On-site Access: Accessible by appointment in the Study Room / Period: 18th century / Associated Places: Italy

201. The Horse Race at Rome During the Carnival

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Mount:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Views in the Levant: Temple Ruins at Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. The Opening of the Carnival at Rome

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 22 1/4 inches (38.4 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. The Victor Conducted in Triumph

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 22 3/8 inches (39.6 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Views in the Levant: Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 18 11/16 inches (28.3 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. The Romans Polite to Strangers

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 22 5/16 inches (38.4 x 56.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. The Grotto at Posillipo

Creator:: Thomas Jones, 1742–1803
Date:: ca. 1782
Materials & Techniques:: Watercolor, graphite, pen and gray ink, and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/2 × 16 5/8 inches (29.2 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

208. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/16 x 12 5/8 inches (23 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. A View of Part of the Royal Gardens at Naples Towards the Sea

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 5/8 x 12 1/2 inches (24.4 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. Spanish Palace at Naples

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/8 x 12 5/16 inches (23.2 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. A View of the Piazza del Popolo in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/2 x 12 5/8 inches (24.2 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. A View of the Sea from the Palace of the Vice Roy at Naples

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/2 x 12 7/8 inches (24.1 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. The Palace of Mont Alto at Naples

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 1/8 x 12 1/8 inches (23.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. A View of the Royal Palace at Naples

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 3/16 x 12 13/16 inches (23.4 x 32.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. A View of the Mole and the New Castle at Naples

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 10 x 12 9/16 inches (25.4 x 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. In the Bay of Salerno, near Vietri

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Black ink, watercolor, and graphite on medium, moderately textured, cream laid paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Geoffrey and Renée Hartman

217. View of Vesuvius

Creator:: John Warwick Smith, 1749–1831
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 x 10 3/4 inches (18.1 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Geoffrey and Renée Hartman

218. Near Sterzing, Tyrol

Creator:: Monro School
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 9 1/8 inches (16.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Arch of Janus, after Piranesi

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. The Bay of Naples from Capodimonte, Italy

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 11 7/8 inches (20.6 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Iola S. Haverstick

221. Views in the Levant: The Colossus of Barletta

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, black ink, gray ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 7/16 × 5 7/8 inches (21.4 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome

Creator:: Sir William Chambers, 1723–1796
Date:: between 1750 and 1755
Materials & Techniques:: Graphite, pen and black and brown ink and gray wash on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 7/8 x 9 5/8in. (35.2 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

223. Italian sketchbook

Creator:: Richard Wilson, 1713/4–1782
Date:: 1754
Materials & Techniques:: Graphite with white and black chalk on medium, rough, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 1/4 inches (28.3 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. At Naples

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 11/16 x 5 13/16 inches (22.1 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/16 × 20 3/4 inches (29.1 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. Views in the Levant: The Columns of Augustus at Brundisium

Creator:: Willey Reveley, 1760–1799
Date:: 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 5/16 × 10 3/8 inches (41.4 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Views in the Levant: Rome with Ruins seen Through an Archway

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Silver Vessel Found near the Temple of Jupiter at Rome

Creator:: Print made by Charles Cameron, 1742–1812
Date:: 1775
Materials & Techniques:: Etching on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 7 1/16 × 9 1/2 inches (18 × 24.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. A Perspective View of Venice

Creator:: John Bowles, 1701–1779
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

Creator:: Nathaniel Parr, active 1742–1751
Date:: between 1780-1815
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

Creator:: Nathaniel Parr, active 1742–1751
Date:: between 1780-1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. The Inside of the Pantheon at Rome

Creator:: Carington Bowles, 1724–1793
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. The Inside of St. Paul's Church in Rome built by Constantine the Great...

Creator:: Carington Bowles, 1724–1793
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. The Great Cascade of Spring Water at Rome call'd Travi Fountain

Creator:: Carington Bowles, 1724–1793
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Rome in it's Original Splendor; 1. the Temple of Vesta 2. Virgins going to Sacrifice 3. The Imperial Palace 4. A Fountain of Medicinal Water 5. The Arch of Trajan 6. The Tomb of Cestus

Rome in it's Original Splendor; 1. the Temple of Vesta 2. Virgins going to Sacrifice 3. The Imperial Palace 4. A Fountain of Medicinal Water 5. The Arch of Trajan 6. The Tomb of Cestus

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory

The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. The Aelian Bridge and Castle of St. Angelo, with part of the City of Rome

Creator:: Carington Bowles, 1724–1793
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. The New Gallery of the Vatican Library at Rome. With the Cornishes ornamented with Etrusian Vases

Creator:: Carington Bowles, 1724–1793
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

Creator:: Print made by William Austin, 1721–1820
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

Creator:: Remi Parr, active 1723–1750
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. A View of Little St. Mark's Place at Venice to the Sea

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol.

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/4 × 16 1/4 inches (28.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. A Prospect from the Sea of little St. Mark's Place with the Publick Buildings on either side...

Creator:: Remi Parr, active 1723–1750
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. A View of Florence from the Convent of Capuchins at Montugi

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. A Perspective View of the City of Naples

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. The Court of the Magnificent Building of the Ducal Palace over the front are seen the Cupolo's of St. Mark's Church.

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

Creator:: Carington Bowles, 1724–1793
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 3/4 × 16 3/4 inches (29.8 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour

Creator:: Carington Bowles, 1724–1793
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Rome in it's Original Splendor

Creator:: unknown artist
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Ariccia

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: between 1783 and 1789
Materials & Techniques:: Soft-ground etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 1/4 × 7 3/8 inches (13.3 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

252. A View of Campo Vaccino at Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 3/4 x 12 1/2 inches (24.8 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. A View of the Piazza Navona in the City of Rome

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 9 x 12 3/8 inches (22.8 x 31.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. A View of the Salfatara, a Remarkable Mountain Near Naples

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 15/16 x 12 9/16 inches (22.7 x 31.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. Twelve Original Views in Italy

Creator:: after Richard Wilson, 1713/4–1782
Date:: 1776
Materials & Techniques:: Twelve etchings in a bound volume on moderately thick, moderately textured, cream laid paper
Dimensions:: Spine: 10 inches (25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. A Bridge Between Florence and Bologna

Creator:: Francis Towne, 1740–1816
Date:: 1781
Materials & Techniques:: Watercolor and black and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 8 3/8 inches (15.6 x 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Rocca del Papa, with Monte Cavo

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 9 1/4 inches (16.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. On the Banks of the Lago di Como

Creator:: Monro School
Date:: ca. 1796
Materials & Techniques:: Watercolor, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/8 x 9 3/4 inches (35.9 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. In the Farnese Gardens, Rome

Creator:: attributed to Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Gray wash over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/8 x 11 1/16 inches (39.1 x 28.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Near Chiavenna

Creator:: unknown artist
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 x 9 1/2in. (38.1 x 24.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Buildings Overlooking Water, near Naples

Creator:: Monro School
Date:: ca. 1796
Materials & Techniques:: Watercolor, graphite, gray wash and blue wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. The Ascent of Vesuvius

Creator:: Henry Tresham, 1751–1814
Date:: 1785 to 1790
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Isola Madre, Lago Maggiore

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1781
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, cream laid paper, laid down on original mount
Dimensions:: Sheet: 12 3/16 x 17 1/2 inches (31 x 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Isola Borromea, Lago Maggiore

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 9 5/8 inches (19.4 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. Italian Landscape

Creator:: Richard Cooper the Elder, 1701–1764
Date:: undated
Materials & Techniques:: Graphite, black chalk, and bistre wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 15in. (22.5 x 38.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Classical Italian Landscape with Temples and a Ruined Aquaduct

Creator:: Richard Cooper the Younger, 1740–1814
Date:: ca. 1785
Materials & Techniques:: Pen and black ink, brown wash, graphite on slightly textured, medium, cream laid paper
Dimensions:: Sheet: 10 7/8 × 17 1/8 inches (27.6 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Coast Near Sorrento

Creator:: John Warwick Smith, 1749–1831
Date:: 1764-1831
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 18 1/8 inches (29.8 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. A View of Tivoli Looking Towards Rome

Creator:: John Warwick Smith, 1749–1831
Date:: ca. 1781
Materials & Techniques:: Watercolor over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 20 1/2 x 32 inches (52.1 x 81.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. Rome, Showing the Coliseum

Creator:: George Barret Jr., 1767–1842
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 inches (14.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Tivoli

Creator:: John Robert Cozens, 1752–1797
Date:: 1778
Materials & Techniques:: Pen and black ink, watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Mount: 14 5/8 x 21 inches (37.1 x 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. Lake of Vico Between Rome and Florence

Creator:: John Robert Cozens, 1752–1797
Date:: 1783
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/8 x 14 13/16 inches (25.7 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. The Lake of Nemi

Creator:: John Robert Cozens, 1752–1797
Date:: between 1783 and 1785
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/8 x 21 1/8 inches (37.1 x 53.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. On the Lake of Nemi

Creator:: John Robert Cozens, 1752–1797
Date:: between 1780 and 1783
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 11 7/8 inches (21 x 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. A View from the Inn at Terracina

Creator:: John Robert Cozens, 1752–1797
Date:: 1783
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 14 5/8 inches (26.4 x 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Galleria di Sopra, Albano

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1778
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 18 3/8 x 24 1/2 inches (46.7 x 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. The Temple of Diana near Baia

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/2 x 6 1/2 inches (14 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. From Mirabella, the Villa of Count Algarotti on the Euganean Hills

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 9 7/8 inches (19.1 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. From the Top of the Arena, Verona

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 9 3/4 inches (22.5 x 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Near Raito on the Gulf of Salerno

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 1/2 x 10 inches (19.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. The Wall of Naples near Ponte Nuovo

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 7/8 x 9 1/2 inches (14.9 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Cypress in the Garden of the Franciscans at Salerno

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 12 3/4 x 7 5/8 inches (32.4 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Villa Pliniana on the Lake of Como

Creator:: unknown artist
Date:: ca. 1828
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 3/8 inches (18.1 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Isola Bella, Lago Maggiore

Creator:: Charles Gore, 1729–1807
Date:: ca. 1776
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 7 5/8 x 22 1/4 inches (19.4 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Lago Maggiore and the Borromean Islands

Creator:: Charles Gore, 1729–1807
Date:: ca. 1776
Materials & Techniques:: Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 x 21 3/8 inches (16.5 x 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Broken Side of the Amphitheatre at Rome

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 6 3/8 x 10 inches (16.2 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. The Lake and Town of Nemi

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1779
Materials & Techniques:: Watercolor, brushed black ink, black wash and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured laid paper
Dimensions:: Sheet: 14 3/8 x 20 1/2 inches (36.5 x 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. The Lake of Albano and Castel Gandolfo

Creator:: John Robert Cozens, 1752–1797
Date:: between 1783 and 1785
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 x 24 3/8 inches (43.2 x 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Part of the Wall of Rome Near the Villa Medici

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 5 7/16 x 6 3/8 inches (13.8 x 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Convent of S. Martino and Castello di Sant' Elmo from the Mole, Naples

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 11 1/2 inches (16.8 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

291. Convent of Monte Olivetto near Florence

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Naples from Sir William Hamilton's Villa, Portici

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 3/8 inches (18.7 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

293. Convent at Vietri

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 10 x 7 1/2 inches (25.4 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

294. Carthusian Convent near Florence

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 5/8 x 6 1/2 inches (11.7 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. At Portici, Evening, August 9

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 9 1/2 inches (18.7 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. Promontory of Porto Fino

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 7 1/4 x 10 1/4 inches (18.4 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. Ronciglione

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite, buff ground and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/4 x 7 inches (12.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

298. Genoa

Creator:: John Robert Cozens, 1752–1797
Date:: between 1782 and 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 x 9 3/8 inches (13 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

299. Monte Circeo from the Road between Terracina and Velletri

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1783
Materials & Techniques:: Graphite and varnish on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 9 5/8 inches (15.6 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

300. Waterfall at Terni

Creator:: John Robert Cozens, 1752–1797
Date:: ca. 1780
Materials & Techniques:: Pen and black ink on thin, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/8 x 7 1/8 inches (23.8 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Period 18th century

Associated Places Italy

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201. The Horse Race at Rome During the Carnival

202. Views in the Levant: Temple Ruins at Paestum

203. The Opening of the Carnival at Rome

204. The Victor Conducted in Triumph

205. Views in the Levant: Paestum

206. The Romans Polite to Strangers

207. The Grotto at Posillipo

208. A View of the Piazza of St. John de Lateran, of the Cardinals College, and of the Holy Stairs in the City of Rome

209. A View of Part of the Royal Gardens at Naples Towards the Sea

210. Spanish Palace at Naples

211. A View of the Piazza del Popolo in the City of Rome

212. A View of the Sea from the Palace of the Vice Roy at Naples

213. The Palace of Mont Alto at Naples

214. A View of the Royal Palace at Naples

215. A View of the Mole and the New Castle at Naples

216. In the Bay of Salerno, near Vietri

217. View of Vesuvius

218. Near Sterzing, Tyrol

219. Arch of Janus, after Piranesi

220. The Bay of Naples from Capodimonte, Italy

221. Views in the Levant: The Colossus of Barletta

222. Drawing from the Madonna del Popolo, Santa Maria del Popolo, Rome

223. Italian sketchbook

224. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

225. At Naples

226. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

227. Views in the Levant: The Columns of Augustus at Brundisium

228. Views in the Levant: Rome with Ruins seen Through an Archway

229. Silver Vessel Found near the Temple of Jupiter at Rome

230. A Perspective View of Venice

231. A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

232. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

233. The Inside of the Pantheon at Rome

234. The Inside of St. Paul's Church in Rome built by Constantine the Great...

235. The Great Cascade of Spring Water at Rome call'd Travi Fountain

236. Rome in it's Original Splendor; 1. the Temple of Vesta 2. Virgins going to Sacrifice 3. The Imperial Palace 4. A Fountain of Medicinal Water 5. The Arch of Trajan 6. The Tomb of Cestus

237. The City of Ancient Rome as in the Reign of Caesar Augustus. Exhibiting in their proper Situations the Public & Magnificent Structures of Rome, in it's highest Glory

238. The Aelian Bridge and Castle of St. Angelo, with part of the City of Rome

239. The New Gallery of the Vatican Library at Rome. With the Cornishes ornamented with Etrusian Vases

240. Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

241. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

242. A View of Little St. Mark's Place at Venice to the Sea

243. A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol.

244. A Prospect from the Sea of little St. Mark's Place with the Publick Buildings on either side...

245. A View of Florence from the Convent of Capuchins at Montugi

246. A Perspective View of the City of Naples

247. The Court of the Magnificent Building of the Ducal Palace over the front are seen the Cupolo's of St. Mark's Church.

248. The Church of St. Mary ye Great at Rome. With ye additional Buildings on each side. Also ye Antique Collumn brought hither from ye Temple of Peace, by Pope Paul V.

249. The Church of Santa Maria della Rotonda at Rome; It was the famous Pantheon of the Antients erected 30 years before the birth of our Saviour

250. Rome in it's Original Splendor

251. Ariccia

252. A View of Campo Vaccino at Rome

253. A View of the Piazza Navona in the City of Rome

254. A View of the Salfatara, a Remarkable Mountain Near Naples

255. Twelve Original Views in Italy

256. A Bridge Between Florence and Bologna

257. Tempio d' Antonio e Faustina

258. Rocca del Papa, with Monte Cavo

259. On the Banks of the Lago di Como

260. In the Farnese Gardens, Rome

261. Near Chiavenna

262. Buildings Overlooking Water, near Naples

263. The Ascent of Vesuvius

264. Isola Madre, Lago Maggiore

265. Isola Borromea, Lago Maggiore

266. Italian Landscape

267. Classical Italian Landscape with Temples and a Ruined Aquaduct

268. Coast Near Sorrento

269. A View of Tivoli Looking Towards Rome

270. Rome, Showing the Coliseum

271. Tivoli

272. Lake of Vico Between Rome and Florence

273. The Lake of Nemi