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Materials & Techniques line engraving
Remove constraint Materials & Techniques: line engravingPeriod 19th century
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1
- Plate VIII, Human Body, Posterior View
- 1804
2
- Plate X, Fowl Body, Lateral View
- 1804
3
- Taj Mahal, Agra
- 1831
- On view at YUAG
4
- Crowhurst
- 1812
5
- Scene in the Campagna
- 1812
6
- Windsor Castle from Salt Hill
- 1812
7
- Little Devil's Bridge over the Russ above Altdorft, Switzerland
- 1812
8
- Hedging and Ditching
- 1812
9
- Tours - Looking Backward
- 1833
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
10
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
11
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
12
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
13
- For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
- 1826
14
- For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
- 1826
15
- For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
- 1826
16
- For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
- 1826
17
- For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
- 1826
18
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
19
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
20
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
21
- For the Sexes: The Gates of Paradise, Plate 5, "Earth"
- 1826
22
- For the Sexes: The Gates of Paradise, Plate 7, "Fire"
- 1826
23
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
24
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
25
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
26
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
27
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
28
- For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
- 1826
29
- For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
- 1826
30
- For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
- 1826
31
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
32
- For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
- 1826
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
33
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
34
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
35
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
36
- For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
- 1826
37
- Thomas Hayley (1780-1800)
- 1800
38
- Rev. John Caspar Lavater
- 1800
39
- Thomas Hayley (1780-1800)
- 1800
40
- From Antique Coins
- 1821
41
- Caius Julius Cæsar
- 1821
42
- Theocritus
- 1821
43
- Epicurus
- 1821
44
- Octavius Augustus Cæsar
- 1821
45
- Publius Virgilius Maro
- 1821
46
- A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
- 1804
47
- A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
- 1804
48
- Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower
- undated
49
- Herstmonceux Castle, Sussex
- 1815
50
- West Hill in Surrey, the Seat of D. H. Rucker Esqr
- 1810
51
- Plan of ground floor of Herstmonceux Castle
- undated
52
- Herstmonceux Castle for the history and description of the Sussex Coast
- undated
53
- Interior of the Hall at the Deepdene
- undated
54
- Worcester
- 1795
55
- Sleaford Church
- 1801
56
- Deepdene near Dorking
- undated
57
- Welgelegen:Vue du Pavillon de Harlem prise du Bois
- undated
58
- The Temple of Aphaia at Aegina: Elevations
- undated
59
- Inside View of the East End of Merton College Chapel
- 1802
60
- A View of the Chapel and Hall of Oriel College
- 1807
61
- A View of Worcester College &c
- 1804
62
- View of Oxford from the South Side of Heddington Hill
- 1808
63
- A View of Worcester College &c
- 1804
64
- View of Oxford from the South Side of Heddington Hill
- 1808
65
- Part of Balliol College Quadrangle
- 1809
66
- View of the Cathedral of Christ Church and Part of Corpus Christi College
- 1811
67
- View of the Chapel and Hall of Oriel College
- 1801
68
- Cloisters of Whalley Abbey
- 1800
69
- Seals of Whalley Abbey
- 1800
70
- Whalley Abbey (nearer view)
- 1800
71
- Clitheros from Eadsford Bridge
- 1800
72
- Distant View of Whalley Abbey
- 1800
73
- Stonyhurst
- 1801
74
- The Sherburne Chapel in Mitton Church
- 1801
75
- Durham Cathedral
- 1802
76
- Abingdon from the Thames Navigation
- 1805
77
- Distant View of Chester
- 1810
78
- Browsholme
- 1800
79
- Part of Chester Castle
- 1810
80
- Windsor from the Forest, Berks
- 1804
81
- Part of Chester Castle
- 1810
82
- Loch Lomond
- 1805
83
- Inverary
- 1805
84
- Pope's Villa
- 1810
85
- Pope's Villa
- 1810
86
- View of Exeter College, All Saints Church, from the Turl
- 1806
87
- View of the Cathedral of Christ Church and Part of Corpus Christi College
- 1808
88
- Christ Church from the Meadows
- between 1820 and 1823
89
- Christ Church Cathedral and Part of Corpus Christi College
- 1820
90
- Townley Hall
- 1800
91
- Wickham from the Marlow Road
- 1803
92
- Eton, from the Slough Road
- 1803
93
- Newbury from Speen Hill
- 1805
94
- Distant View of Chester
- 1810
95
- Donnington Castle
- 1805
96
- A Fishing Smack with a Boat (Dutch Boat in a Gale)
- 1812
97
- Windsor from the Forest, Berks
- 1804
98
- Part of Balliol College Quadrangle
- 1820
99
- Patterdale
- 1805
100
- The Return (First Class)
- 1857