A Procession of the Damned: Study for the Damned in Dante's "Inferno"
undated
35
George Romney, 1734–1802
Mythological Group of Women and Children
undated
36
George Romney, 1734–1802
Studies for the Head of a Lady (Studies of a Woman's Head)
undated
37
George Romney, 1734–1802
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
38
George Romney, 1734–1802
Sketches of a Prostrate Woman
undated
39
George Romney, 1734–1802
Two Lovers (Man Awakening from a Dream)
undated
40
George Romney, 1734–1802
Two Children Embracing
undated
41
George Romney, 1734–1802
Mother and Son
undated
42
George Romney, 1734–1802
Studies of a Seated Woman
undated
43
George Romney, 1734–1802
Three Young Witches
undated
44
George Romney, 1734–1802
David Playing the Harp
undated
45
George Romney, 1734–1802
Satan Presiding over Hell
undated
46
George Romney, 1734–1802
Demonic Attack for the Temptation of Christ
undated
47
George Romney, 1734–1802
Muscious Scaevola
undated
48
George Romney, 1734–1802
Noah's Children Rejoicing
undated
49
George Romney, 1734–1802
Female Figures
undated
50
George Romney, 1734–1802
Slight Group of Figures
undated
51
George Romney, 1734–1802
Initiation of a Rustic Nymph
undated
52
George Romney, 1734–1802
Landscape with a Leaning Tree
undated
53
George Romney, 1734–1802
Seated Woman
undated
54
George Romney, 1734–1802
Shepherdess Cutting an Inscription on a Tree
undated
55
George Romney, 1734–1802
Prostrate Woman
undated
56
George Romney, 1734–1802
Samson Overpowered
undated
57
George Romney, 1734–1802
Pamela
undated
58
George Romney, 1734–1802
Lady Leaning on a Column: (Possibly a Sketch for "Miss Woodley")
undated
59
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
1805 to 1808
60
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
61
Richard Morris, active 1830
Regent's Park, London, The Colosseum, Clergy's Orphans' School and St. Andrew's Place, with Figures and Coaches
ca. 1831
62
John Thomas Smith, 1766–1833
Hogarth Carrying his Master's Sick Child Round Leicester Fields. The Spot of Ground Leicester House
1817
63
Richard Parkes Bonington, 1802–1828
A Seascape
undated
64
John Thomas Smith, 1766–1833
Hogarth Being Out of His Time Draws His Companion's Figure on the Door of a Certain Place, to the Great Admiration of All His Friends
1817
65
John Thomas Smith, 1766–1833
Hogarth Engraving His Master's Shop-bill the Sign of the Angel
1817
66
John Thomas Smith, 1766–1833
Hogarth Declaring His Love to Miss Thornhill
1817
67
John Thomas Smith, 1766–1833
Hogarth After His Wife had Put on a New Night Shirt, Ties up Her Things to Send to Sir James Thornhill with a Letter in Which He Told Him, 'He took His Daughter Without a Smock to Her A--e
1817
68
John Thomas Smith, 1766–1833
Hogarth Has Made Breakfast and Sends up a Cup to His Wife at the Same Time Ordering the Little Dog to be Admitted to her Mistress's Bedchamber
1817
69
John Thomas Smith, 1766–1833
Hogarth Drawing Sarah Malcolm
1817
70
John Thomas Smith, 1766–1833
Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
1817
71
John Thomas Smith, 1766–1833
Hogarth Making up a Portrait of H. Fielding, for a Bookseller, from the Features of Garrick Who Borrowed One of the Author's Wigs for the Particular Purpose There Being No Genuine Portrait of Him
1817
72
John Thomas Smith, 1766–1833
Hogarth Painting His Picture of Captain Coram for the Foundling Hospital
1817
73
John Thomas Smith, 1766–1833
Hogarth painting 'The Lady's Last Stake,' in the Presence of Lord Charlemont
1817
74
John Thomas Smith, 1766–1833
Hogarth Sitting to Roubiliac for His Bust
1817
75
Dante Gabriel Rossetti, 1828–1882
Miss Elizabeth Siddal
between 1854 and 1855
76
Paul Sandby, 1731–1809
Portrait of a Lady at a Drawing Table
undated
77
Joseph Wilton, 1722–1803
A Study of Agostino Cornacchini's Statue of Charlemagne, St. Peter's Basilica, Rome
Between 1747 and 1755
78
unknown artist
Design for Wall Paper
ca. 1760
79
Charles H. Schwanfelder, 1774–1837
Horsemen in a Landscape
undated
80
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
81
Sir James Thornhill, 1675–1734
Sheet of Classical Figure Studies
undated
82
Attributed to William Ward, 1766–1826
View of the Britannia
undated
83
unknown artist
Rusthill Common near Tunbridge Wells, Kent
ca. 1840
84
Charlotte Warren, 18th century
Wooded Landscape with Cattle, Figures and a House
undated
85
John James Chalon, 1778–1854
Music: Composition in a Garden
ca. 1832
86
John Martin, 1789–1854
Burial of Sarah
1833
87
John Martin, 1789–1854
The Rescue of Lot
1833
88
John Martin, 1789–1854
The Walls of Jericho
1834
89
John Martin, 1789–1854
Forested River Bank, Hill Town and Mountain Peaks in Distance
undated
90
John Martin, 1789–1854
Travelers on a Road above a River
1821
91
Sir Edwin Henry Landseer, 1802–1873
Hounds and Hunters Attacking Deer
1831
92
Sir Walter Thomas Monnington, 1902–1976
Landscape with Shepherd
undated
93
Sir Walter Thomas Monnington, 1902–1976
Macrocarpa
undated
94
Isaac Oliver, ca. 1565–1617
An Angel
undated
95
Isaac Oliver, ca. 1565–1617
Classical Study of Three Figures
undated
96
Joseph Nollekens, 1737–1823
Study for the Monument to Naval Captains William Bayne, William Blair and Lord Robert Manner