. Part of the Old Dormitory

Part of the Old Dormitory
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite, pen and brown ink, and gray wash on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 3/16 × 11 7/8 inches (20.8 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

321. South View of the Abbey Church, Westminster, Taken from Dean's Yard

South View of the Abbey Church, Westminster, Taken from Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
1785
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 8 7/16 × 7 7/16 inches (21.4 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

322. Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard

Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
Creator:
Print made by John Carter, 1748–1817
Date:
1791
Materials & Techniques:
Etching on slightly textured, medium, white wove paper
Dimensions:
Sheet: 3 1/8 × 3 9/16 inches (7.9 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

323. Line of Buildings on East Side, Dean's Yard

Line of Buildings on East Side, Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 9/16 × 31 1/8 inches (29.4 × 79.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

324. Detail, Dean's Yard

Detail, Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 5/8 inches (32.4 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

325. Plate I. Memorials of the Commissioners for Improving Westminster, 1811

Plate I. Memorials of the Commissioners for Improving Westminster, 1811
Creator:
Print made by unknown artist
Date:
1811
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 7 5/8 × 12 5/8 inches (19.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

326. Figure study, Henry VII Chapel

Figure study, Henry VII Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1793
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 4 3/16 × 2 1/16 inches (10.6 × 5.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

327. Interior of the Star Chamber, Westminster

Interior of the Star Chamber, Westminster
Creator:
Print made by John Woods, active 1836–1860
Date:
1848
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

328. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

329. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

330. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

331. View of St Stephen's Chapel as it appeared after the Fire in October 1834

View of St Stephen's Chapel as it appeared after the Fire in October 1834
Creator:
Print made by Frederick Mackenzie, 1788–1854
Date:
1843
Materials & Techniques:
Lithograph on slightly textured, thick, cream wove paper
Dimensions:
Sheet: 12 1/8 × 13 3/4 inches (30.8 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

332. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

333. View through the South East Window of the Crypt beneath St Stephen's, Westminster

View through the South East Window of the Crypt beneath St Stephen's, Westminster
Creator:
George Johann Scharf, 1788–1860
Date:
1852
Materials & Techniques:
Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

334. Plate XXVII: St Stephen's Chapel, Looking East, Westminster

Plate XXVII: St Stephen's Chapel, Looking East, Westminster
Creator:
Print made by John Le Keux, 1783–1846
Date:
ca. 1836
Materials & Techniques:
Engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

335. Plate III: Crypt under St Stephen's Chapel

Plate III: Crypt under St Stephen's Chapel
Creator:
Print made by Thomas A. Woolnoth, 1785–1857
Date:
ca. 1836
Materials & Techniques:
Engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/4 × 7 3/8 inches (13.3 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

336. Grave of the Supposed William Lyndewode

Grave of the Supposed William Lyndewode
Creator:
unknown artist
Date:
1852
Materials & Techniques:
Graphite, gray pen and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 7 5/16 inches (22.9 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

337. The House of Commons

The House of Commons
Creator:
Print made by Henry Melville, active 1826–1841
Date:
1834
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 1/2 × 11 inches (19.1 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

338. House of Commons and the Entrance to the House of Lords with the Office of Ordnance

House of Commons and the Entrance to the House of Lords with the Office of Ordnance
Creator:
Print made by Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Engraving with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/16 × 7 1/2 inches (11 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

339. Survey view of a lobby, Palace of Westminster

Survey view of a lobby, Palace of Westminster
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 10 1/8 × 8 11/16 inches (25.7 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

340. Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords

Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
ca. 1794
Materials & Techniques:
Graphite, pen and black ink, watercolor on moderately textured, moderately thick, beige wove paper
Dimensions:
Sheet: 19 5/8 × 16 1/8 inches (49.8 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

341. North Side, Painted Chamber

North Side, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

342. Plan of Painted Chamber

Plan of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

343. Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews

Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

344. View of Guy Fawkes' Tower

View of Guy Fawkes' Tower
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite and brown wash on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

345. Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster

Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
Creator:
Print made by John Woods, active 1836–1860
Date:
1825
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 5/16 × 4 13/16 inches (18.6 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

346. Door near Painted Chamber

Door near Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slighthly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

347. Princes Chamber

Princes Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 7 3/4 × 3 1/4 inches (19.7 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

348. Ceiling to Boudoir House in Old Palace Yard

Ceiling to Boudoir House in Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:
Sheet: 12 1/8 × 9 5/16 inches (30.8 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

349. Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, brown wash, and pink wash on smooth, medium, white wove paper
Dimensions:
Sheet: 11 5/8 × 10 3/16 inches (29.5 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

350. North East View of Henry VII Chapel Westminster

North East View of Henry VII Chapel Westminster
Creator:
John Coney, 1786–1833
Date:
1813
Materials & Techniques:
Graphite on smooth, medium, white wove paper
Dimensions:
Sheet: 14 1/8 × 19 inches (35.9 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

351. Henry the Seventh's Chapel, North Side

Henry the Seventh's Chapel, North Side
Creator:
Print made by Charles J. Hullmandel, 1789–1850
Date:
undated
Materials & Techniques:
Lithograph on slightly textured, medium, white wove paper
Dimensions:
Sheet: 23 7/8 × 33 1/2 inches (60.6 × 85.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

352. Houses Adjacent to Westminster Abbey in the Process of Demolition

Houses Adjacent to Westminster Abbey in the Process of Demolition
Creator:
John Phillipps Emslie, 1839–1913
Date:
1896
Materials & Techniques:
Graphite and watercolor on smooth, medium, white wove paper
Dimensions:
Sheet: 6 7/8 × 9 1/8 inches (17.5 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

353. View of Modern Gateway in South East Angle of Dean's Yard

View of Modern Gateway in South East Angle of Dean's Yard
Creator:
John Carter, 1748–1817
Date:
between 1780 and 1807
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 4 3/4 × 4 7/8 inches (12.1 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

354. Henry VII Chapel

Henry VII Chapel
Creator:
William Capon, 1757–1827
Date:
ca. 1793
Materials & Techniques:
Graphite on slightly textured, medium, white wove paper
Dimensions:
Spine:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

355. Door-way in Wall of South Precints of Westminster Abbey

Door-way in Wall of South Precints of Westminster Abbey
Creator:
Attributed to John Carter, 1748–1817
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 5 7/16 inches (20 × 13.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

356. The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains

The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1815
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 11 3/4 × 8 inches (29.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

357. Springing of groins

Springing of groins
Creator:
Attributed to John Carter, 1748–1817
Date:
1815
Materials & Techniques:
Graphite on smooth, medium, cream wove paper
Dimensions:
Sheet: 5 3/4 × 8 3/8 inches (14.6 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

358. Buildings on East Side of Dean's Yard

Buildings on East Side of Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

359. Buildings on North Side, Dean's Yard

Buildings on North Side, Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 10 1/4 × 11 inches (26 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

360. Detail for Preceding Elevations

Detail for Preceding Elevations
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 7/8 inches (32.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

361. Continuation of Detail

Continuation of Detail
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

362. Continuation of Details

Continuation of Details
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 3/4 × 7 3/8 inches (32.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

363. The Exhibition Stare-Case, Somerset House

The Exhibition Stare-Case, Somerset House
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1800
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/2 x 11 11/16 inches (44.5 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

364. Soldiers in St. James Park

Soldiers in St. James Park
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

365. L'Adieu

L'Adieu
Creator:
Print made by Michael Hanhart, active 1841–1852
Date:
ca. 1858
Materials & Techniques:
Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:
Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952

366. Skating on the Serpentine

Skating on the Serpentine
Creator:
Thomas Rowlandson, 1756–1827
Date:
before 1790
Materials & Techniques:
Pen and gray and black ink and wash over graphite; verso: pen and black ink on repaired section on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 14 7/16 inches (22.5 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

367. Design for the Gardens in the Regent's Park Belonging to the Zoological Society

No cover image available
Creator:
Thomas Dighton, ca. 1793–1873
Date:
undated
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 3/4 x 18 13/16 inches (37.4 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

368. St. Martin's Church

No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 17 5/16 x 11 11/16 inches (44 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

369. Westminster Abbey from Dean's Yard

No cover image available
Creator:
Print made by Ernest L. Hampshire, born 1882
Date:
undated
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 x 12 1/4 inches (21.9 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

370. Le Pont de Waterloo a Londres

No cover image available
Creator:
John Postle Heseltine, 1843–1929
Date:
1897
Materials & Techniques:
Etching on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 x 10 11/16 inches (17.4 x 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

371. Holford House, Regent's Park

No cover image available
Creator:
Print made by Day & Co., 1824–1913
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/4 x 19 5/8 inches (36.2 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

372. St Stephen's Cloisters

No cover image available
Creator:
unknown artist
Date:
1834
Materials & Techniques:
Graphite, brown and blue watercolor on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 9 5/8 × 6 3/4 inches (24.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

373. Ruins at Westminster

No cover image available
Creator:
unknown artist
Date:
1834
Materials & Techniques:
Graphite and blue watercolor on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 5/8 inches (28.3 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

374. PLATE XV. Elevation of a Window Bay &c

No cover image available
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1805
Materials & Techniques:
Line engraving and etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 38 7/16 × 26 1/8 inches (97.6 × 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

375. View Leading from St Stephen's Chapel to Speaker's Room &c.

No cover image available
Creator:
unknown artist
Date:
1834
Materials & Techniques:
Graphite, brown and blue watercolor on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 11 7/8 × 8 inches (30.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

376. St Stephen's Chapel

No cover image available
Creator:
unknown artist
Date:
1834
Materials & Techniques:
Graphite and blue watercolor on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 12 × 8 5/8 inches (30.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

377. Ornament in Hollow, above Angular and Clerestory Windows

No cover image available
Creator:
unknown artist
Date:
1826
Materials & Techniques:
Pen and black ink on smooth, medium, brown wove paper
Dimensions:
Sheet: 8 × 18 3/4 inches (20.3 × 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

378. Gateway Leading into Dean's Yard

No cover image available
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and watercolor on slightly textured, medium, white wove paper
Dimensions:
Sheet: 4 1/4 × 3 1/8 inches (10.8 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

379. The Plan of the Stable Yard, Westminster

No cover image available
Creator:
unknown artist
Date:
1811
Materials & Techniques:
Graphite, pen and black ink, and blue, yellow and red watercolor on smooth, medium, white wove paper
Dimensions:
Sheet: 18 1/8 × 23 7/8 inches (46 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

380. The Shrine of Edward the Confessor, Westminster

No cover image available
Creator:
Hedley Fitton, 1859–1929
Date:
1910
Materials & Techniques:
Etching and drypoint on slightly textured, cream wove paper
Dimensions:
Plate: 14 3/4 x 18 7/8 inches (37.5 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Elliot Wilcox