South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
102
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
103
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
104
Attributed to John Carter, 1748–1817
Detail, Dean's Yard
between 1806 and 1815
105
Print made by James Basire, 1730–1802
Plate VIII: St Stephen's Chapel
1795
106
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
107
Print made by Robert William Billings, 1813–1874
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
1835
108
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
109
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
110
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
111
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
112
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
113
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
114
Print made by John Thomas Smith, 1766–1833
A Doorway in one of the Cellars Under the Old House of Lords
1804
115
Print made by James Fittler, 1758–1835
The King on his Throne in the House of Lords
1804
116
Print made by Henry Melville, active 1826–1841
The Kind Proroguing Parliament
1834
117
Print made by unknown artist
Plate XXXIX: House of Commons as Fitted Up in 1835
ca. 1836
118
Print made by Henry Melville, active 1826–1841
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
119
unknown artist
Peers' Entrance
undated
120
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
121
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
122
unknown artist
New Rooms at Westminster for the Bishops
undated
123
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
124
unknown artist
Survey view of a lobby, Palace of Westminster
undated
125
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
126
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
127
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
128
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
129
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
130
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
131
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
132
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
133
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
134
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
135
Charles James Richardson, 1806–1871
Sections of Room under Painted Chamber
1827
136
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
137
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
138
George Harley, 1791–1871
Ruins of Westminster Palace
1834
139
Attributed to John Carter, 1748–1817
East Front of Princes Chamber
between 1800 and 1807
140
Print made by John Thomas Smith, 1766–1833
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
1804
141
George Birch, 1842–1904
View of Guy Fawkes' Tower
1827
142
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
143
Print made by T. Kearnan, active 1821–1850
The House of Lords, as Restored after the Fire
1835
144
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
145
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
146
Print made by Henry Melville, active 1826–1841
House of Lords, Her Majesty Opening the Session of Parliament
ca. 1837
147
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
148
Attributed to John Carter, 1748–1817
Window Detail, Princes Chamber
between 1800 and 1807
149
Print made by unknown artist
Exterior & Interior Views of the Painted Chamber & Old House of Lords
1823
150
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
151
Print made by William Deeble, active 1814–1849
The King's Entrance to the House of Lords, From Poets Corner
1829
152
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
153
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
154
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
155
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
156
Print made by Sir Muirhead Bone, 1876–1953
Somerset House
1905
157
Print made by Sir Muirhead Bone, 1876–1953
Demolition of St. James's Hall, Interior
1906
158
Print made by Thomas Shotter Boys, 1803–1874
Westminster Abbey, Hospital &c
1842
159
Print made by Thomas Shotter Boys, 1803–1874
Buckingham Palace from St. James's Park
1842
160
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
161
Thomas Rowlandson, 1756–1827
The Exhibition Stare-Case, Somerset House
ca. 1800
162
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
163
John Warwick Smith, 1749–1831
A View of St. James's Park, taken near the Stable Yard
164
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
165
George Shepheard, ca. 1770–1842
The Banqueting House, Whitehall, from the River
ca. 1810
166
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
167
Print made by Matthew Dubourg, active 1786–1838
The Coronation of His Majesty, George the Fourth: Taken at the Time of the Recognition. July 19, 1821
1822
168
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
169
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
170
Thomas Bowles, ca. 1712–died 1753
The Inside of St. Martin's Church in the Fields
171
unknown artist
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
172
unknown artist
A Prospect of the Inside of Westminster, Shewing how the King and Queen with the Nobility and others did sit at Dinner on the Day of the Coronation. Also the manner of tghe Champions performing the Ceremony of Challenge whilst the King & c. were at Dinner
173
unknown artist
The Inthronization of their Majesties also a View of the West End of the Choir of St. Peters in Westminster, and of the manner of Placing and Seating the Company in that Part of the Choir
174
Thomas Bowles, ca. 1712–died 1753
A South View of Westminster Abby & St. Margarets Church
175
unknown artist
A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
176
Thomas Bowles, ca. 1712–died 1753
The Inside of Westminster Abby
177
John Maurer, active 1713–1761
A Perspective View of ye Parade in St. James's Park. The Treasury, The New Buildings for the Horse Guards, And His Majesty going to the House of Lords
178
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
179
Print made by Stanley Anderson, 1884–1966
Somerset House, London
1910
180
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
181
George Gladwin, active 1820s–1830s
York House: Plan of Principle Floor
1827
182
Print made by Samuel Freeman, 1773–1857
Statue of Achilles in Hyde Park
1827
183
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of Two Frenzied Dancers
1912
184
George Gladwin, active 1820s–1830s
York House: Longitudinal Section from North to South
1827
185
George Gladwin, active 1820s–1830s
York House: Plan of the Ground Floor
1827
186
John Maurer, active 1713–1761
A Perspective View of Whitehall
187
unknown artist
The Inside View of King Henry VII Chappel, in Westminster Abby
188
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
189
Print made by Thomas Bonnor, ca. 1740–ca. 1812
St. Martin's Church Westminster
1810
190
unknown artist
The Royal Palace of St. James's next the Park
191
John Boydell, 1720–1804
St. Clement Danes
1751
192
Print made by Stanley Anderson, 1884–1966
The National Gallery
undated
193
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
194
Print made by John Burnet, 1784–1868
Buckingham House, St. James' Park
1810
195
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
196
Print made by John Cleghorn, active 1840–1881
Plan of the Regent's Park
1827
197
Print made by unknown artist
Royal Humane Society's Receiving House in Hyde Park
undated
198
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study of the Cabaret Stage and Painted Panels on Either Side
1912
199
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural
1912
200
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Study for Mural of Calf and Worshipping Figures