Materials & Techniques: aquatint - YCBA Collections Search Search Results

301. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving; hand coloring done by an unknown later printer on medium, smooth, cream wove paper laid on mount
Dimensions:: Sheet: 2 5/16 × 3 3/4 inches (5.8 × 9.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. The Belle of the Village

Creator:: Print made by George Baxter, 1804–1867
Date:: 1854
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on moderately thick, slightly textured, cream wove paper laid on contemporary mount made of thick cream card
Dimensions:: Mount: 12 3/8 x 10 3/8 inches (31.4 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Balmoral Castle

Creator:: Engraved by George Baxter, 1804–1867
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving with later color woodcut additions on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 2 5/8 × 4 inches (6.6 × 10.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. Little Red Riding Hood

Creator:: Print made by imitator of George Baxter, 1804–1867
Date:: after 1856
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by Le Blond & Co. on moderately thick, slightly textured, cream wove paper, laid on mount
Dimensions:: Sheet: 7 1/16 × 5 1/8 inches (17.9 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

306. Pomare, Queen of Tahiti

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, discolored cream card
Dimensions:: Mount: 14 13/16 x 11 13/16 inches (37.6 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

307. George Pritchard, Her Britannic Majesty's Consul

Creator:: Print made by George Baxter, 1804–1867
Date:: 1845
Materials & Techniques:: Aquatint, stipple engraving, and etching with colored woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/4 x 12 1/2 inches (41.2 x 31.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

308. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

Creator:: Print made by George Baxter, 1804–1867
Date:: 1841
Materials & Techniques:: Stipple engraving, aquatint, and etching with woodcut on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 11/16 × 12 7/8 inches (22 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

309. Bacharach

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 7/8 x 6 13/16 inches (12.4 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Double Hairpin Set

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Eight Rural Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. The Farmer's Boy & The Rustic Angler

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on medium, smooth, cream wove paper
Dimensions:: Image: 4 3/8 x 6 5/16 inches (11.1 x 16.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Four Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 7/16 x 3 1/4 inches (11.3 x 8.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. Four Subjects

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Image: 4 3/8 x 3 1/4 inches (11.1 x 8.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. Greenwich Hospital

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, aquatint and color woodcut on medium, smooth, cream wove paper
Dimensions:: Sheet: 10 1/16 × 7 13/16 inches (25.6 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Set of Needle-Box Prints

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving and aquatint, with color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 2 1/4 × 5 1/4 inches (5.7 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Tintern Abbey

Creator:: Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and etching, with color woodcut on cream card mounted on beige card
Dimensions:: Sheet: 5 1/8 × 7 1/16 inches (13 × 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

319. Ten Needle-Box Prints

Creator:: Print made by Vincent Robert Alfred Brooks, 1814–1885
Date:: undated
Materials & Techniques:: Etching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1790
Materials & Techniques:: Aquatint, etching, and stipple (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 7/8 × 15 5/8 inches (53 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

321. Portrait of Mrs. Elizabeth Stanhope

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1790
Materials & Techniques:: Stipple engraving, mezzotint, etching, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 3/16 × 10 1/16 inches (33.5 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

322. Oliver Cromwell, P.R.O.C.

Creator:: Print made by Jan van de Velde IV, ca. 1620–1686
Date:: ca. 1655
Materials & Techniques:: Line engraving, stipple engraving and aquatint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 16 × 12 3/16 inches (40.6 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

323. Oliver Cromwell, P.R.O.C.

Creator:: Print made by Jan van de Velde IV, ca. 1620–1686
Date:: ca. 1655
Materials & Techniques:: Line engraving, stipple engraving, and aquatint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 5/8 × 13 1/2 inches (44.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

324. Lady Dashwood & Child

Creator:: Print made by Charles Howard Hodges, 1764–1837
Date:: 1785
Materials & Techniques:: Mezzotint, 3rd state with aquatint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 14 × 10 7/16 inches (35.6 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

325. Prince William Frederick of Gloucester

Creator:: Print made by Caroline Watson, 1760–1814
Date:: 1784
Materials & Techniques:: Aquatint and engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 5/8 × 8 7/8 inches (32.1 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

326. Vaux-Hall

Creator:: Robert Pollard, 1755–1838
Date:: 1785
Materials & Techniques:: Etching with aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 3/4 × 31 1/8 inches (55.2 × 79.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Clare Hall, Cambridge

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1807
Materials & Techniques:: Hand colored, aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

328. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, 1st published state, printed in color, finished by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Peterborough Cathedral

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: Aquatint, handcolored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. Malmsbury Abbey

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: Aquatint, hand colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. Cassiobury, Herfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

Creator:: Print made by Robert Havell, 1769–1832
Date:: 1816
Materials & Techniques:: Aquatint, hand colooring, later state, 1837 edition
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Hand colored, aquatint, First published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: aquatint, gray wash, 1st published state, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. The Great Cloister, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. North-West Front, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: Aquatint, later state, 1837 edition: colored by hand
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. Tours, looking backwards

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Aquatint, engraver's proof, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Teignmouth

Creator:: Print made by unknown artist
Date:: 1836
Materials & Techniques:: aquatint, Late state, plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Barmouth, Merionethshire

Creator:: Print made by William Daniell, 1769–1837
Date:: 1814
Materials & Techniques:: Aquatint with watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 9/16 x 14 15/16 inches (26.8 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

340. Harwich

Creator:: Charles Rosenberg, active 1828–1848
Date:: 1841
Materials & Techniques:: Colored aquatint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 9/16 × 26 1/2 inches (49.7 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

Creator:: Print made by Charles Rosenberg, active 1828–1848
Date:: 1837
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 18 9/16 × 25 5/16 inches (47.1 × 64.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

Creator:: James Clark, 19th century
Date:: 1812
Materials & Techniques:: Hand colored aquatint with etching on moderately thick, smooth, brown wove paper
Dimensions:: Sheet: 15 7/8 x 17 1/16 inches (40.3 x 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

Creator:: Robert Pollard, 1755–1838
Date:: 1790
Materials & Techniques:: Aquatint, etching, and engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 × 27 3/8 inches (45.7 × 69.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. The Mill by the Sea

Creator:: Print made by Charles Henry Baskett, 1872–1953
Date:: 1914
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/16 x 12 11/16 inches (18.6 x 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald and Willi Holden

345. Christ Church Cathedral, Oxford

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1807
Materials & Techniques:: Aquatint, handcolored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Peterborough Cathedral

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. The Great Cloister, Cassiobury

Creator:: Print made by John Hill, 1770–1850
Date:: 1816
Materials & Techniques:: aquatint, later state, 1837 edition plain
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Wooded Landscape with Herdsman and Cows

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: between 1785 and 1788
Materials & Techniques:: Soft-ground etching with aquatint, in gray ink on thick, slightly textured, brown laid paper
Dimensions:: Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Teignmouth

Creator:: Print made by unknown artist
Date:: 1836
Materials & Techniques:: Aquatint, Late state, colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. A Country Churchyard. Verse from Gray's Elegy

Creator:: Marie C. Prestel, 1747–1794
Date:: 1790
Materials & Techniques:: Aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 1/2 × 26 7/8 inches (54.6 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

351. Wooded Landscape with Herdsman and Cows

Creator:: Print made by Thomas Gainsborough, 1727–1788
Date:: 1797
Materials & Techniques:: Soft-ground etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 13 3/4 inches (27.9 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Returning from a Review...Paris

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Breakfast at Breteuil

Creator:: unknown artist
Date:: 1801
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/4 × 26 3/8 inches (48.9 × 67 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. Changing Horses Near Clermont

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 7/8 × 26 7/8 inches (47.9 × 68.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. The Margate Hoy

Creator:: Print made by Charles Catton the elder RA, 1728–1798
Date:: 1785
Materials & Techniques:: Etching, aquatint and hand-coloring on moderately thick, slightly textured, gray laid paper
Dimensions:: Sheet: 11 15/16 × 18 inches (30.4 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. Visit to the Convent at Amiens

Creator:: unknown artist
Date:: 1803
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 18 15/16 × 26 5/16 inches (48.1 × 66.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. Inn Yard at Calais

Creator:: unknown artist
Date:: 1802
Materials & Techniques:: Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 18 5/8 × 26 1/4 inches (47.3 × 66.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Fitting out. - Plate 1

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 15/16 inches (25.4 x 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Moonlight at Sea, Off the Isle of Wight

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1896
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 16 7/8 inches (30.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Chain Pier at Brighton

Creator:: Print made by John Bruce, fl. 1826
Date:: ca. 1830
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Mamma at Romps

Creator:: Print made by Samuel Freeman, 1773–1857
Date:: 1810
Materials & Techniques:: Colored aqutatint and stipple engraving, with etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 7/16 x 10 3/8 inches (34.2 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Lincoln Cathedral

Creator:: Thomas Malton, 1726–1801
Date:: 1800
Materials & Techniques:: Color aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 22 3/8 × 29 3/8 inches (56.8 × 74.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. View of the Pantheon taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. Elizabeth Alexander

Creator:: Print made by Elizabeth Christiana Fanshawe, 1778–1856
Date:: 1806
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 × 9 1/16 inches (33 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

365. Miss Mary Palmer

Creator:: Joseph Collyer, 1748–1827
Date:: 1785
Materials & Techniques:: Aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 5 5/16 × 3 7/8 inches (13.5 × 9.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Knives, Scissars, and Razors to Grind

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Round & Sound, Five Pence a Pound, Duke Cherries

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 13 3/8 inches (43.5 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. Strawberrys, Scarlet Strawberries.

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 13 1/2 inches (43.8 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Old Chairs to Mend

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 13 3/8 inches (43.8 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. A New Love Song, Only ha'Penny a Piece

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 13 5/16 inches (42.5 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. Hot Spice Gingerbread, Smoking Hot!

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1796
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 12 3/4 inches (42.5 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. Boys Playing at Peg Top

Creator:: Print made by Robert Pollard, 1755–1838
Date:: 1786
Materials & Techniques:: Line engraving, etching, and aquatint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 23 5/8 inches (47.9 × 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

373. Sweet China Oranges, Sweet China

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/16 × 13 1/2 inches (43.7 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Two Bunches of Penny Primroses, Two Bunches a Penny

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 13 1/4 inches (42.9 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Milk below Maids

Creator:: Print made by Luigi Schiavonetti, 1765–1810
Date:: 1793
Materials & Techniques:: Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured cream wove paper
Dimensions:: Sheet: 16 1/4 × 12 1/2 inches (41.3 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Do You Want Any Matches?

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1794
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 7/8 × 13 3/8 inches (42.9 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Fresh Gathered Peas, Young Hastings

Creator:: Print made by Giovanni Vendramini, 1769–1839
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 × 13 7/8 inches (43.2 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. New Mackrel, New Mackrel

Creator:: Print made by Niccoló Schiavonetti, 1771–1813
Date:: 1795
Materials & Techniques:: Color printed etching, aquatint, and stipple engraving with handcoloring in water color on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 13 1/2 inches (43.5 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. A Span of Old Battersea Bridge

Creator:: Print made by Sir Frank Short, 1857–1945
Date:: 1899
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Daniel Bell

380. Hamlet

Creator:: Print made by Charles Ansell, ca.1752–active 1790
Date:: 1809
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/16 x 15 3/16 inches (31.2 x 38.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

381. Here Nature List'ning Stood

Creator:: Print made by Cornelis Apostool, 1762–1844
Date:: 1795
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 × 5 15/16 inches (22.8 × 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

382. Fools; or Jesters

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1813
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 1/16 inches (36.7 x 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Military Costumes of the Reign of King Henry VI, 1447

Creator:: Print made by John Augustus Atkinson, 1775–1831
Date:: 1812
Materials & Techniques:: Etching and aquatint with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 9/16 x 14 11/16 inches (26.9 x 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

384. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Creator:: Print made by James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

385. Sheep in Twilight

Creator:: Print made by John Copley, 1875–1950
Date:: 1922
Materials & Techniques:: Etching and aquatint with gray wash on moderately thick, slightly textured, cream Asian paper
Dimensions:: Sheet: 15 3/8 x 11 7/16 inches (39 x 29 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

386. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Aquatint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 24 5/8 inches (21 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 1/8 x 10 9/16 inches (20.6 x 26.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. Views in the Levant: The Sacred Cave of Archidamus

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Repose in Egypt

Creator:: Print made by James Barry, 1741–1806
Date:: ca. 1776
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 8 × 10 3/8 inches (20.3 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

391. The Romans Polite to Strangers

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 22 5/16 inches (38.4 x 56.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Malmsbury Abbey

Creator:: Print made by Richard Gilson Reeve, 1803–1889
Date:: 1809
Materials & Techniques:: Aquatint on medium, slightly textured, cream wove paper
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Tours, looking backwards

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: undated
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. An Egyptian Palace

Creator:: Print made by William Walcot, 1874–1943
Date:: 1923
Materials & Techniques:: Etching, aquatint, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 17 7/8 inches (38.1 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

395. Interior of St. Peter's, Rome

Creator:: Print made by William Walcot, 1874–1943
Date:: 1919
Materials & Techniques:: Etching, aquatint, drypoint, and roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 12 7/8 inches (30.5 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

396. A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820

Creator:: Print made by Robert Isaac Cruikshank, 1789–1856
Date:: after 1820
Materials & Techniques:: Aquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 5/16 x 17 5/8 inches (23.6 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

397. The Procession of the Knights of the Most Noble Order of the Garter

Creator:: Richard Cooper the Younger, 1740–1814
Date:: 1782
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 54 1/4 inches (50.2 x 137.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Presages of the Millenium

Creator:: James Gillray, 1756–1815
Date:: 1795
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 × 14 13/16 inches (33 × 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. The Miracle of Purun Bhagat

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/8 × 8 inches (26.4 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Harrison Wood

400. The Undertakers

Creator:: Print made by William Strang, 1859–1921
Date:: 1900
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/4 × 8 3/8 inches (17.1 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Dr. Harrison Wood

YCBA Collections Search

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Materials & Techniques aquatint

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301. Balmoral Castle

302. The Belle of the Village

303. Balmoral Castle

304. The Great Exhibition: Exterior View from the Southwest

305. Little Red Riding Hood

306. Pomare, Queen of Tahiti

307. George Pritchard, Her Britannic Majesty's Consul

308. The Reception of the Rev. J. Williams at Tanna in the South Seas, the Day before He Was Massacred

309. Bacharach

310. Double Hairpin Set

311. Eight Rural Subjects

312. The Farmer's Boy & The Rustic Angler

313. Four Subjects

314. Four Subjects

315. Greenwich Hospital

316. Set of 18 Labels from 'Twining & Sons' Hairpins Boxes.

317. Set of Needle-Box Prints

318. Tintern Abbey

319. Ten Needle-Box Prints

320. Lord Henry and Lady Charlotte Spencer as 'The Young Fortune Tellers'

321. Portrait of Mrs. Elizabeth Stanhope

322. Oliver Cromwell, P.R.O.C.

323. Oliver Cromwell, P.R.O.C.

324. Lady Dashwood & Child

325. Prince William Frederick of Gloucester

326. Vaux-Hall

327. Clare Hall, Cambridge

328. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

329. Peterborough Cathedral

330. Malmsbury Abbey

331. Cassiobury, Herfordshire, The Seat of the Earl of Essex

332. Cassiobury, Hertfordshire, The Seat of the Earl of Essex

333. North-West Front, Cassiobury

334. North-West Front, Cassiobury

335. The Great Cloister, Cassiobury

336. North-West Front, Cassiobury

337. Tours, looking backwards

338. Teignmouth

339. Barmouth, Merionethshire

340. Harwich

341. The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837

342. View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below

343. Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty

344. The Mill by the Sea

345. Christ Church Cathedral, Oxford

346. Peterborough Cathedral

347. The Great Cloister, Cassiobury

348. Wooded Landscape with Herdsman and Cows

349. Teignmouth

350. A Country Churchyard. Verse from Gray's Elegy

351. Wooded Landscape with Herdsman and Cows

352. Returning from a Review...Paris

353. Breakfast at Breteuil

354. Changing Horses Near Clermont

355. The Margate Hoy

356. Visit to the Convent at Amiens

357. Inn Yard at Calais

358. Fitting out. - Plate 1

359. Moonlight at Sea, Off the Isle of Wight

360. Chain Pier at Brighton

361. Mamma at Romps

362. Lincoln Cathedral

363. View of the Pantheon taken from the Arsenal

364. Elizabeth Alexander

365. Miss Mary Palmer

366. Knives, Scissars, and Razors to Grind

367. Round & Sound, Five Pence a Pound, Duke Cherries

368. Strawberrys, Scarlet Strawberries.

369. Old Chairs to Mend

370. A New Love Song, Only ha'Penny a Piece

371. Hot Spice Gingerbread, Smoking Hot!

372. Boys Playing at Peg Top

373. Sweet China Oranges, Sweet China

374. Two Bunches of Penny Primroses, Two Bunches a Penny

375. Milk below Maids