Materials & Techniques: line engraving / Period: 19th century / Image Use: Free to Use

1. Plate X, Fowl Body, Lateral View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

2. Plate VIII, Human Body, Posterior View

Creator:: Print made after George Stubbs, 1724–1806
Date:: 1804
Materials & Techniques:: Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of George and Olga Kenney

3. Taj Mahal, Agra

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
On View:: On view at YUAG

4. Tours - Looking Backward

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1833
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 6 7/8 × 10 9/16 inches (17.5 × 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

5. Little Devil's Bridge over the Russ above Altdorft, Switzerland

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Line engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Hedging and Ditching

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Line engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Crowhurst

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Line engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Windsor Castle from Salt Hill

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Line engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Scene in the Campagna

Creator:: after Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Line engraving and etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. For the Sexes: The Gates of Paradise, Plate 1, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. For the Sexes: The Gates of Paradise, Plate 6, "Air"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. For the Sexes: The Gates of Paradise, Plate 4, "Water"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Thomas Hayley (1780-1800)

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 8 3/4 × 6 1/8 inches (22.3 × 15.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Charles J. Rosenbloom, B.A. 1920

25. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/2 inches (38.8 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 3/8 × 21 9/16 inches (39 × 54.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 7/8 × 21 1/4 inches (37.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 7/16 × 21 1/4 inches (39.2 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 3/4 × 21 7/16 inches (37.5 × 54.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 15 1/4 × 21 1/4 inches (38.8 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

Creator:: William Blake, 1757–1827
Date:: 1827
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove India proof paper
Dimensions:: Sheet: 14 11/16 × 21 1/4 inches (37.3 × 54 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Rev. John Caspar Lavater (1787-1801)

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 14 3/8 × 11 9/16 inches (36.5 × 29.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Theocritus

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Epicurus

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Caius Julius Cæsar

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. From Antique Coins

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Octavius Augustus Cæsar

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Thomas Hayley (1780-1800)

Creator:: Print made by William Blake, 1757–1827
Date:: 1800
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 11 5/16 x 8 11/16 inches (28.7 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

Creator:: Print made by William Blake, 1757–1827
Date:: 1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

Creator:: Print made by William Blake, 1757–1827
Date:: 1804
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Binding: 11 1/2 inches (29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Publius Virgilius Maro

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Temple of Aphaia at Aegina: Elevations

Creator:: Edmund Turrell, active 1835–1860
Date:: undated
Materials & Techniques:: Line engraving with graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 18 inches (30.5 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Okehampton Castle, on the River Okement

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1825
Materials & Techniques:: Mezzotint and line engraving; Turner's copy on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Okehampton Castle, on the River Okement

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1825
Materials & Techniques:: Mezzotint and line engraving; engraver's proof (b); completed proof on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 5/8 × 19 inches (32.1 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Dryburgh Abbey

Creator:: Print made by William Miller, 1796–1882
Date:: 1833
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 9 1/2 × 11 1/2 inches (24.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Norham Castle - Moonrise

Creator:: Print made by William Miller, 1796–1882
Date:: 1834
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper with cream chine-collé
Dimensions:: Sheet: 9 1/2 × 11 1/2 inches (24.1 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Front of Wrapper for Rivers of England (Number One)

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1823
Materials & Techniques:: Letterpress and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

Creator:: Print made by unknown artist
Materials & Techniques:: Letterpress and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Monk

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1833 and 1853
Materials & Techniques:: Line engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 19 15/16 x 13 9/16 inches (50.6 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Intemperance

Creator:: Print made by Guillaume Sulpice Chevalier, 1804–1866
Date:: undated
Materials & Techniques:: Line engraving, stipple engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Sheet: 13 9/16 x 20 inches (34.4 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A Mythological Battle

Creator:: George C. Finden, 1811–1885
Date:: 1853
Materials & Techniques:: Line engraving, stipple engraving and etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 11/16 x 19 15/16 inches (34.8 x 50.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Balcony

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1835 and 1854
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 20 x 13 11/16 inches (50.8 x 34.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Prince of Orange Landing at Torbay

Creator:: Print made by William Miller, 1796–1882
Date:: 1852
Materials & Techniques:: Etching and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. The Coronation of Queen Victoria

Creator:: Print made by Charles E. Wagstaff, 1808–
Date:: 1842
Materials & Techniques:: Etching, line engraving, stipple engraving, and mezzotint on thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:: Sheet: 29 1/4 × 37 3/8 inches (74.3 × 94.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion

Creator:: John Thomas Smith, 1766–1833
Date:: 1812
Materials & Techniques:: Etching on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 5/8 × 9 3/8 inches (29.5 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Part of Audley House, Dukes Place

Creator:: Samuel Rawle, 1771–1860
Date:: 1802
Materials & Techniques:: Etching and line engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 5 1/4 × 7 13/16 inches (13.3 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Exeter Change

Creator:: after George Cooke, 1781–1834
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 inches (11.4 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. St. Mary le Strand

Creator:: Joseph Skelton, active 1820–1850
Date:: undated
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 9 1/8 × 6 5/8 inches (23.2 × 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Strand

Creator:: unknown artist
Date:: 1811
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 11 7/8 × 9 5/8 inches (30.2 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Messrs. Morgan & Sanders, Catherine St. Strand

Creator:: unknown artist
Date:: 1809
Materials & Techniques:: Hand colored engraving on smooth, medium, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/4 inches (14 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Craven House, Craven Building, Drury Lane

Creator:: unknown artist
Date:: 1800
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 12 1/4 × 8 inches (31.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Hungerford Market

Creator:: unknown artist
Date:: 1805
Materials & Techniques:: Engraving on slightly textured, medium, white wove paper
Dimensions:: Sheet: 6 7/8 × 11 inches (17.5 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1825
Materials & Techniques:: Stipple engraving and line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Come Gentle Night: "Romeo and Juliet," Act III, Scene II

Creator:: Print made by James H. Baker, born 1829
Date:: between 1839 and 1849
Materials & Techniques:: Stipple engraving, line engraving, and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 3/8 inches (28.2 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

71. Shakespeare in His Study

Creator:: James Faed Sr., 1821–1911
Date:: 1859
Materials & Techniques:: Mezzotint, stipple engraving, etching, and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 24 5/8 x 18 1/8 inches (62.6 x 46.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

72. The Dreams of the Youthful Shakespeare

Creator:: Print made by Augustus Fox, 1800–1876
Date:: 1827
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 3 15/16 inches (15.8 × 10 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

73. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759

Creator:: Print made by William Bromley, 1769–1842
Date:: 1811
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 21 x 14 13/16 inches (53.4 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

74. The Mantilla

Creator:: John Henry Robinson, 1796–1871
Date:: 1838
Materials & Techniques:: Engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 24 1/4 × 18 inches (61.6 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Sleeping Boy

Creator:: John Summerfield, active 1817?
Date:: 1812
Materials & Techniques:: Line gnraving and stiplle engraving on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 7/8 × 16 5/16 inches (32.7 × 41.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Crypt in Kirkstall Abbey, Yorkshire

Creator:: Print made by John Scott, 1774–1828
Date:: 1814
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 11/16 inches (20.6 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Sir Anthony van Dyck

Creator:: Print made by John Corner, 1788–1825
Date:: 1825
Materials & Techniques:: Line engraving, stipple engraving and etching on moderately thick, moderately textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 13 1/16 × 9 1/8 inches (33.1 × 23.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Benjamin West, P.R.A.

Creator:: James Fittler, 1758–1835
Date:: 1817
Materials & Techniques:: Line engraving, etching and stipple engraving on moderately thick, slightly textured, beige laid paper with cream chine collé
Dimensions:: Sheet: 20 7/8 × 15 3/8 inches (53 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Sir David Wilkie

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: after 1829
Materials & Techniques:: Line engraving, stipple engraving, and etching on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 1/16 x 11 3/4 inches (43.4 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Florence, from the Chiesa al Monte

Creator:: Print made by George Cooke, 1781–1834
Date:: 1820
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Summer Eve - the Rainbow

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Egypt, the Pyramid of Ghizeh

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1836
Materials & Techniques:: Line engraving, Engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Lebanon from Tripoli

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Line engraving, first state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. A Swiss Valley (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Sinai's Thunder (Vignette)

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Lochiel's Warning (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Last Man (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Gertrude of Wyomimg - The Valley (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving, Engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Rolandseck (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Beech Tree's Petition (Vignette)

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1837
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. St. Agatha's Abbey

Creator:: Print made by John Cousen, 1804–1880
Date:: 1844-1867
Materials & Techniques:: Line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. The Rhine - Osterspey and Feltzen

Creator:: Print made by William Miller, 1796–1882
Date:: 1838-1854
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. The Rhine - Neuwied and Weissenthurm

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1838-1854
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Calais Pier

Creator:: Print made by John Cousen, 1804–1880
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. The Shipwreck

Creator:: Print made by William Miller, 1796–1882
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. A Country Blacksmith

Creator:: Print made by Charles W. Sharpe, active 1858–1883
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 7/8 inches (24.8 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. The Goddess of Discord in the Garden of Hesperides

Creator:: Print made by Thomas Abiel Prior, 1809–1886
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 7/8 inches (23.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Dutch Boats in a Gale

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. The Death of Nelson

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Apollo Killing the Python

Creator:: Print made by Lumb Stocks, 1812–1892
Date:: between 1859 and 1861
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 12 7/8 inches (20.3 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques line engraving

Period 19th century

Image Use Free to Use

Search Results

1. Plate X, Fowl Body, Lateral View

2. Plate VIII, Human Body, Posterior View

3. Taj Mahal, Agra

4. Tours - Looking Backward

5. Little Devil's Bridge over the Russ above Altdorft, Switzerland

6. Hedging and Ditching

7. Crowhurst

8. Windsor Castle from Salt Hill

9. Scene in the Campagna

10. For the Sexes: The Gates of Paradise, Plate 1, Title Page

11. For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

12. For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

13. For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

14. For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

15. For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

16. For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

17. For the Sexes: The Gates of Paradise, Plate 6, "Air"

18. For the Sexes: The Gates of Paradise, Plate 7, "Fire"

19. For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

20. For the Sexes: The Gates of Paradise, Plate 5, "Earth"

21. For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

22. For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

23. For the Sexes: The Gates of Paradise, Plate 4, "Water"

24. Thomas Hayley (1780-1800)

25. For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

26. Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

27. Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

28. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

29. For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

30. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

31. For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

32. Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

33. Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

34. pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

35. Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

36. Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

37. For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

38. Rev. John Caspar Lavater (1787-1801)

39. Theocritus

40. Epicurus

41. Caius Julius Cæsar

42. From Antique Coins

43. Octavius Augustus Cæsar

44. Thomas Hayley (1780-1800)

45. A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.

46. A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq.

47. Publius Virgilius Maro

48. The Temple of Aphaia at Aegina: Elevations

49. Okehampton Castle, on the River Okement

50. Okehampton Castle, on the River Okement

51. Dryburgh Abbey

52. Norham Castle - Moonrise

53. Front of Wrapper for Rivers of England (Number One)

54. Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'

55. The Monk

56. Intemperance

57. A Mythological Battle

58. The Balcony

59. The Prince of Orange Landing at Torbay

60. The Coronation of Queen Victoria

61. Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion

62. Part of Audley House, Dukes Place

63. Exeter Change

64. St. Mary le Strand

65. The Strand

66. Messrs. Morgan & Sanders, Catherine St. Strand

67. Craven House, Craven Building, Drury Lane

68. Hungerford Market

69. Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion

70. Come Gentle Night: "Romeo and Juliet," Act III, Scene II

71. Shakespeare in His Study

72. The Dreams of the Youthful Shakespeare

73. David Garrick as Richard III in the Drury Lane Theatre Performance, 1759