Materials & Techniques: line engraving / Period: 19th century / Image Available: Available

Print made after George Stubbs, 1724–1806

Plate X, Fowl Body, Lateral View

1804

Print made after George Stubbs, 1724–1806

Plate VIII, Human Body, Posterior View

1804

Print made by Robert Wallis, 1794–1878

Taj Mahal, Agra

1831

On view at YUAG

after Joseph Mallord William Turner, 1775–1851

Tours - Looking Backward

1833

after Joseph Mallord William Turner, 1775–1851

Little Devil's Bridge over the Russ above Altdorft, Switzerland

1812

after Joseph Mallord William Turner, 1775–1851

Windsor Castle from Salt Hill

1812

after Joseph Mallord William Turner, 1775–1851

Crowhurst

1812

after Joseph Mallord William Turner, 1775–1851

Scene in the Campagna

1812

after Joseph Mallord William Turner, 1775–1851

Hedging and Ditching

1812

Print made by William Blake, 1757–1827

Rev. John Caspar Lavater

1800

William Blake, 1757–1827

Theocritus

1821

William Blake, 1757–1827

Octavius Augustus Cæsar

1821

William Blake, 1757–1827

Epicurus

1821

William Blake, 1757–1827

Caius Julius Cæsar

1821

William Blake, 1757–1827

From Antique Coins

1821

William Blake, 1757–1827

Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 7, "Fire"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

1826

William Blake, 1757–1827

pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]

1827

William Blake, 1757–1827

Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]

1827

William Blake, 1757–1827

Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]

1827

William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

William Blake, 1757–1827

Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]

1827

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 6, "Air"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 9, "Alas!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 1, Title Page

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"

1826

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

1826

William Blake, 1757–1827

Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]

1827

William Blake, 1757–1827

Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]

1827

Print made by William Blake, 1757–1827

A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq

1804

Print made by William Blake, 1757–1827

A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq

1804

Print made by William Blake, 1757–1827

Publius Virgilius Maro

1821

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Edmund Turrell, active 1835–1860

The Temple of Aphaia at Aegina: Elevations

undated

John Greig, active 1803–1853

Herstmonceux Castle, Sussex

1815

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

1810

unknown artist

Plan of ground floor of Herstmonceux Castle

undated

Charles John Smith, 1803–1838

Herstmonceux Castle for the history and description of the Sussex Coast

undated

William Henry Brooke, 1772–1860

Herstmonceux Castle, Interior of Porter's Lodge and Gateway Tower

undated

Print made by James Basire the younger, 1769–1822

Inside View of the East End of Merton College Chapel

1802

Print made by James Basire the younger, 1769–1822

A View of Worcester College &c

1804

Print made by James Basire the younger, 1769–1822

View of Exeter College, All Saints Church, from the Turl

1806

Print made by Joseph Skelton, active 1820–1850

Part of Balliol College Quadrangle

1820

Print made by John Greig, active 1803–1853

Windsor from the Forest, Berks

1804

Print made by William Byrne, 1743–1805

Distant View of Chester

1810

Print made by James Heath, 1757–1834

Inverary

1805

Print made by William Byrne, 1743–1805

Part of Chester Castle

1810

Engraved by John Pye, 1782–1874

Pope's Villa

1810

Print made by W. E. Albutt, active 1836–1863

High Street, Oxford (small replica)

1828

Etched by Samuel Middiman, ca. 1750–1831

High Street, Oxford

1812

Print made by John Pye, 1782–1874

View of Redcliff Church &c. Bristol

1814

Print made by John Pye, 1782–1874

A View of Oxford from the Abingdon Road

1818

Print made by John Scott, 1774–1828

Crypt in Kirkstall Abbey, Yorkshire

1814

Print made by James Fittler, 1758–1835

A Fishing Smack with a Boat (Dutch Boat in a Gale)

1812

Print made by unknown artist

Bay Windows in the Flower Garden at Farnley

1814

Print made by unknown artist

Gateway to the Flower Garden at Farnley

1814

Print made by John Scott, 1774–1828

Crypt in Kirkstall Abbey, Yorkshire

1814

Print made by John Scott, 1774–1828

Harewood House

1816

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by George Cooke, 1781–1834

Gledhow

1816

Print made by George Cooke, 1781–1834

Land's End, Cornwall

1814-1826

Print made by William Bernard Cooke, 1778–1855

Weymouth

1814-1826

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1814 to 1826

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by William Bernard Cooke, 1778–1855

Lulworth Cove, Dorset

1811-1812

Print made by Edward Goodall, 1795–1870

Venice

1830

Print made by Edward Goodall, 1795–1870

Lake of Como, I

1830

Print made by Henry Le Keux, 1787–1868

Villa Madama, Moonlight

1830

Print made by Robert Wallis, 1794–1878

Banditti

1830

Print made by William Bernard Cooke, 1778–1855

Bow and Arrow Castle, Isle of Portland

1814-1826

Print made by George Cooke, 1781–1834

Tintagel Castle, Cornwall

1814-1826

Print made by William Bernard Cooke, 1778–1855

Bridport, Dorsetshire

1820

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by William Bernard Cooke, 1778–1855

Fowey, Cornwall

1820

Print made by Robert Wallis, 1794–1878

A Farewell - Lake of Como, II

1830

Print made by William Finden, 1787–1852

Travelling Musicians

1830

Print made by Daniel Allen, active 1830s

A Rural Entertainment

1830

Print made by Edward Alfred Goodall, 1819–1908

A Tournament in St. Mark's Place

1830

Print made by Daniel Allen, active 1830s

Buondelmonte

1830

Print made by Daniel Allen, active 1830s

Cristina

1830

Print made by William Finden, 1787–1852

The Pilgrim's Return

1830

Print made by Charles Rolls, 1800–active 1830

The Brides of Venice

1830

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Materials & Techniques line engraving

Period 19th century

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Materials & Techniques line engraving

Period 19th century

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