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Materials & Techniques line engraving
Remove constraint Materials & Techniques: line engravingPeriod 19th century
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1
- Plate X, Fowl Body, Lateral View
- 1804
2
- Plate VIII, Human Body, Posterior View
- 1804
3
- Taj Mahal, Agra
- 1831
- On view at YUAG
4
- Tours - Looking Backward
- 1833
5
- Little Devil's Bridge over the Russ above Altdorft, Switzerland
- 1812
6
- Hedging and Ditching
- 1812
7
- Crowhurst
- 1812
8
- Windsor Castle from Salt Hill
- 1812
9
- Scene in the Campagna
- 1812
10
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
11
- For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
- 1826
12
- For the Sexes: The Gates of Paradise, Plate 12, "Help! Help!"
- 1826
13
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
14
- For the Sexes: The Gates of Paradise, Plate 15, "Fear & hope are -- Vision"
- 1826
15
- For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
- 1826
16
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
17
- For the Sexes: The Gates of Paradise, Plate 6, "Air"
- 1826
18
- For the Sexes: The Gates of Paradise, Plate 7, "Fire"
- 1826
19
- For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "
- 1826
20
- For the Sexes: The Gates of Paradise, Plate 5, "Earth"
- 1826
21
- For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"
- 1826
22
- For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
- 1826
23
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
24
- Thomas Hayley (1780-1800)
- 1800
25
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
26
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
27
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
28
- For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"
- 1826
29
- For the Sexes: The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
- 1826
30
- For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."
- 1826
31
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
32
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
33
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
34
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
35
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
36
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
37
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
38
- Rev. John Caspar Lavater (1787-1801)
- 1800
39
- Theocritus
- 1821
40
- Epicurus
- 1821
41
- Caius Julius Cæsar
- 1821
42
- From Antique Coins
- 1821
43
- Octavius Augustus Cæsar
- 1821
44
- Thomas Hayley (1780-1800)
- 1800
45
- A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq
- 1804
46
- A Sketch of the Monument Erected in the Church of East Dereham in Norfolk in Memory of William Cowper Esq
- 1804
47
- Publius Virgilius Maro
- 1821
48
- The Temple of Aphaia at Aegina: Elevations
- undated
49
- Okehampton Castle, on the River Okement
- 1825
50
- Okehampton Castle, on the River Okement
- 1825
51
- Dryburgh Abbey
- 1833
52
- Norham Castle - Moonrise
- 1834
53
- Front of Wrapper for Rivers of England (Number One)
- 1823
54
- Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
55
- The Monk
- between 1833 and 1853
56
- Intemperance
- undated
57
- A Mythological Battle
- 1853
58
- The Balcony
- between 1835 and 1854
59
- The Prince of Orange Landing at Torbay
- 1852
60
- The Coronation of Queen Victoria
- 1842
61
- Domestic Architecture, An Upper Apartment of the Same Magnificent Mansion
- 1812
62
- Part of Audley House, Dukes Place
- 1802
63
- Exeter Change
- undated
64
- St. Mary le Strand
- undated
65
- The Strand
- 1811
66
- Messrs. Morgan & Sanders, Catherine St. Strand
- 1809
67
- Craven House, Craven Building, Drury Lane
- 1800
68
- Hungerford Market
- 1805
69
- Memorial for the Seven Children, of James and Mary Woodmason, Killed by Fire, in the Family Mansion
- 1825
70
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849
71
- Shakespeare in His Study
- 1859
72
- The Dreams of the Youthful Shakespeare
- 1827
73
- David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
- 1811
74
- The Mantilla
- 1838
75
- Sleeping Boy
- 1812
76
- Crypt in Kirkstall Abbey, Yorkshire
- 1814
77
- Sir Anthony van Dyck
- 1825
78
- Benjamin West, P.R.A
- 1817
79
- Sir David Wilkie
- after 1829
80
- Florence, from the Chiesa al Monte
- 1820
81
- Summer Eve - the Rainbow
- 1837
82
- Egypt, the Pyramid of Ghizeh
- 1836
83
- Lebanon from Tripoli
- 1835
84
- A Swiss Valley (Vignette)
- 1837
85
- Sinai's Thunder (Vignette)
- 1837
86
- Lochiel's Warning (Vignette)
- 1837
87
- The Last Man (Vignette)
- 1837
88
- Gertrude of Wyomimg - The Valley (Vignette)
- 1837
89
- Rolandseck (Vignette)
- 1837
90
- The Beech Tree's Petition (Vignette)
- 1837
91
- St. Agatha's Abbey
- 1844-1867
92
- The Rhine - Osterspey and Feltzen
- 1838-1854
93
- The Rhine - Neuwied and Weissenthurm
- 1838-1854
94
- Calais Pier
- between 1859 and 1861
95
- The Shipwreck
- between 1859 and 1861
96
- A Country Blacksmith
- between 1859 and 1861
97
- The Goddess of Discord in the Garden of Hesperides
- between 1859 and 1861
98
- Dutch Boats in a Gale
- between 1859 and 1861
99
- The Death of Nelson
- between 1859 and 1861
100
- Apollo Killing the Python
- between 1859 and 1861